Prologue

So here we are with part two of this mini-series centered around Angron, the Lord of the XII Legion, and today I would like to focus on my interpretation of Angron in his post-ascension form as a Daemon-Primarch (a project already teased in my last post). Now it may seem counter-intuitive to deal with this last and (canonically) latest version of Angron first, but I have long stopped wondering about when and how inspiration strikes, electing instead to just go with the flow. And in this particular case, there was ample inspiration to be had, indeed — but we’ll be getting to that in a minute!

Let me start by telling you that this particular project has been long in the making. It actually started over a year ago, when I received a second plastic Bloodthirster as a gift. Back then, my first Bloodthirster (bought immediately upon the new kit’s release) had already been assembled, and I didn’t really want to merely build another one. But I also didn’t want to just put the kit away into my cupboard of shame, so my mind started wandering…would it actually be possible to build a version of Daemon-Primarch Angron using this kit…?

Following my usual approach, I started by doing lots of research. And a huge part of this progress was to check out what had come before. Like this guy:

Angron by Wade Pryce

Wade Pryce’s Angron conversion, based on the old metal Bloodthirster. Now for those of you who don’t know Wade’s army, it’s easily one of the most spectacular 40k World Eaters armies of all time, and one that played a huge part for creating the concept of Khorne’s Eternal Hunt, when I got back into the hobby. And true to the quality of his World Eaters, Wade served as a trailblazer once again with his Angron conversion, being just about the first hobbyist with the actual audacity to tackle such a project.

Now while the model may seem a bit dated, given the ever escalating quality of models we have been seeing over the last years, it still remains important in that it serves as a proof of concept that Daemon-Primarch Angron is possible in model form — to wit, Wade’s model basically served as GW’s quasi-official 40k Angron for quite a while, even being featured on their homepage until fairly recently.

Speaking of official models, there was that hokey Epic 40k model of Angron, of course:

image source: SOLegends

But seriously, it didn’t feel like I could take lots of inspiration from this guy, right? Keep this particular model in mind, however, as we’ll be encountering him in the unlikeliest place before this is over…

I. Research and main inspiration

But anyway, GW wouldn’t be a big help here, at least not when it came to models. So I turned to the hobbyists, and while Daemon-Primarch Angron certainly isn’t a super-popular subject for converters so far, there are some conversions of him floating around. Among this, some seemed especially noteworthy to me due to their quality: VonKessler’s truly monstrous Angron was quite stunning, as was Rumplemaster’s Angron. I am also a fan of this version of Angron in Daemon-Primarch form by Renaes, while we are on the subject — but while all three versions are very cool and rather inspiring, they all use very different base models from the Bloodthirster I had chosen as my starting point.

And then there was Reg, French hobbyist extraordinaire, who, I was flabbergasted to find out, is responsible for more than a dozen different Angron conversions (don’t believe me? Go check up on him — I’ll be waiting). But what’s more, his Angron conversions are among the best interpretations of the character you can find online. And when I recently saw this latest Angron from Reg on CMON, based on the Bloodthirster, no less, I was simply blown away:

Bloodthirster-based Angron conversion by Reg

Seriously, this is probably the best Daemon-Primarch Angron I have seen so far, and really, really close to my own interpretation of the character! A part of me actually hated Reg for having come up with this before me — where was the point in even starting my own project now? But then I calmed myself and started to think and plan and throw around bitz, and while I would be using this as one of my main inspirations and …erm “borrow” quite a few ideas from it, there were also some things that I wanted to do slightly differently. Plus I wanted to incorporate some different sources as well.

The second major inspiration for my own Angron conversion was what I believe is the only official atrwork to date depicting Daemon Primarch Angron, a piece by Alex Boyd (who was obviously channelling his inner John Blanche when painting this piece):

Daemon Primarch Angron by Alex Boyd

I understand this artwork originally appeared in the Visions of Heresy artbooks, but I first saw it back when it appeared in White Dwarf, accompanying some rules for using Angron in games of Apocalypse.

I think it goes without saying that Reg seems to have taken quite a few cues from this piece of art (as did Rumplemaster). And both have come up with models that are looking wildly different from one another while also both being reasonable interpretations of the art. Because what’s really rather amazing about the illustration is that the style is loose and painterly enough to be up to interpretation to a certain degree.

I also really, really love how the art features callbacks to Angron’s human form, as depicted by John Blanche and Wayne England (see my previous post): The three-spiked crest above Angron’s head, the curved shoulder pads and the axe are all elements drawn from those earlier pieces of artwork. The axe, in particular, seems like a daemonic version of the huge two-handed axe appearing in the earlier Horus Heresy artwork, decorative wing ornament and all. What a brilliant sense of continuity!

So I chose this illustration as my second main influence when building and painting my own Angron. But there was one more source that became a major influence:

MINOR SPOILERS for “The Emperor’s Gift” follow!

The description of post-ascension Angron that appeared in Aaron Dembski-Bowden’s “The Emperor’s Gift”

„And there it was. Behind the diseased humidity and stench of fresh blood: a shadow that stained the horde’s core. It rose from the wreckage of a temple, spreading monstrous wings to the sky.

II. Getting started

After assembling all the ideas and bitz I needed, I started by putting together the plastic Bloodthirster’s body. I had already done this once with my first Bloodthirster, so this part was easy work. I knew that I wanted to change the look of the model as much as possible, however, and the main area of interest to sell the conversion as Angron would be the head. So that’s where I started the proper conversion — with a very early, slightly ridiculous looking mockup made from poster tack:

Based on the various descriptions and depictions of Daemon-Primarch Angron, I decided that the standard “human” Bloodthirster face would work perfectly as a base for the conversion. However, I wanted to make two substantial changes to it: One, open the jaws far wider than on the stock model, for that extra bit of madness and body horror. And two, elongating the neck protion quite a bit, both to change the silhouette of the model and to make room for the mutated cables and tendrils representing Angron’s “Butcher’s Nails” implants.

Early during this step, I decided to lose the smaller horns and ears on the stock face, because I really wanted to make the head look different than the standard Bloodthirster face. I also wanted to draw more attention to the sculpted area of the head, but this also meant I would have to come up with some decent sculpting, which seemed like a pretty daunting task. But I didn’t really have a choice in the matter, so I started by using some GS to build up the basic shape of the head and neck:

Admittedly, the model didn’t look like much at this point, and I was briefly afraid of having ruined a pretty expensive kit. But when I tentatively posted these early WIPs on various forums, people immediately recognised the model as a WIP Angron and seemed very enthusiastic — phew!

Another part of “The Emperor’s Gift” refers to Angron’s “saurian head”, and I liked the idea that an elongated head gave him a bit of a reptilian look without completely superseding the human origins of the character.

The next part of the conversion was to build up several parts of the model at the same time: More and more cables were added to the head, some of them GW bitz (all the cables from the Space Marine Centurions really came in handy here), while others were sculpted from GS using a fine-tooth comb and lots of patience (thanks to a neat tip from fellow hobbyist Mechanist). At the same time, I also added the various planned armour plates to Angron’s body. Here’s what the model looked like a short while later:

My original plan was to use the Ogre Bull gut plates resembling the World Eaters’ legion badge as kneepads (to emulate the kneepads of Forgeworld’s Angron model), but then I realised that the gut plate also worked really well in its intended function, providing a piece of armour that fit very well while also differentiating the model further from the stock Bloodthirster.

As for the spiked crest you can see above Angron’s head, that is a shout out to several pieces of artwork, as there was always a three-spiked crest above Angron’s head in the older artwork, both in his mortal and immortal incarnation. However, Simon Egan’s Angron model has slightly redesigned this element into a World Eaters symbol framed by what seems curiously like a chaos star. Therefore, I felt that would be cool to hint at the updated design, and so I used a part from the WFB warshrine of chaos as a crest.

The shoulder pads were a part that confounded me for quite a while, and I also felt that this was the part where many Angron conversion, even the truly excellent ones, faltered, trying to add pauldrons made from GS that ended up looking slightly too gooey and awkward.

After much consideration, I discovered some chaos shields from Maxmini.eu which Augustus b’Raass had sent me a while ago in my bitzbox, and they really seemed like an excellent compromise, recalling the pauldrons in the art while also fitting the Bloodthirster model surprisingly well (and featuring the same amount of detail as the rest of the armour plates):

The most involved part of the conversion was to keep adding more and more cables to the head, and this also took far more patience than I normally have. But I forced myself to work in several sessions and kept adding more and more detail to build up the head. You may notice the cables’ different textures. This was a conscious choice, as I wanted to capture the feeling of various cables at various stages of “transformation”, for lack of a better word: There are the more slender, clearly metallic cables, slightly thicker cables that already have a distinctly organic look (and somewhat more gooey texture) and, finally, fleshy tendrils that no longer really look like cables at all. I wanted this ensemble to look like the nails had actually become a part of Angron’s very being upon his ascension, and I planned to underline this even further during the painting stage.

So with the model’s body finally taking shape, this was also the right moment to think about the weapon I wanted Angron to wield. Canonically, Daemon-Primarch Angron is armed with the Black Blade, a massive daemonsword forged for him during the Heresy by Vel Kheredar, at the behest of Lorgar.

Coming up with a suitable blade would have been a rather neat challenge (I considered Nagash’s sword for a while, or the sword from the Nemesis Dreadknight), but the longer I thought about it, the more I realised that I really wanted to incorporate that huge axe that appears both in the early Horus Heresy artwork and in Alex Boyd’s illustration.

I knew from looking at Reg’s model that this could work really well, using one of the Bloodthirster axes. However, I diverged from his design by using the big, two-handed axe rather than one of the smaller ones. Here’s the finished, slightly tweaked axe:

The haft was shortened and straightened a bit to make the axe seem slightly less unwieldy (I also thought the crooked haft did look slightly silly). And I definitely needed that huge wing ornament on the axe head — I took inspiration from Reg’s model here, using a wing from a Dark Vengeance Ravenwing bike and gluing it to the axe.

So here’s a mockup of Angron holding the weapon:

And as you can see in the pictures, there’s also a little something in Angron’s right hand: This is perhaps the second rather substantial difference from Reg’s amazing version: I really wanted to do something with the empty hand, and it seemed like the perfect chance to incorporate another shout out to Alex Boyd’s illustration: The artwork shows Angron gripping an unlucky Astartes, probably an Ultramarine, in his off-hand, so I chose to create a similar effect on my own model. A Grey Knight would have been an interesting alternative, but I ultimately chose an Ultramarine, both as a callback to the art and because using a Grey Knight would have “dated” the model:

You see, Angron was one of the first Primarchs to ascend to daemonhood, during the Mid-Heresy. Yet at the same time, it stands to reason that his appearance as a Daemon-Primarch would still be roughly the same several millennia later. So using an Ultramarine here would ultimately allow me to use the model both for 30k and 40k (as a piece linking together the two versions of my World Eaters, if you will), which I thought was a pretty nifty bonus!

Towards this end, I tried to make the Ultramarine’s armour look like it could have originated during the Heresy, mainly using Mk IV components:

I do realise that gory trophies like these can be a bit of a divisive feature, but I chose to cut the Ultamarine apart at the waist, showing how Angron must have torn his opponent in half moments earlier. I think having an entire Astartes dangling from his fist would have ended up looking rather awkward, so the legs will appear on the base. I tried to keep the splatter factor pretty low though, avoiding lots of dangling innards and limiting myself to a barely visible spine and one coiled rope of entrails:

My take is that the Marine is still alive, by the way, if only just barely — “Only in death…”, and all that: I reckon this guy has one last swing left in him, not that it’ll do him any good. This is also the reason while he is still facing towards Angron:

So with both hands completed, it was time to attach the wings and add the final details before the conversion was ready for paint:

The most important part to tidy up was the head, although I found I didn’t even want to add lots and lots of additional cables, as I was really rather happy with the way it looked. In addition to the cables, some small chains and several skulls (both from the Empire Flagellant kit) were nestled in between all the cabling and fleshy tendrils, in keeping with both the art and ADB’s description. As for the face itself, the two final additions were some gruesome spikes on each cheek and some studs carefully added to the forehead, both as a way of approximating similar elements appearing in the artwork:

And there was one last “special effect” that I wanted to add to the model: Because I had made such a lot of changes to the model’s head, there was no way to use the crest of fur that normally runs down the stock Bloodthirster’s head. So I used this area to add another detail differentiating my Angron conversion from the stock ‘Thirster, while also serving as a shout out to my plastic Angron conversion.

As you might remember, my plastic Angron kept the exposed spine from the Slaughterpriest model:

Now I thought it would be a cool, if somewhat grisly, in-joke to use the same element on my Daemon-Primarch Angron, so I used the big spine from the AoS Bloodsecrator of Khorne and some GS to create this:

And with those final additions, the conversion was finished. Let’s take a look at how the model looked before painting:

Here’s a comparison picture showing Angron next to my Bloodthirster: Considering the fact that it’s basically the same model, I do think I’ve done a reasonable job of making the conversion look different:

All in all, I am really extremely happy with the conversion: While it’s very obvious that I have taken a fair bit of inspiration from Reg’s Angron conversion, I also think that I’ve made enough tweaks on the formula for my model to be able to stand on its own. At the same time, I also feel the model is a pretty fair, if not 100% picture-perfect, representation of Alex Boyd’s artwork, even if I’ve had to switch hands on my model, for the sake of practicality:

I am particularly happy with the face and head:

Yup, looks like Daemon-Primarch Angron to me

Now, do you still remember that silly Epic 40k version of Angron shown at the beginning of this post? Now what if I tell you that my buddy Biohazard is currently working on his own version of Daemon-Primarch Angron (because the both of us seem to be having a bit of an Angron conversion arms race going on at the moment), and his version is actually based on that Epic 40k model?

It is also completely awesome:

Daemon-Primarch Angron conversion by Biohazard

As you can see, Biohazard’s even arming Angron with the proper Black Blade, having made a fantastic kitbash utilising the Nemesis Dreadknight’s sword. I love the fact how we’ve chosen to build the same character and use the same stock model, yet our respective interpretations should end up looking wildly different! Keep track of Biohazard’s brilliant conversion work here.

As for my own version, there was one last test to pass: We are all prepared to cut a conversion some slack while it’s still in different shades of grey and green, but the truly magic moment comes when it’s all brought together by the same colour — or not. So it was with some nervousness that I spraypainted the entire model black:

And yet with only the black undercoat in place, I think it’s already obvious how the different parts of the head (and, by extension, the conversion) merge together fairly seamlessly, wouldn’t you agree?

Once again, the armour plates were being kept seperate during the painting process, in order to make painting easier and avoid hard to reach nooks and crannies:

Right, time to get this bad boy painted, eh?

So stay tuned for the next part of this series, when I’ll be walking you through the painting process. Until then, I’d really love to hear your feedback on the conversion so far and my working process for this project! And a heartfelt thank you to all those who have provided the necessary inspiration – or bitz – for this particular project!

And, as always, thanks for looking and stay tuned for more!

Hey everyone,

I think I’ll be turning “State of the Hunt” into a semi-regular feature to show you smaller stuff I am currently working on and to discuss various subjects that maybe wouldn’t warrant a post of their own but are still important to me. So today let’s look at a collection of Khornate Miscellany:

I. A Champion Reborn…

What else could be the first item of interest for today, if not the release of the new plastic version of Khârn the Betrayer? There have been rumours about new versions of the iconic Chaos characters for a rather long time now, and now here’s Khârn, hopefully ushering in a slew of releases (one can always dream…):

Now before we take a look at the new model, allow me to mention that I have written at lenght about Khârn and his various incarnations in the art, the lore and in model form, so you may consider the following thoughts a late addendum to the respective post from 2014.

So as I’ve said in the aforementioned post, I really consider the original Khârn the Betrayer a model for the ages (but then that’s Jes Goodwin for you). I would also argue that the old model has managed to age far more gracefully than most special characters from 2nd edition. For instance, while Abaddon just looks rather puny next to the much bigger modern models in Terminator armour, Khârn still seems imposing, even twenty+ years later. He’s also a thoroughly iconic piece, debuting (or at least refining) so many of the visual elements that define the look of the World Eaters and the Khorne Berzerkers in particular to this day: the chains, the skull motifs, the bare arm. And, of course, the iconic crested helmet.

Now updating such an iconic model is not without its dangers, and when a new plastic version of Eldrad Ulthran was recently released, I felt it lacked the original model’s iconic quality. So what about Khârn then?

When we look at both versions side by side, I think the one thing we can all agree on is that the new version still definitely reads as Khârn — and that alone is no small feat! In my opinion, the best decision of the new model was to basically stick to the classic design of the helmet and only make very minor tweaks to it. Back when I converted my own true scale version of Khârn, I quickly found out that no model will look like Khârn unless that particular helmet design enters the equation, and by the same token, Khârn’s helmet is the one helmet that isn’t easy to kitbash by using available bits. So basically leaving the helmet alone was a fantastic – and ultimately crucial – design decision, in my opinion!

All of the other classic elements are there as well: The bare right arm (after Forgeworld’s Khârn version switched the axe to the other arm, it’s interesting to see how GW chose to stick with the layout of the 90s version), the chains wrapped around it, the various skull motifs adorning the armour, and countless other little touches. All of this sells the model as Khârn without a doubt!

Of course things only really get interesting when one considers the parts that have been changed when compared to the original model: First of all, Khârn seems to have bulked up quite a bit, to account for about two decades of scale creep. And he wears it really well, as a look at some additional angles reveals:

Another really cool part is how GW has managed to bring the armour in line with the very baroque look of the Dark Vengeance Chosen or the plastic Raptors/Warp Talons without resorting to adding any wanton mutations: I think this basically works as the perfect template for new chaos models: Give us more jagged and baroque looking armour that clearly differs from the smooth contours of loyalist Astartes armour, but focus the gribbly stuff on optional bits and upgrades. That way, everyone would be happy, right?

Anyway, the redesign achieves the trick of making the new Khârn look right at home next to both vintage and modern chaos models, which is great, and arguably my favourite part about the model!

Then there’s the pose, of course: Where Khârn’s pose used to be very static (and powerful), he is now running forward like mad — which, admittedly, is a pretty great fit for the character. Now to be perfectly honest with you, I wouldn’t have minded a static pose on the new Khârn, but then most people seem to have taken issue with it, and the new running pose also creates a nice resemblance with Forgeworld’s Khârn model, albeit mirrored:

Of course the problem with highly dynamic running poses is that the model in question might end up looking as though it were tripping over its own feet, and the new Khârn is getting a bit of flak over possibly tripping over those dangling skulls — but seriously, I am not really seeing it. In my opinion, the running pose is more believable than the slightly awkward pose of Forgeworld’s version. And if you take a look at the 360 degrees view of the new model over at the GW website, there’s a depth and three-dimensionality to the model now that is hard not to admire.

So do I love everything about the model? No, I do have my gripes, of course. So let’s take a look at the bad parts:

Those weighed down chains dangling from Khârn’s left wrist are easily my least favourite part of the model: They just seem too clunky and kill the flow of the model. I think I would have gone with something a bit more subtle, and my first tweak to the model would be to take off those chains or pare them back a bit.

It also seems to me that the ripped muscles on Khârn’s bare arm look slightly too angular and sculptural, although that could always come down to the paintjob. I will say, however, that the pose is maybe slightly too stylised for its own good, with Khârn looking more like the statue of a running guy that an actual running guy, if that makes any sense.

And my third gripe with the model is the design of Gorechild, Khârn’s axe:

Considered on its own, it’s a very cool and vicious looking Khornate axe — and look, they’ve even redesigned the teeth to more closely resemble the Mica-Dragon teeth from the lore. So the design is pretty cool, but by changing it, the entire sense of visual continuity goes out of the window. Because one thing I have always loved is that, regardless of whether you were looking at Forgeworld’s Angron, Forgeworld’s 30k Khârn or the 40k Khârn model, they were all definitely wielding the same axe, and that sense of continuity is now lost. Now you could argue that the axe had probably undergone some warping and mutation over the 10,000 years of the Long War, but after so much work on the sculptor’s part has gone into ensuring that the axe looks exactly the same on all three models, this change almost seems like an oversight now, and while the axe itself looks cool enough, that really, really bothers me (because I’m an obsessive weirdo like that ).

I have one very minor gripe: The backpack seems strangely narrow to me, but I’ll reserve judgement until I have seen the model firsthand.

Interestingly enough, a closer look at the sprue reveals that the model might actually be pretty conversion-friendly:

For one, it should be pretty easy to return the new model to a more static standing pose, should you want to: Just some careful cutting and maybe a set of DV Chosen legs, and Bob’s your uncle! Those bothersome chains should be easy enough to leave off or tweak as well, seeing how they come as a separate part. And I guess one could even replace Gorechild’s blade, if one were that way inclined.
The fact that the plasma pistol arm, axe and backpack could easily be used as conversion bits is a definite plus as well!

So, what’s the final verdict?

All in all, I am pretty happy with the new Khârn! Where the plastic version of Eldrad failed to capture the coolness and iconic nature of the original model, it feels like Khârn is definitely a step into the right direction! While I do have a couple of minor complaints about the model, the new version also brings enough to the table to be a strong model in its own right. Maybe it’s not quite as timeless a classic as the original Khârn, but that also seems impossible to ascertain right now, especially given the fact that I’ve grown up with the original 2nd edition model. Anyway, I like this guy! Where Eldrad was a bit of a disappointment, Khârn is – at the very least – a modest success.

At the same time,  I still think my custom, true scale Khârn from 2014 manages to hold up:

At the same time, I can pretty much guarantee that I’ll also be purchasing the new version: I think it’s a pretty awesome new interpretation of an iconic character, and the parts I don’t like about the model should be easy enough to tweak. I’ll keep you posted

II. Travelers from afar…

My hobby life has been massively improved by other people’s generosity for a rather long time now, and I’ve been fortunate enough to receive two more incredible additions for my collection from fellow hobbyists recently.

First came BrotherJim, who recently completed a rather stunning Nurglite CSM force as part of the ETL V event: I provided some feedback to him, and he actually built me a model and sent it over to me by way of thanks — how awesome is that? Now the really cool thing about BrotherJim’s conversions is how much they are inspired by Adrian Smith’s rather iconic art from the 3.5 Codex Chaos Space Marines, and how BrotherJim is pretty much the first person to have managed to give his models the same, massive, lumbering look. This leads to a very distinctive style, and I was really happy the day one of his creations arrived allll the way from Australia to bolster the forces of Khorne’s Eternal Hunt:

Conversion by BrotherJim

Note the amount of gear and the imposing backpack, both trademarks of BrotherJim’s style. Now I was really happy with the model, but wanted to make one small alteration – a different head – mostly because that particular berzerker head already appears on more than one model in my army, and I felt this guy deserved something more original. So I spliced together a suitably ornate helmet, and here’s the new Huntmaster soon to be part of the 4th assault company:

Model converted by BrotherJim

Model converted by BrotherJim

Model converted by BrotherJim

Model converted by BrotherJim

Model converted by BrotherJim

Just get a load of the amount of weapons on this guy!

Anyway, thanks again to BrotherJim for this amazing gift! And make sure to check out his excellent work on a growing chaos collection here.

But wait, there’s more: When I came home yesterday, the cutest little package had arrived from the UK. Inside I found this wonderfully sinister and bloodied champion of the War God built and painted by none other than spectacularly talented Terrain-Overlord extraordinaire Neil101 of Opus Maius’ fame:

Model built and painted by Neil101

Model built and painted by Neil101

Model built and painted by Neil101

Now I was already aware that Neil had built this model for me a while ago, but the fact that he also chose to paint it in his trademark style was a wonderful surprise indeed! The result is something far more painterly and visceral than anything I could have come up with, and I am really in love with this guy right now. And that wasn’t all, because accompanying the Khornate champion came a wonderfully macabre “Bucket o’ Blood” (followers of Khorne never leave home without it!):

Model built and painted by Neil101

As is usually the case with Neil’s work, there’s a wonderfully macabre and demented nature to the whole affair, calling to mind both the infamous Yggdrassilliumme as well as the kind of characters you would see in the golden days of Realm of Chaos. And while I am already hard at work figuring out a suitable angle for this guy as a part of the Velsen Sector (he’ll be a member of the so-called “Duelists”, an insidious Khornate lodge operating in the sector), Neil was also kind enough to provide his own little vignette of background:

Models built and painted by Neil101

Coal black eyes kindled the embers of hate, as the headsman daubed his breastplate with the aged ichor of his enemies. His skull face plate chafed at the nape of his neck, the fitting too tight for comfort.

So much he had given, but the Blood God’s bucket had a hole. Never enough, always more.

The unsaturated hunger for power, for glory, always gnawed at his soul. Like the itch of his helm, the one he couldn’t scratch…reminding him that his work was never done. His bucket never full.

Anyway, thanks to Neil for the fantastic model! Job’s a good ‘un, mate!

III. Twenty years of bloodshed…

I myself have not been idle either, even though I felt I needed something small and fun to unwind after my recent, rather massive Daemon-Primarch-related shenanigans…

But the right opportunity did present itself, fortunately enough! Back when I showed you this OOP mid-90s Bloodletter…

…fellow hobbyist AMaximus offered to send over some old metal Bloodletters of his own. Now the models he offered me were a slightly never incarnation, released around the turn of the century (teehee), between the mid-90s design you see above and the modern plastic Bloodletters. I had never been a huge fan of those particular models, feeling they didn’t really bring anything new to the table, but there’s always time for a little fun, so Andrew and I worked out a small bitz swap, and I got my hands on another Bloodletter version.

My eye was instantly drawn to one of the models that was missing his two-handed axe, and I decided to paint him right away and add a small tweak or two while I was at it. So here’s the mostly finished model (still missing its base):

Like I said, the standard armament for this model would have been a two-handed axe, but I decided to replace it with one of the modern plastic Hellblades (once again, I might add). And I actually think the model is improved by the change! I also had to replace the left hand, and a severed head seemed like a logical choice. It has been pointed out to me – and correctly so – that the head seems to be the victim of some wonky physics, but I think we can just consider this a match for the stock model’s inherent clunkiness and move on, eh?

Seriously, though, this guy has really grown on me! This particular incarnation of the Bloodletters turned out to be a bit of an evolutionary dead end, and from a time of occasionally strange and slightly uneven releases on GW’s part, no less, but I think the model works pretty well with my established daemon recipe in place

And while I was at it, I also painted one of the modern plastic Bloodletters in the exact same way:

And, once again, I am pretty happy with the result — take note that this model still makes used of the slightly tweaked skin recipe taken from Duncan Rhodes’ Bloodthirster tutorial!

Ultimately, the guy above will be joined by a full unit of Bloodletters. Until then, I have a nice little comparison of Bloodletter models from the last twenty years:

I should probably paint one of the spindly, serpentine first edition Bloodletters to complete the set, but I really don’t like that particular version of the daemon, so this is not really a priority project at the moment. If someone wants to get rid of an old Bloodletter, though, I am always open to suggestions…

On a related note, AMaximus was also awesome enough to include a pretty old vintage Bloodthirster head in his bitz drop:

Now what am I going to do with this lovely face…?

IV. Out of the woods, at last…

Now this last subject has nothing whatsoever to do with cutting up little plastic men, but I am still very happy to inform you guys that my time as an unemployed slacker is finally at an end: Starting October, I will finally have gainful employment once more! Yeehaw!

Now it’ll only be for a limited amount of time so far, but it sure feels good to be back in business! And while this could mean less hobby time in the immediate future, my sigh of relief when I learned the news could still have extinguished a raging bonfire. Work for the Work god!

So anyway, so much for this latest news roundup. It goes without saying that I would love to hear any feedback you might have! And, as always, thanks for looking and stay tuned for more!

And so, here’s another post dealing with ongoing projects. With the second issue of the new White Dwarf just having arrived on my doorstep earlier today and with the recent release of Genestealer Cults as a dedicated faction, it’ll sure be time to take a closer look at GW’s current shenanigans, but for now, you’ll have to deal with my own hobby activities — bugger I’ll try to make it worth your while, though!

I. Finally making the headlines!

I was rather surprised earlier this week to find out one of my models had actually made the cover of the latest issue of The Golden D6, a very cool hobby mag I talked about a while ago. Yet there he is, Lord Captain Lorimar, right in the spot of honour:

As I have already told you earlier, the mag is an excellent read for people who are yearning for the kind of broad hobby reading exemplified by the back issues of White Dwarf, so the surprise was very much a welcome one! What’s more, I have a two-part series about enhancing miniature photos (based on this blog post) in issue 6 and 7, so all the more reason to finally check out the mag in more detail! Head over to The Golden D6 website in order to find out more — Adam is also offering a cool bundle deal for the early issues.

II. Heeding the call…once again

After a pretty successful recent ETL V event over at The Bolter & Chainsword, I’ve already thrown myself into the next hobby event hosted by the forum, as a part of a long-term strategy to try and make a dent in my sizeable backlog of unpainted stuff. So I’ve joined this year’s Call of Chaos IX, pledging to complete the following models before December 15th:

• a winged Daemon Prince of Khorne with a decidedly gladiatorial look. More about him can be found here.

• an Iron Warriors Apothecary that I originally built as part of an attempt to create a small Iron Warriors kill team — a project I would like to re-invigorate, now that kill teams are actually a thing once more!

• a massive Flesh Hound conversion, originally built last year:

• The excellent Khornate Chaos Lord converted for as a gift from fellow hobbyist BrotherJim:

  Model converted by BrotherJim

• And finally, something special, seeing how this year’s Call of Chaos is actually Tzeentch-themed. Now Tzeentch has always been the least-appealing Chaos God to me, from a visual perspective: I am just not into all the abstract and OTT mutation stuff
  But I did have a pretty nifty idea for a Tzeentchian contribution to my vow: My very own version of Iskandar Khayon, viewpoint character of Aaron Dembski-Bowden’s novel “The Talon of Horus”. Now here’s how Khayon is pictured in the book’s limited edition artwork:

  Already pretty cool! But I did feel the need to make some minor tweaks to the concept to make the actual model match my mental image of the character even more closely. So here’s what I came up with:

  
  

Now Khayon and BrotherJim’s Chaos Lord are new models, but the bigger part of my vow consists of models that were built last year. So I hope to finally get these stragglers finished for good! Like I said, all of these models will have to be completed before December 15th, so wish me luck! As it happens, I have already made some good progress on my vow, however, because the first model has already been finished…

III. The Dog of War

I decided to start my Call of Chaos activities with the giant Flesh Hound conversion:

Now the model does have its minor kinks, mostly because it was assembled from a collection of wildly disparate parts, but I am still very fond of it, so I was really looking forward to getting it painted!

My tweaked skin recipe for Khornate daemons turned out to be super-effective once again, although this time around, although I chose to supplement it with some further tweaks taken from another one of Duncan Rhodes’ excellent video tutorials. So after a short time, the biggest part of the model was finished:

From here on out, all that was left to do was some detail work and the paintjob for the base. Regarding the base, I didn’t want to go completely overboard this time, but I thought the daemon doggie deserved something a bit more elaborate than your rank and file daemon, so I built a base with yet another fallen Astartes:

Now the special effect this time around was the inclusion of the Astartes’ broken ribs sticking out from his shattered torso. I realise that Space Marine ribs are supposed to be fused together into something like a ossified armour plate, but I chose to have the Rule of Cool trump background lore this time around

When it came to painting the base, I chose Ultramarine colours once again, mostly to get even more routine painting the XII legion for when I tackle the rest of Daemon-Angron’s display base

So here’s the finished base, blood and all:

And, without further ado, here’s Fido:

I also took a picture of the giant Flesh Hound with one of my recently painted Bloodletters, allowing you to compare both the scale of the model as well as the skin tones:

I am happy to see this guy finished at long last — and now I really can’t wait for GW to release some decent plastic Flesh Hounds, following the same design as the hound accompanying their Khorgos Khul model. I really want a squad of flesh hounds, and they would be super-fluffy for my army — but there’s just no way I am going to purchase those terribly clunky Finecast models…

Anyway: One down, four to go!

IV. In closing…

Here’s one last thing I would like to share with you today: A picture I took a while ago, showing all the models I have managed to paint so far this year:

It’s missing my gladiatorial Angron conversion as well as the Flesh Hound, but it’s still a cool little picture, wouldn’t you agree? Only 24 models, all in all, but I am still pretty happy with my output so far — and the year’s not over either!

So let me hear any feedback you might have! And, as always, thanks for looking and stay tuned for more!

Hey everyone, just a teeny tiny update for today, as I’ve just returned home from a little seaside vacation. I spent most of this week gazing out to sea and contemplating life in general and a couple of new hobby projects in particular.

Unfortunately, none of those proceedings make for particularly interesting blog content so far — bugger!

But wait, I do have something to show you, after all: Because I managed to start on the second model of my Call of Chaos vow before heading out to the Eastern-Frisian isles

So here’s model number two, mostly finished except for a proper base: My Iron Warriors Apothecary:

As I’ve explained in my last post, this guy was usually built as part of a possible Iron Warriors Killteam, and I am pretty happy that the Call of Chaos event now provides me with the incentive to get back to this small gaiden project! I rather like the Iron Warriors I have converted so far, because while they are not true scale, I would refer to them as “true scope”, in that they are quite massive and very detailed, carrying lots of gear and weaponry. This makes them look like true veterans of the Long War, which I think is a pretty good fit for this particular legion!

Here are the models I have so far for the Killteam:

Judging by the actual Killteam rules, the Terminator Lord in the back will be surplus to requirements, but he really was my proof of concept model to test the waters.  Now the next step will be to finish the Apothecary’s (32mm) base and to rebase the two guys on the left on the new, bigger bases, while I am at it. And then I think I’ll ultimately return to this project and add another two or three members (two have already been built, check them out here).

So yeah, it’s not much, but that’s all I have for you today

I would love to hear any feedback you might have. Regular service will resume next week. Until then, as always, thanks for looking and stay tuned for more!

First of all, forgive me for being phenomenally lazy over the last two weeks, dear readers — or rather, I wasn’t really being lazy but rather focusing my attention elsewhere (on the job, as it stands — YAY!). But it’s now time to return to the world of blogging, and what better occasion than to address the very obvious elephant in the room: GW’s second Horus Heresy boxed kit, The Burning of Prospero:

Prospero has been dangled in front of Horus Heresy aficionados’ noses for quite a while now, and now GW performs a fearsome one-two-punch, turning the occasion into its own boxed set with dedicated rules — and lots and lots of delicious new little plastic men. Interestingly enough, the box seems to be continuing some of Betrayal at Calth’s most successful parts (i.e. giving us Horus Heresy Astartes in multi-part plastic) while also shaking up the formula in other respects (making the HQ models far less generic and adding shiny stuff like the Custodian Guard and the Sisters of Silence). So anyway, it has been a while since the last review, so let’s relish this occasion and use it as an excuse to take a closer look at the models as well as the possible conversion opportunities!

Before we begin, however, allow me to point you towards Wudugast’s article regarding The Burning of Prospero as a possible companion piece to this post. I’ve only skimmed his post so far, mostly for fear of ending up stealing some of his ideas and observations, but it seems like he raises some excellent points, and I know I am already looking forward to reading the whole thing, once my own post has gone up

So let us start with the two HQ models that come in the box: Once again, we get one commander for each side. Now while Betrayal at Calth chose the route of actually naming the characters and giving them background while keeping the models themselves generic to the point of blandness, The Burning of Prospero goes the exact opposite way and opens up with one of the 30k and 40k universes’ big names:

Ahzek Ahriman, Chief-Librarian of the Thousand Sons

Now that was quite a surprise, wasn’t it? Ahriman’s definitely the first major 30k character to be given a plastic incarnation, and I think Maxime Pastourel (aka Morbäck) has done a wonderful job with the model: The armour and detailing are very close representations of several pieces of Horus Heresy artwork, giving you the idea that, yes, this is definitely Ahriman! The blank faceplate is a bit of an acquired taste, but in all fairness, it has been part of the art for quite a while now, so it’s definitely an accurate representation. The engravings and symbols on Ahriman’s armour speaks of the Thousand Sons’ dabblings in sorcery while not overcluttering the model. And I really love how the flowing robes lend motion and dynamism to what is otherwise a rather static pose.

Of course with an important character like this, it’s also important to compare the 30k and 40k versions — and at first glance, there is very little resemblance between Maxime’s 30k Ahriman and Jes Goodwin’s classic 40k Ahriman:

However, upon closer examination, it’s interesting to see how several elements of the 30k model do seem like a shout out to Jes Goodwin’s model: Maxime himself explains in the current issue of WD how the curved crest behin Ahriman’s head was included to mirror the horns curving from the 40k version’s helmet — and a similar thing can be said about his Heka staff, as the curve of its blade seems to subtly echo the curvature of the horns atop 40k Ahriman’s staff.  The stole around Ahriman’s neck also mirrors a similar item on 40k Ahriman, and it’s fun how the wind seems to be blowing in the opposite direction on both models, respectively

Beyond those visual connections, it’s also fun to compare what is different about the models, however, as there seems to be quite a bit of visual storytelling there: 30k Ahriman is all clean lines and lofty ideals, while 40k Ahriman seems like the quintessential, crooked and corrupt Chaos Sorcerer (much as he himself would probably deny any such notions). Looking at both models beautifully illustrates how far the character has fallen! It’ll be interesting to see whether a possible new 40k version of Ahriman manages to keep the same sense of narrative…

So yeah, I think this guy is pretty great! Anything else? I think that fallen Space Wolf on the base is a rather beautiful touch. And that might just be the best casting hand we have seen so far from GW — job’s a good ‘un!

Geigor Fell-Hand of the Space Wolves

Ahriman’s direct opponent for the game is Geigor Fell-Hand of the Space Wolves, and while he’s a beautiful model in his own right, I don’t think he can quite keep up with his Thousand Sons counterpart. First of all, it would have seemed more plausible from a story perspective to include Othere Wyrdmake, seeing how he’s both an already established character AND Ahriman’s nemesis of sorts. But I imagine that would have messed with the game’s premise (sorcery vs. good, honest close combat), so we get a CC monster instead

Now there are many things I like about the model: The artificer armour is definitely a thing of beauty! The shoulder pads are particularly noteworthy, in my opinion: The left one looks deliciously customised while the right one actually shows a Rogue Trader-era style legion badge — brilliant!

In spite of the model’s strong parts, I do have two gripes about Geigor: One, I think the model is too “Space Viking” by a long shot, especially since the Horus Heresy novels (Prospero Burns, in particular) have been doing such a good job so far of selling the wolves as something more interesting than mere generic viking types. And now here comes Geigor, in full Space-Viking regalia — poor guy must not have gotten the memo…

In fairness, I think this problem could be solved in part by making a few minor tweaks and ommissions: That back banner needs to go, if you ask me, and the claw seems a bit over-designed to me.

In fact, that’s my second gripe: I get how the designers wanted this guy to read as a close combat monster, but the combination of a massive lightning claw and a combat knife just seems off to me, somehow, especially in combination with the slightly wonky poses of the arms. I think a pair of claws or a massive sword and knife would have been excellent options, respectively, but the setup we are getting here just seems like a bit of a compromise. I remember that this guy was rumoured to be Bjorn the Fell-Handed, back when the first rumours of the boxed set surfaced, and his equipment would have made lots of sense in that light. But it seems like GW chickened out and turned him into yet another super-important character that we have never heard about — and in that case, a different combination of weapons would have worked better, if you ask me.

Don’t get me wrong, though: Geigor’s still a beautiful model that should work well both in 30k and 40k armies. He’s just not as good as Ahriman

Tartaros Terminators

Getting a full squad of plastic multi-part Cataphractii out of the deal was one of the most pleasant surprises about Betrayal at Calth — and now the new boxed set follows suit and gives us a squad of the other iconic heresy-era pattern of Terminator armour. And it seems like GW’s sculptors have once again done a good job of recreating the design in plastic, at least where the amount of detail is concerned.

Now I have to admit I am not a big fan of the Tartaros pattern, but that’s just me. Even so, I cannot help wondering whether these are actually a bit clunkier and more angular than their resin cousins. In any case, I do think the models end up looking a bit silly if the shoulder pads are placed too low, however. Just check out this guy:

Beyond those observations, it looks like the kit comes with just as much customisation as the Cataphractii — and we even get some choom out of the deal! I also like the extra detail on the sergeant’s armour, which is something I would have loved to see on the Cataphractii as well!

All in all, this is another rock solid plastic rendition of heresy armour, and I imagine many people will be really happy with these guys! My lack of appreciation for the general design of the armour means I am not perfectly sold — but I do think the plastic Tartaros Terminators provide some excellent conversion fodder. But we’ll be getting to that in a minute…

Tactical Marines in Mk. III “Iron” armour

Where the regular Astartes are concerned, the inclusion of plastic Mk. III armour is actually the most exciting part of the boxed set for me! Iron armour is possibly my favourite heresy era armour mark — even moreso than Mk. IV. There’s just something about the very archaic look of the armour and the added mass that’s immensely appealing to me for some reason — maybe it’s the fact that the heavyset Mk. III armour captures the massive, archaic feeling of the classic Wayne England Horus Heresy artwork like nothing else?

Anyway, these guys look great as a squad, and it’s cool that they are getting the whole tactical squad treatment (with all the options that entails) once more. Granted, though: If you are not into Space Marines, then this is just the umpteenth tactical squad — but then I guess you wouldn’t exactly be this boxed set’s chief target demographic, either

While the basic options and additional weapons are just like what we got with the Betrayal at Calth Mk. IV Marines, there are some additional tweaks that I appreciate: The models come with yet another bolter design (the Phobos pattern) that’s arguably a great fit for the archaic armour and makes for greater visual variety. And we get some chain swords for the Marines to wear at their hips, whoch is nice — and arguably a bit cooler than the somewhat bland combat knives. Maybe next time, we can get some actual chain sword arms, though? Thank you very much!

The armour design itself seems to have been tweaked ever so slightly during its transition to plastic: The back of the backpack seems to have streamlined a bit, for once. There have been some tweaks to the helmet design. The shape seems ever so slightly different, especially towards the back of the helmet. And the main difference is that the eyes – formerly just eye holes, really – have been turned into actual helmet lenses that can be painted. This definitely makes sense, but the look it creates needs some getting used to.

On the other hands, GW sweetens the deal by giving us several subtly different helmet designs, which is definitely appreciated.

Much as I love the design of the armour, however, my earlier criticism from the Betrayal at Calth release applies once more: Why not include some CC weapon arms (which would have made even more sense given the “physical power vs. sorcery” vibe of the whole game) and leave those to FW upgrade kits? I would have loved to finally see some close combat arms on a wider scale, especially with a kit that is otherwise so big on options and customisability.

Apart from this one piece of criticism, however, the Mk. III Marines are one of my favourite parts of the boxed set, and I can hardly wait to get my hands on them!

Custodian Guard & Sisters of Silence

Right, if you had told me one year ago that we would be seeing plastic Custodes and Sisters of Silence in an upcoming Horus Heresy boxed set, I would probably have laughed long and hard and called you a wishlister of the highest order. And yet, here they are. Of course their inclusion makes sense from a background perspective — seriously, though: I would rather have expected them to be releaed as resin models.

Of course the recently released Deathwatch Watch Captain served as a fair warning, what with wielding a Guardian Spear and all — I was actually going to suggest using him as the base for a Custodes conversion. Clever, GW, very clever

The Custodes in particular have long been a bit of a holy grail for many hobbyists (myself included), and the attempt to recreate them in model for has spawned many awesome armies — with Dave Taylor’s seminal Custodes army being first among them, of course. All the more reason, then, to take a close look at the models:

Custodian Guard

“Oh, right, now I understand: That’s what GW kept doing all those golden Age of Sigmar dudes for: They were merely test runs for the inception of plastic Custodes…”

And, funnily enough, just when we thought we couldn’t stand any more huge golden dudes, GW gives us plastic Custodians — I wonder whether or not the irony behind it all was intended

In spite of never appearing in model form so far, the Custodes have a fairly well-documented history, with quite a few depictions in the Horus Heresy art. Many of the most iconic illustrations featuring the Emperor’s bodyguard were part of the Horus Heresy trading card game and subsequently appeared in the collected Horus Heresy artbooks. Such as this piece:

I think it’s really astonishing how much of the visual splendour of the Custodian armour appearing in the image above has been faithfully reproduced on the actual models, from the iconic helmet design to the small details of the armour:

I also really like how the armour seems decidedly unlike standard Astartes power armour, thanks to its very different lines, integrated backpack/reactor etc.

What’s more, you may not like those massively clunky bolt-pistol swords, internet, but if nothing else, there’s a precedent for them in the classic HH artwork, and they are just as clunky there:

The shout outs to the artwork don’t stop there, however: In his aforementioned post, Wudugast points out how much the bare head included with the kit resembles the various depictions of Constantin Valdor, Captain-General of the Legio Custodes:

All of this makes it seem like GW’s designers have really gone above and beyond in the attempt to do these guys justice and make them resemble the classic artwork as much as possible.

Even so, I will say that – beyond the sheer surprise of these guys being featured as part of a boxed set, and in plastic, no less – I did have to warm to the Custodes models for a number of reasons:

First up, they seemed so big and clunky to me: Sure, so many of the elements from the classic artwork have been expertly reproduced in model form, including the contoured armour that separates them from regular Astartes, but they still felt so massive to me at first glance, when some of the old artwork rather suggested something more lithe and elegant:

Of course John Blanche’s style is always rather open to interpretation, and the actual models usually end up looking fairly different, but there are also different pieces of art that have the Custodians look powerful, but in a rather elegant way. Just check out the guys on the far right in the picture below:

The actual models seem incredibly massive, however. Especially so in certain configurations:

At the same time, I have come to like the bigger scale when compared to regular Astartes: Sure, it seems a bit strange at first, but the Custodians really should be between an Astartes and a Primarch in size — just imagine how stupid they would look surrounding the Emperor otherwise

Still, the added mass takes some getting used to. But even as I write this, I can feel myself liking the models more and more. So I don’t think it’s much of an issue.

The other gripe I have doesn’t seem quite as substantial, admittedly, but it just keeps bothering me: Why are the Custodes models lacking any kind of robes or capes? This feels like a pretty baffling design choice on GW’s part, because if you look at the various pieces of artwork above, the crimson robes and capes seem as emblematic of the Custodes as their Guardian spears and their iconic helmets. Yet they are completely missing on the models, not even showing up on the Shield-Captain.

Now I do realise that this probably has something to do with technical issues and/or the way the models are assembled — but come on, these models are so spectacularly detailed, and you have gone out of your way to feature elements from the artwork. So how hard could it have been to add some (optional) capes on the sprue?

To add insult to injury, the Custodian appearing on the pictures of FW’s new antigrav tank even sports an added cape:

Looks like I’ll have to source some plastic capes, then — any suggestions?

Of course having Custodes available in plastic also carries a bit of a bittersweet taste for me: After all, I happily kitbashed together a small Custodes army a couple of years ago, and I think I had a pretty good recipe as well:

And these guys have now obviously been rendered rather irrelevant by the new models — bugger! I really only have myself to blame, though, as my last models for the army were painted back in 2013 — I should have been faster!

All in all, these guys have grown on me quite a bit — and to actually see them as what looks like a multi-part plastic kit still seems kind of unreal to me. What’s more, the amount of detail on the various parts of the kit is really rather outstanding, and I imagine playing around with the bitz should be quite a bit of fun. Sure, the swords are too big (even if they are accurate), but at least we get a full set of Guardian Spears, so that’s not much of a problem. It really is a shame about those missing capes, though…

Sisters of Silence

Where the Custodes depart from the artwork in some rather surprising ways, the Sisters of Silence seem like a perfect representation of the various pieces of artwork from the Horus Heresy artbooks: The design of the armour, the iconic weapon and facemasks, and the weapons wielded by the various squads in the artwork: all accounted for.

In addition to this, it’s always a treat to see some additional female models, and the Sisters of Silence are an especially welcome breath of fresh air in between all those bulky killing machines in the boxed set!

Another thing I really like about the models is that they feature all of the weapon loadouts we have seen in the art so far, allowing for swords as well as bolters, which is a very nice option to have (and also adds even more possible conversion parts).

Oh, and that Sister Superior ist just a stunning model — it’s going to take all of my (almost nonexistent) willpower to resist the temptation to convert her into an Inquisitrix…

Incidentally, a squad of kitbashed Sisters of Silence were part of my Custodes project as well, although I’d argue they are still close enough to the new models to actually still work once painted:

Do I see any negative points about the Sisters? I think some of the hair looks ever so slightly unnatural — but that’s not a huge problem and should be easy enough to sort out. In closing, let me just state the obvious, though: If GW can do these, they can do plastic Sisters of Battle. Just sayin’…

conversion options:

So much for the models, but what about possible conversions? I think the boxed set provides us with lots and lots of promising bitz and opportunities. Let me just outline some initial ideas for you:

Ahriman
I think the model could easily be turned into your own, customised Thousand Sons Librarian or even Praetor, for that matter: Just a head and/or an arm swap, and you are there. By the same token, he would work really well as a Chaos Space Marine Sorcerer in 40k: His armour is just ornate enough to work, and adding some spikes, trophies and chaotic symbols as well as a suitably chaotic staff and head shouldn’t be a huge challenge.

Geigor Fell-Hand
Like Ahriman, it should be easy enough to turn him into a custom Praetor with a new head, new arms or what have you. It’s also important to point out that the thing I consider the model’s biggest weakness (his over-the-top Space Wolfiness) is what makes him a great fit for a 40k Space Wolves army.
Given the amount of detail on his armour, I think it would be pretty difficult to convert him into a member of another legion. However, I might eventually try to turn him into a member of my Traitor Wolves. We’ll see…

Tartaros Terminators

I am pretty sure we can look forward to all kinds of crazy kitbashing involving these guys, especially if it comes to recombining existing parts to create new (or customised) marks of Terminator armour.
Possibly the most interesting thing about the models, however, is how they provide excellent parts for true-scale conversions! My first true-scale Marine, Praetor Janus Auriga, uses Tartaros legs, and they work really well for true-scale Marines because there are few visual cues that actually make them read as Terminator legs, making for very uncomplicated conversions. By the same token, I have seen some very convincing true-scale conversions making use of Tartaros torso pieces, so I definitely think that true-scalers across the blogosphere will appreciate these new toys. For instance, I can hardly wait for Apologist to get his hands on these guys…

Mk III Marines

It’s easy to imagine how versatile a tool these will become for Space Marine players — after all, they should work great in both 30k and 40k, and it’s easy enough to mix and match with all of those plastic parts now available. This is great because it allows for extra flavour in your Space Marine army, regardless of which legion you are playing. It also means that you can now create a plastic Horus Heresy Astartes army without having to rely on a single armour mark for most of the models. What’s more, mixing different parts will lead to a more improvised, ragtag appearance that would be a great fit for specific legions (yes, World Eaters, I am looking at you! )

I also love the fact that the Mk. III Marines would arguably work really well for Chaos Space Marines as well: The added detail and mass make them look just archaic and sinister enough, and some legions immediately come to mind —  such as the Death Guard, Iron Warriors or World Eaters.

Man, I really want to get started on those guys…

Custodian Guard

Well, these would be great fíf you wanted to build a suitably massive Inquisitor, of course, but I am pretty certain that we are going to start seeing actual Custodians appear in INQ28 and Necromunda games, especially if they happen to be set on Terra
Beyond that, I am already considering using leftover Custodian parts to turn some of those Sigmarines into yet more Custodians — this should be interesting! And finally, those very same leftover parts should make for excellent conversion fodder for Space Marines and Inquisitorial retinues alike — those shields alone are almost worth it! Invictarii, Breachers or Honour Guard, anyone…?

Sisters of Silence

I predict a bright future for the Sisters of Silence models, especially among converters and the INQ28 crowd: Additional female models are always a much-appreciated resource, and it looks like the new sisters could be the legitimate heirs to the female Dark Eldar Kabalite Warriors and Wyches when it comes to building female assassins, death cultists and Inquisitorial operatives. Beyond that, like I said, the Sister Superior looks like she would make a teriffic base model for an Inquisitrix. And if you have already given up hope that GW will ever release plastic Sisters of Battle, then these girls might be your final way out

So what’s the final verdict? Back when Betrayal af Calth was realised, my main criticism was the generic look of the models: I realised that this choice arguably ensured that the box would have a wide appeal to more people, but the lack of character still felt like a problem, especially with regard to the HQ models. The Burning of Prospero addresses this criticism, giving us squads that are once again generic enough so as to be useful to everyone, while imbuing the HQ characters with a lot of character. And then they added some of the most eagerly awaited Horus Heresy troop types on top of it all in a move that seems to have been plucked from the big all time wish-list in the back of my head — well played, GW, well played indeed!

With regard to the Horus Heresy setting at large, I think the writing’s definitely on the wall now: GW seemingly wants to move the Astartes squads to plastic and leave the special upgrade kits and characters to Forgeworld. At the same time, we have now seen the first important character in plastic, and we have proof that the Daemon-Primarchs (or at least one of them) will be produced as plastic kits. So I think we can expect a sizeable part of the future Horus Heresy output to be produced by GW proper (and in plastic) at this point, and I applaud that choice. I realise that not everyone is quite as enthusiastic as me about this change, since many hobbyists seem to fear a sellout of the setting (to that I say: No shit, Sherlock ) or a decline in quality. But if the boxed sets are anything to go by, I do not think there’s that much to fear.

If anything, it’ll be interesting to see what comes next: Additional armour marks in plastic? More named characters as clamshell versions? And let’s not forget the Custodes and Sisters of Silence: I feel myself being drawn back to that one massive piece of classic artwork time and time again:

This hints at additional troop types, such as Terminators and jetbikes, to name just a few. And with the models we have now so clearly inspired by classic artwork, the obvious question is: What if this is just the beginning…?

Wishlisting aside, though: What we have here is another very tempting Horus Heresy starter box. And how does the new box compare to Betrayal at Calth? I think that, between the two, Betrayal at Calth is still arguably the better “starter kit”: The contents are a bit less exciting, but also slightly more useful. That being said, the new box still seems like a more refined sequel: If Betrayal of Calth was the teriffic proof of concept, The Burning of Prospero is GW’s pièce de résistance — at least for now…

So what’s your take on the new boxed set? What do you like or hate about the new models? And do you have any conversion ideas you would like to share? I would love to hear from you in the comments section!

And, as always, thanks for looking and stay tuned for more!

So, like I said, I was at a conference last week, visiting the PLAY 16 festival at Hamburg and spending a couple of days in the city. I think I have mentioned previously that, in addition to being addicted to cutting up little plastic men, I am also a huge videogame nerd, and the subject also happens to factor into my professional background of working in the field of media literacy. So allow me to begin this week’s post with some comparatively off-topic rambling:

PLAY is a festival dedicated to the artistic, creative and educational purposes and potentials of videogames, and this year’s subject was “Let’s get physical!”, so the various events, workshops and presentations dealt with the representation of bodies in games, ranging from the design of characters, archetypes and player avatars to the interactions between the game world and the player’s actual body, be it in the form of motion contol or even virtual and augmented reality. The festival was fascinating and fun, and certainly not short on highlights: For instance, I had the opportunity to try out Triangular Pixels’ VR game “Unseen Diplomacy”, which was a truly stunning experience — I hadn’t expected VR to be so, well, immersive at this comparatively early point!

Another highlight was the fact that the Museum für Kunst und Gewerbe Hamburg (MKG) is currently running a huge exhibition on the history of videogames, with many, many playable classics from 30+ years of gaming culture (I was appalled at how badly I was doing when playing OutRun on an actual vintage arcade cabinet). In addition to the actual games, the exhibition also features lots of concept artwork from modern classics like Shadow of the Colossus or Ico:

I was particularly delighted when I discovered a whole wall of brilliant concept art from DoubleFine’s Psychonauts, a personal favourite of mine:

So if you live anywhere near Hamburg or should find yourself visiting the city in the near future (or until the end of April 2017), and if you’re even the slightest bit interested in videogame culture, you should definitely check out the Game Masters exhibition! It’s very educational, but also great fun! Plus the museum also has many more exhibitions for you to discover, of course. I was sadly unable to check out the exhibits on Art Nouveau due to time constraints, for instance, so I might have to plan another visit soon…

Let me wind up this part of the post by showing you the room that housed the last workshop I participated in before travelling back home. This room is also located at the MKG and was once the cafeteria of German news magazine Der Spiegel:

It also provided the perfect photo opportunity for getting material that should make for suitably psychedelic desktop backgrounds:

Anyway, before we veer completely off course, rest assured that I did of course do something hobby related as well while I was in Hamburg: It goes without saying that I took the opportunity to drop by one of the local GW stores. Now what really impressed me was the level of painting on display at the store, courtesy of the staff and some regulars, so I snapped inspirational pictures left and right:

DISCLAIMER: This should be fairly obvious, really, but none of the following stuff is mine, and I don’t claim any kind of credit for it! If you should recognise one of your models and would like to be mentioned, just give me a holler and I’d be glad to edit your name into the post!

Anyway, my first port of call was this very awesome Khornate Daemon army painted by one of the store’s regulars:

Possibly my favourite conversion was the Bloodslaughterer-based Soulgrinder:

And while it wasn’t part of the same army, I also really love this slightly converted Maulerfiend:

My favourite parts are the Bloodletters leading it to battle by a chain and that delicious brass recipe!

The biggest surprise was to discover something that I first considered to be a cool recreation of an iconic – and rather well-known – piece from the internet, but which almost certainly turned out to be the genuine article upon closer inspection:

And because you can never have enough Inquisitor-scaled Astartes, there was also this beautiful 54mm Librarian (cheers to Inquisitor Mikhailovich for correcting that oversight!), based on the same vintage Captain Artemis:

So yeah, brilliant stuff all around!

Of course I couldn’t leave the store without making a sizeable purchase. So yeah, this happened:

The good folks at the store were nice enough to reserve their last copy of The Burning of Prospero for me, so there goes my next hobby year, I suppose

Seriously, though, I am pretty sure I’ll be talking about the contents of the box in more detail sooner rather than later. For now, suffice it to say that I am actually awestruck by the quality of the casts: GW’s plastic models have been rather spectacular for quite a while now, but it really seems as though each boxed set sets a new benchmark for crispness of detail. Very nice! You can also find my thoughts on the models contained in the boxed set here, should you have missed them.

Speaking of which, I actually kitbashed one particular model as a kind of preparation for the release of The Burning of Prospero, incidentally:

As you may already have noticed, I really enjoy building 30k versions of my 40k World Eaters characters. Now back when it didn’t look like I would ever create any 30k models of my own, fellow German hobbyist AgnostosTheos created a 30k (pre-interment) version of one of my characters, Khoron the Undying:

In the 41st millennium, Khoron has been a Dreadnought for several millennia, yet he has also been an invaluable adviser to Lord Captain Lorimar since before the Heresy, as he was already a veteran of the 4th company even before Lorimar won his captaincy in the fighting pits.

Khoron actually already has quite a bit of backstory – at least somewhere in the back of my head – so I do have a pretty specific idea of what I want his model to look like. With that said. there’s a lot I still love about AgnostosTheos’ version (especially the lined face he chose, making Khoron look like a grizzled veteran), but it’s obvious the model doesn’t fit my World Eaters colour scheme, so instead of painting over AT’s paintjob, I thought this would be a good occasion to build an updated 30k version of Khoron. Now I see him as a hard-as-nails veteran of the legion, so I chose an archaic suit of armour for him — plus I had already heard rumours of the new boxed set at that time, so it seemed like a cool idea to give Mk. III a try:

The model was created by combining World Eaters’ and Iron Hands’ parts (I loved the chainmail loincloth on the IH legs, so I just had to use them). The weapons have also swapped hands when compared with AT’s version, in order for the model to mimic Khoron’s eventual Dreadnought ironform. The model has only been tacked together for now, and I think Khoron will be needing some additional gear here and there, but by and large, I am already pretty happy with the new version. So here’s Khoron next to the previous version of the character:

So yeah, that’s it for this week. It goes without saying that I would love to hear any thoughts you might have! And, as always, thanks for looking and stay tuned for more!

Oh my, it has really happened… The rumours seemed far too crazy at first, but now here we are with the first actual Daemon-Primarch and what could be the beginning of a complete (and much needed) design update for the entire CSM faction, especially when it comes to models for the cult legions (I am crossing my fingers so hard it hurts, as you can probably imagine).

That remains to be seen, though. For now let us focus on the new Thousand Sons, as that means we have enough on our plate as it is.

I may have mentioned before that I usually find Tzeentch the hardest chaos god to like, mostly due to the whole wanton mutation angle: The daemonic servants of Tzeentch are often too abstract for my taste, and the often heavily mutated mortal servants also tend to leave me cold — what can I say, I am a Khorne “heavy armour and no nonsense” kind of guy through and through

That being said, I have always liked the concept of the Thousand Sons very much, precisely because they put such a nice spin on the usual Tzeentchian approach: Ahriman’s Rubric was an attempt to stop the very mutating powers that usually plague servants of the Architect of Fate, and it ended up creating an army of unfeeling, disembodied combat automata — the exact opposite of what you would expect of a Tzeentchian host (and then again, the subversion is delicious, of course, this being Tzeentch we are talking about). Anyway, there’s something clever and interesting about the legion, and the Thousand Sons are also, arguably, one of the most tragic traitor legions, so there’s much to like there in concept. And now we finally see them as a fully fleshed out model release — I never thought I’d see the day!

I also think it’s a rather clever approach to release 30k and 40k Thousand Sons back to back like that, and once again, there’s delicious irony in the fact that both are released at the same time while 10 millennia have passed in the background between both incarnations of the legion. A clever bit of planning there — if it was planned in the first place, of course. But, again, it’s Tzeentch we are talking about here, so yeah…

Before this all gets a little bit too meta, however, let’s just focus on the models, take a look at all the different parts of the release and consider some of the possible conversion opportunities.

Before we begin, allow me to point out that, once again, there is something I would like to think of as an unofficial companion piece to this review over at Wudugast’s blog, and I recommend you check it out as well.

So here we go:

Magnus the Red, Daemon-Primarch of the Thousand Sons

So yeah, it seems like Daemon-Primarchs are now officially a thing in 40k. Good thing I already made one earlier this year

But anyway, it’s obvious that this is a pretty exciting development, especially given the fact that our only look at the Daemon-Primarchs in model for so far were the respective Epic 40k versions — and the less said about them, the better…

If we look at the model at hand, I have to say that Magnus looks pretty much exactly the way I always envisioned him — well, except for the chicken feet, maybe
But even an element as unexpected as the avian feet works pretty well for giving the model a Tzeentchian look without sacrificing any of Magnus’s impressive physicality.

It pleases me immensely that there is quite a lot of Wayne England’s interpretation of Daemon-Primarch Magnus in the model, because you just cannot go wrong with taking cues from Wayne England, if you ask me:

illustration by Wayne England

What’s more, all the changes made to Wayne England’s design certainly make sense: I already mentioned the avian feet above, and the inclusion of feathers on strategic points of the model (and the choice of replacing the classic daemon wings in the art with feathered wings) all enforce Magnus’ connection with classic Tzeentch imagery. These elements also make him look like a scintillating hellish bird of prey — rather fitting for Tzeentch’s favoured daemonic servant. One could argue that the finished model is almost too fabulous — but come on, which other Primarch would warrant a look as exalted as this, if not the lord of sorcerers? Well, Fulgrim perhaps, but we’ll be getting there, I suppose…

The model is also pretty enormous, easily towering over even greater daemons (which probably doesn’t bode well for my Angron conversion. Bugger!):

As is always the case, however, it’s the small things that make or break even a huge model like this, and GW has certainly put in the required work:

I really love the inclusion of three different heads, for one: The actual cyclopean face – for all its dorkiness – echoes the classic Epic model and the vintage depiction of Magus in the fluff. What’s more, the three different faces also mirror a particular scene in Aaron Dembski-Bowden’s Betrayer where Magus’ face seems to be jumping between different versions while you look at him — and I really, really love that little bit of lore represented in model form!

Personally, I prefer the masked face, both for its mysterious and regal qualities and because it’s not quite as gnarled as the other two.

I also like the fact that we get the choice of arming him with either a glaive or a Kopesh. If you ask me, the sword seems like the more elegant solution, mostly because that huge ball of energy forming above the glaive’s blade doesn’t quite come together visually:

I wonder if this “multiple choice” version of characters will happen more often in the future, as the classic approach is to have one version for a special character and no options whatsoever. Such are the liberties of plastic models, I suppose…

There’s also an incredible amount of detail on Magnus’s armour, and all of those embellishments don’t merely serve as decoration: It seems like there’s a real depth of symbolism here, with layers and layers of callbacks to the lore – or, indeed, to real world culture – for us to figure out. Wudugast has done a fantastic job of pointing out many of these elements in his aforementioned post, and it would be remiss of me to steal his work here, so make sure to give it a look.

I wonder why his right hand is so freakishly big, though. Is there some explanation for this in the lore? Or is that just his literal Red Right Hand? (Badum-Tish! )

Speaking of red, though, I have to say that the ‘Eavy Metal paintjob of the new model – while technically impeccable, of course – makes Magnus look a tad too pink for my taste. Fellow hobbyist Tzen is currently doing a paintjob in a darker red, and with feathers that almost look crystalline — I am really looking forward to the results! Check out his progress here.

All in all, I think Magnus is a really worthy first Daemon-Primarch, and I am really looking forward to seeing his brothers rendered in equally monstrous forms! At the same time, I cannot stop wondering whether was it really clever to release the Daemon-Primarch version before the regular FW Primarch version. I think there’s a very real danger of the “mortal” version ending up feeling slightly underwhelming now — oh well, I guess FW’s sculptors will just have to give it their best shot

Ahriman

After Eldrad Ulthran and Khârn the Betrayer, Ahriman is the third classic 2nd edition Jes Goodwin model to be given a redesign, and it should be obvious that these models are the ones to be nervous about, given the originals’ iconic quality.

The first thing to note, then, is that the model definitely reads as Ahriman, and in a bit of a surprise, the new version might actually be closer to Jes Goodwin’s original sketch than the classic version:

Nearly all the iconic elements of Ahriman’s previous incarnation are accounted for: the horned helmet, the sorcerer’s staff topped with the same gazelle horns, the robes and high collar — even the pose is very close to the original! This is obviously the same guy, only in a slightly more modern version.

There are a couple of devations (or rather, evolutions) of the classic design, however: For one, the new model has much more depth and dynamism, whereas classic Ahriman is very much a product of his time: I remember a WD article where Jes Goodwin said that Ahriman was one of the first 40k models to get actual additional pieces for added depth instead of being single-piece. Now the new model continues this approach and adds lots of depth to the character, making him look dynamic and like he has some agency while basically standing still:

At the same time, the model neatly keeps the original’s arrogant pose — the addition of a disc of Tzeentch arguably even enforces Ahriman’s haughtly look: He’s just too important and powerful to merely walk.

Now I’ve never been a huge fan of the whole disc idea, which is why I appreciate the fact that a) the disc is an optional part of the model and it’s just as feasible to just have Ahriman on a base like the original version and b) the designer went for a less creepy crawly approach, making the disc look more like an arcane machine, which is a great fit for Ahriman’s character! And there’s even a scarab symbol on top of the disc — a very nice touch!

In fact, it’s subtle touches like these that really sell the model as an evolution instead of a mere retread of the older model: For instance, the buffalo skulls dangling from the stole around Ahriman’s neck on the original model, have been exchanged for more delicate occult doodads, which seems like a much better fit for the character.

However, I do have some very minor quibbles with the model, even if all of these are plainly based on personal preference: That sorcerous flame in Ahriman’s left hand is a bit of an acquired taste for me — but can arguably look amazing when painted well. While I love the rest of the official paintjob, though, the flame just doesn’t work all that well in green and blue. Or maybe I just miss the hand holding the bolt pistol? For some strange reason. It’s a surprisingly iconic part of the original model for me.

On a related note, I find myself going back and forth over whether I like the original helmet better (I think I do — it has something to do with the precise proportions and angles of the faceplate).

But when all is said and done, Ahriman stands as possibly the best re-envisioning of a classic Jes Goodwin model to date. Much better than Eldrad and even with a bit of an edge over the new Khârn. And what’s simply beautiful is that – due to the new model being so similar to the classic version – the excellent mix of similarity and contrast between the 30k and 40k versions I described in my last review remains firmly in place:

Thousand Sons Exalted Sorcerers

I love building characters, so this is really the perfect kit for me, allowing for three highly individualised sorcerers with lots and lots of options. One thing that strikes me about the kit is how many mutated bits are featured, as this seems like a slight readjustment in the fluff to me — didn’t the Rubric of Ahriman stop the flesh change outright in those with enough sorcerous power? Then again, maybe the millennia in service to the god of change were just too much. Anyway, expect lots of mutations of the avian variety.

In all fairness, however, those bitz are fairly excellent, especially the plethora of staffs and heads we get out of this kit!

There are also many charming little touches on those parts: The sorcerous hand using an ectoplasmic flame to reload a bolt pistol might be a bit much, but I do love the avian skulls on this guy’s stole seemingly snapping at the enemy:

Also, can we just spend a moment in quiet contemplation at the beautiful way the cloth has been attached to the same sorcerer’s backpack:

In fact, the backpacks are probably one of the best parts of the kit, making the best possible use of Egyptian and Tzeentchian elements to create a unique silhouette for each of the sorcerers — this is an excellent touch that we need to see more of, especially because, for the most part, CSM backpacks only used to be a bit of an afterthought so far.

I also rather love the avian feet on this guy:

Upon closer inspection…what exactly is keeping him aloft, though? Is it sorcerous power or…erm, something altogether more nefarious?

Nice as the three models featured on the product page are, however, I almost prefer the alternate builds that were showcased earlier, on GW’s new community site:

Even when the sorcerers are more mutated than their ghostly brethren, they are arguably more disturbing when fitted with concealing helmets, leaving their exact nature ambiguous (I also really love the raptor-like look of the top left guy with that sweet Mk. VI variant helmet).

Maybe the biggest strength of this kit lies in how it gives you the freedom to build your sorcerers exactly how you like them best: As overly mutated, massively corrupted creatures of chaos. As masked and mostly unchanged, yet also subtly touched, master planners. Or as something in between.

Whatever you do, the models you end up with will look powerful and arcane, and there’ll be a really nice contrast between their warped, dynamic forms and their more regimented Rubricae brethren. This is easily one of the most tempting parts of the release for me, in spite of the odd moment of silliness

Thousand Sons Rubric Marines

In a way, this was the one kit they just had to get right, even moreso than Magnus and Ahriman: The Rubricae are what defines the look of the Thousand Sons more than anything else, so they had to make this count. And if you ask me, boy did hit it out of the park with the new Rubric Marines!

I remember the first Thousand Son I ever saw, one of Jes Goodwin’s iconic set of models for the cult legions, appearing in the colour section from the 2nd edition rulebook:

It’s utterly astounding how – even decades later – those four guys still stand among the best models ever designed for the cult legions. And the Rubric Marine was just lovely, hinting at an arcane and mysterious legion through visual cues: You got an excellent idea of what the legion was about simply by looking at this model, without ever needing to read a single line of background.

During the 2000s, we saw a dedicated Thousand Sons conversion set, based on some of the design cues from that first proof-of-concept model. And while the conversion set was nice enough for its time, it never really lived up to the quality of Jes Goodwin’s original Thousand Son. Then several Space Wolves models tantalisingly featured the iconic helmet as a trophy – trampled underfoot, no less – and ever since I have been hoping for a true successor to that first Rubric Marines.

And the new guys really fit the bill:

Seriously, I just love them! The strongest part of the cult legions’ design was always in strong silhouettes and clear visual cues. And the new Rubric Marines absolutely deliver on that, clearly reading as Chaos Space Marines, followers of Tzeentch and Thousand Sons at the same time. The helmet designs are just beautiful, and the flowing lines of the armour trim really takes the classic CSM design to the next level. The added tassets are an excellent little touch. I also love how the new Rubric Marines have their own dedicated backpack designs!

As a  bonus for fans of the Horus Heresy, there’s a marked resemblance between the Rubricaes armour and Mk. IV power armour, which begs the question: Will we go back to certain armour types being associated with certain cult legions? I would really love to see bulky Mk. II Plague Marines and massive Mk. V World Eaters whose armour is covered in studs and bolts!

In addition to the beautifully redesigned bolter-wielding Rubricae, we also get some new weapon options, which certainly makes sense:
Well, those flamers certainly look Tzeentchian to me!

Plus we also get the most arcane looking rotary cannon ever witnessed by Man:

If I have one minor gripe about the kit, it’s merely the fact that the new sorcerer cannot quite match the excellent old one, a model only available as part the classic upgrade set:

What can I say: I just love that guy

But all things considered, this is a stellar new kit for the Rubric Marines, and arguably a cornerstone of this release. Excellent work!

Thousand Sons Scarab Occult Terminators

Oh wow, dedicated traitor legion Terminators — yet another pleasant surprise! Even better, though, is that the Scarab Occult Terminators look completely unlike vanilla CSM Terminators and yet perfectly read as Thousand Sons. Make no mistake, I am really fond of the classic CSM Terminator look, spikes and tusks and all. But for the Thousand Sons, something more elegant and less barbaric seems far more appropriate.

By the same token, all the strengths of the new Rubric Marines are present on the Terminators as well, — in fact, there’s a palpable sense of visual coherency between the two kits, with many of the design elements (the Keltaran helmet crests, the flowing lines of the armour trim, the avian skulls and weapon designs) appearing across both kits, allowing you to field very different troop types that still look like they belong to the same traitor legion.

And in another parallel to the Rubric Marines, the Scarab Occults’ Terminator armour also clearly resembles an established Heresy era armour mark, namely the Tartaros pattern. Again, this seems like a very interesting (and possibly promising) design decision that I hope will be used again on possible future traitor legion releases — it also really enforces the notion that the armour dates back to the actual Heresy era, which certainly makes sense, given the fact that the victims of Ahriman’s Rubric have been bodyless automata for millennia, with no need (or even ability) for changing their armour.

Let me also mention that the squad champion/sorcerer just exudes a sense of elegance and terrible dignity

Also, chain kopesh swords FTW!

Between the Rubric Marines and Scarab Occult Terminators, it’s possible now to build a Thousand Sons army that is visually distinctive, with a strong identity for the legion. And that’s really a brilliant development for CSM players, even moreso considering the quality of the new sculpts!

Tzaangors

The inclusion of these guys is certainly a bit of a surprise — although I guess all the signs were there to see back when plastic Tzaangors first appeared as part of the Silver Tower boxed set. Even so, it’s certainly nice to have dedicated Tzeentchian beastmen available now, mostly because the classic goatman look doesn’t really fit the Changer of the Ways all that well…

While its’s fairly obvious that the multipart Tzaangors share many common design traits with the Tzaangor models from Silver Tower, I would argue that the multipart models are not quite as good as the Silver Tower guys: The latter just seem to have the more iconic poses — which is easier to achieve with a monopose model, of course, but what can I say: Just look at those fantastic poses:

On the other hand, there’s a real benefit to the multipart nature of the new kit that goes beyond the usual flexibility offered by plastic kits: It looks like kits that cross over between 40k and Age of Sigmar are now officially a thing again (even beyond the Chaos Daemon line of models, that is), as a closer inspection of the sprues reveals an extra sprue that can only be considered a dedicated 40k weapons sprue, when the other sprue seemingly has the more medieval looking weapons intended for AoS.

All things considered, these guys are maybe the weakest parts of the release for me. But I think we can let it slide, both because we didn’t even expect 40k Tzaangors in the first place, and because the proper Thousand Sons models make for a pretty robust competition. When all is said and done, it’s still a nice kit that provides Tzeentch players with some interesting new option!

Conversion options

Oh man, the chaos community is going to have a field day with these new kits! And I, for one, can hardly wait for talented folks like Aasfresser, for instance, to put the new bitz through their paces! For now, let me just jot down some quick ideas for possible conversion projects involving the new models:

First up, the obvious idea: I think that many parts of this release would work brilliantly for 30k Thousand Sons as well!
To wit:

• the Scarab Occult Terminators could be used as, well, 30k Scarab Occult Terminators with next to no need for further conversion. In fact, the kit almost seems like the first dedicated unit for a specific legion to appear in plastic and not as a FW upgrade set. I would like to see more of this, please!
• by the same token, it’s also possible to use parts from the Scarab Occult for 30k Thousand Sons Praetors and officers.
• there’s also nothing stopping you from you from sprinkling some of those new Thousand Sons bitz on top of your 30k Thousand Sons, seeing how the legion grew more and more towards the arcane by its latter days as a loyalist legion, and how things like the iconic Keltaran crests had obviously taken root within the legion far before the present day of 40k (at least judging by their mention in “The Talon of Horus”, which is set not too long after the Heresy). The brilliant thing is that you bascially get to decide “how far gone” you want your Thousand Sons to be: Have they only started their descent? In that case, just add a staff or helmet from the new kits here and there. Do they already embrace the sorcerous powers more actively? Then you can use more and more 40k Thousand Sons bitz to create Marines that look more and more like sorcerers –and have begun to display physical changes.
• expanding on that last part, mutation bitz from the Exalted Sorcerers could be used to depict 30k Thousand Sons in the throes of the flesh change.

I also think that all of those gorgeous helmets, mutation bitz and arcane doodads also allow for quite a bit of crossover between 40k and WFB/Age of Sigmar: So why not use some of those helmets and bitz to create a warriors of chaos warband that really looks Tzeentchian?

Back to 40k – and, arguably, INQ28: The Tzaangor weapons could be used to turn Khairic Cultists from Silver Tower into Tzeentchian cultists for the 40k setting. Or you could use the same weapons to give chaos cultists from Dark Vengeance that extra bit of Tzeentchian oomph.

And finally, why not use those Tzaangor bodies and heads to create your own, strangely avian xenos species for INQ28 — or your Tau army? Speaking of Tau, maybe those Tzaangor parts would also be promising if spliced together with Kroot bitz?!

All in all, this is a truly stellar release for CSM players, arguably made even better by the fact that it wasn’t really expected in the first place. Even if we don’t get any more modernised CSM models, it’s already a great addition to the armouries of chaos. Certainly more than I expected in every conceivable way!

I also love the fact that a chaos god other than Khorne or Nurgle is finally getting some love. I’ll never tire of Khornate and Nurglite kits, of course, but let’s just face it: It was really somebody else’s turn this time around

At the same time, it won’t surprise you to learn that I really wish for more plastic cult troops (we *need* new Khorne Berzerkers! And Plague Marines!) and updated vanilla CSM. Let’s just dream for a moment: How awesome would it be if we could only get this amount of quality for the rest of the traitor legions — maybe only one kit each? We can always hope! And if nothing else, if the sheer quality of the new Thousand Sons is anything to go by, we may be in for quite a ride indeed!

So what’s your take on the new models? Are you as pleased as me or did you expect more? And are there any conversion ideas you would like to share? I’d be happy to hear from you in the comments!

As always, thanks for looking and stay tuned for more!

Yes, it’s that time of year again: Welcome everyone to the 2016 Eternal Hunts Awards, where I take a look at this past hobby year and talk about the best releases, the most inspiring work from fellow hobbyists and about my own hobby year — in fact, just to shake things up a bit – and also because this will be the least complicated part of this year’s series – let’s start with a little retrospective of my hobby work. So here are my favourite personal achievements and hobby moments from the last twelve months:

I. My hobby projects

I think we can all agree that 2016 has been a spectacularly awful year in many, many ways. At the same time, it has also been a really successful year for me in hobby terms — go figure! Maybe one reason for this is that focusing on hobby related activities was one of the things that helped me stay sane during a time of great personal upheaval and insecurity: Escapism isn’t always a good thing, but being able to focus on something different for a couple of hours every now and then will do wonders for your peace of mind! And I find that, due to the handicraft angle of the hobby, converting and painting little plastic men feels decidedly less frivolous than, say, playing videogames for hours on end

So anyway, in spite of everything, I managed to come up with some new models that I am really rather happy with. And with some thirty completed models compared to 2015’s 25, I even managed to outdo myself!

So, in keeping with well-established tradition, allow me to walk you through my 2016 completions and highlight some of the models and projects I am especially happy with:

1. Khorne’s Eternal Hunt

2016 was another strong year for my longest-running army project, so let’s focus on my World Eaters for a moment. Here’s what Khorne’s Eternal Hunt looked like in late 2015:

And here’s an updated army picture from the summer of 2016:

And while this may not look like a huge evolution – with the notable exception of the towering Chaos Knight loitering around in the back row – I wasn’t nearly done with painting Khornate models at that point.

But even back then, the army already looked rathe impressive, if I do say so myself, and there are many parts of this project I am still rather happy with. Especially the various characters I have completed for my World Eaters:

Even so, the latter half of the year saw some sizeable additions to the army, though, and the main reason for this was the existence of the superbly-run and highly motivational community events over at The Bolter & Chainsword: Both the E Tenebrae Lux V and the Call of Chaos IX really managed to light a fire under me, prompting me to complete two hefty vows.

Here are the models I pledged during this year’s ETL:

And here’s the – slightly less impressive – vow I completed earlier this month during the Call of Chaos:

It helps that the community over at the B&C is wonderfully lively and constructive, and without the support and feedback from fellow hobbyists over there, I doubt I would have completed as many models.

Just to single out some of my favourite parts from those events, I did manage to finish the last missing model for my squad of traitorous Tempestus Scions which is now one of my favourite squads from my collection:

I also included an Iron Warriors Apothecary I had converted last year in one of my vows:

And this guy then provided the perfect occasion to get back to my small Iron Warriors killteam, a side project that I am hopefully going to devote even more time to in the new year:

Since this year’s Call of Chaos event was Tzeentch-themed, I also created a model to represent Iskandar Khayon from Aaaron Dembski-Bowden’s wonderful novel “The Talon of Horus”:

So I now have two of the novel’s main characters in model form:

And next year’s Call is going to be Slaanesh-themed — sounds like a perfect excuse to build Telemachon Lyras and complete the set

And finally, despite having been a faithful follower of chaos for almost almost two decades at this point, this year saw me complete my very first daemon models — in a series of escalating steps that would lead to completing one of the new plastic Bloodthirsters…

…and then moving on to what is possibly my finest work to date:

2. The Lord of the XII Legion

It was clear to me that 2015’s Gilgamesh would be a tough act to follow. But when I found myself in possession of an extra Bloodthirster kit earlier this year,  an idea began to form in the back of my head. An idea that would eventually lead to the creation of my very own version of Angron in his form as a Daemon-Primarch:

And I am just incredibly proud of this model: From a technical standpoint, it’s very probably my best paintjob to date, and it’s also very close to how I imagine the XII Primarch in his daemonic form. Now that Daemon-Primarchs are actually a thing in 40k, I have no doubt that an eventual “official” version of Angron will surpass and invalidate my interpretation — but I cannot help it, I am still incredibly pleased with the big guy!

Read more about the model’s inception here.

Speaking of Angron, I built another version of him, to represent him during his days as a gladiator on Nuceria, and it’s another model I am really happy with:

Let me also mention that I couldn’t really have created either version of Angron without drawing some massive inspiration from the work of fellow hobbyists, chief among them Reg with his dozen or so of incredible Angron conversions

So all in all, those models make for quite a nice collection of vicious, daemonic killers. Here’s the Khornate part of my 2016 output:

A fair few of these models are daemons, so the pieces you see below may or may not become the start of a dedicated daemonic detachment:

In fact, I realise in hindsight that monstrous daemons make up a sizeable part of my 2016 output –but come, on: Given the current state of the world, I might be forgiven for the subconscious need to keep painting red-skinned devils, wouldn’t you agree?

In closing, here are all of the chaotic footsloggers (minus the two big guys) again:

3. The world of INQ28

While my INQ28-related work this year didn’t quite match my 2015 output, I am nevertheless fairly happy with the new additions to my collection. Strangely enough, everything started with…a dog:

A Cyber-Mastiff conversion based on a Malifaux model. I am still rather happy with the mutt

But anyway, here’s the entire “INQ28 Class of 2016”:

The achievement I am probably the most happy with was to finally paint some models that had been knocking about in my cupboard of shame for ages, and this lead to a nearly 100% finished retinue for Inquisitor Erasmus Gotthardt of the Ord Hereticus Velsen:

Now I have a huge soft spot for this warband, mostly because it’s made up of my attempt at putting a spin one most of the classic character archetypes from the Inquisitor rulebook (the Rogue Trader, the Security Agent, the Drill Abbot,…). As a consequence, the retinue has a very colourful, swashbuckling look that I like. Most of Gotthardt’s operatives were built years ago – and with a much smaller bitzbox, at that – but I do think they still hold up for the most part. So just one last member for the warband – a female psyker – and then the project will finally be completed at long last!

That’s not the only warband I have managed to complete, though: I also finished two retainers for my true scale Astartes, Praetor Janus Auriga, creating a “mini-warband”, if you will:

This project was simply an excellent way of exploring the more ostentatious, medieval side of the Adeptus Astartes. Plus the retainers make Auriga look even more massive and monstrous, providing a great visual framing device for the character. Coming up with a concept for a chapter serf was also great fun!

And finally, I came up with the beginnings for a slightly Mad Max-inspired group of misfits dubbed “The Road Crew”:

These guys have been brilliant fun to work on so far, and I hope I’ll be able to tound out the group in 2017!

4. Blood Bowl

A completion that is very close to my hear, this one: After quite a bit of procrastrination, I finally completed the first big guy for my kitbashed Blood Bowl team, the Orkheim Ultraz:

It was simply great fun to make sure the troll fits the overall look of the team while also adding his own visual touches to the larger project:

And the model really manages to make the team look and feel complete — even if there’s a really good chance we’ll be seeing more models for it in the future!

So yeah, all things considered, thats quite an eclectic collection of new models, and one that I am really rather proud of:

II. My favourite hobby moments

There were also some really awesome  hobby moments that didn’t involve building and painting new models, so let’s take a look at those as well:

For instance, I was really happy when Gilgamesh, my Chaos-Knight, made GW’s Webstore blog as an example of a converted Renegade Knight back in April:

Alas, thanks to GW’s recent decision to fold their daily blog into a new (and admittedly rather cool) community site, my moment of triumph was short-lived. But at least I have the screenshots for proof

Being approached by Adam Jones to contribute to his excellent hobby mag, The Golden D6, was also fantastic! Thanks to Adam, some of my work appeared in three issues of the mag:

An army feature focusing on Khorne’s Eternal Hunt in issue #5…

…and a two-part series on how to glitz up your miniature photography, published in issues #6 and #7:

This particular feature even earned me a rather glowing endorsement from Natfka over at Faeit212, as an added bonus:

And finally, my dear Lord Captain Lorimar even made the cover for The Golden D6′s issue #7:

Anyway, if Adam’ll have me, I’d love to do some more contributions for the mag in 2017!

And last, but definitely not least, I would be remiss not to mention the fact that some of the best new additions to my collection happened courtesy of  enormously generous people who sent me conversions, bitz or even entire painted models:

Just to name some particularly wonderful examples off the top of my head…

• a wonderfully painted Lord Zhufor sent to me by PDH,
• an excellent converted Khornate Chaos Lord provided by BrotherJim
• vintage Bloodletters kindly sent to me by Sagal and AMaximus
• the base model for the Cyber-Mastiff conversion, courtesy of a Malifaux box that Miniature Tim sent me
• a brilliantly moody Khornate cultist (and his bucket) gifted to me by Neil101:

Models built and painted by Neil101

And those are just the painted models! Let’s not forget Helega sending me one amazing bitz drop after the other, or the incredibly generous Adam Wier (of Between the Bolter And Me fame), who actually let me have a nearly complete Forgeworld Angron:

Thank you all so much, guys! You’re really turning this hobby into something even cooler for me, and I am really, really happy about that!

III. Bad news

In spite of feeling fairly happy with my hobby output this year and having my share of awesome hobby moments, I also have to say that it wasn’t all peaches and cream: For one, there were some rather sad developments: 2016 saw my beloved FLGS, Frabusel, closing its doors for good, which still sucks (and which has also rendered the procurement of hobby supplies somewhat more complicated). And I was really sad to learn of the passing of hobby and fantasy legends such as Joe Dever or the late, great Wayne England.

There’s also one instance where I really regret failing a hobby goal I had set for myself: Earlier this year, fellow hobbyists extraordinaire Jeff Vader, Nordic and Alexander were awesome enough to invite me to participate in a Path of Glory event. I felt really honoured and started to build a Khornate warband for the project, but in the end a combination of being too preoccupied with my RL situation and simply not devoting nearly enough time to the project resulted in my failing to participate, which I really regret. It would have been great fun to hang out with those gentlemen, surely, and failing to live up to their expectations (and my own) felt like a huge missed opportunity — I hope I’ll be getting another chance to complete my small warband of Khornate misfits – or an altogether different warband for another event.

*Sigh*, it just wasn’t meant to be…

IV. Plans

So what’s in the card for 2017? Now I usually try not to make any grand promises, because I know how much my output will be tied to inspiration — or to my considerable laziness

That being said, there’s a couple of things that I would like to focus on next year. Two projects stand out above all others:

First up, and somewhat to my chagrin, my collection of 30k World Eaters is looking more and more like an actual army:

And while I won’t make any promises as to the eventual scope of this project, I will be focusing on finishing some of those guys in 2017 — if only to finally paint that sweet Angron model Adam Wier sent me

If nothing else, gladiatorial Angron already seems right at home next to his Heresy era sons:

When it comes to INQ28, I would really love to start painting my Ordo Scriptorum warband representing Redactor Orlanth and his operatives:

Even in its WIP stage, the warband already features some of my best INQ28 conversions, and I also do have some rather interesting ideas about what I want the retinue to look like when painted, so giving this project my best try should be fun!

I am not deluding myself, however: It’s just as likely that the next crazy GW release throws me way of course and gets me totally sidetracked — speaking of which, we’ll be taking a closer look at all the pretty things GW provided for us this year. And, of course, the Eternal Hunt Awards wouldn’t be complete without a showcase of the most inspiring work created by my fellow hobbyists.

But all of this will have to wait until after Christmas. Until then, let me wish you all a very Merry Christmas and say a heartfelt thank you to everyone who sent me models, bitz or other hobby materials or commented on this blog! I really appreciate it!

And of course I would love to hear any comments or feedback you might have about my 2016 output, so let me hear those comments!

And finally, as always, thanks for looking and stay tuned for more!

Okay everyone, forgive me for dropping off the radar for a bit there, but work has been pretty crazy for the last couple of weeks, and my free time has mostly been dedicated to the wonderful world of digital entertainment for quite a while (as an aside, if you like this blog, you should probably check out Dishonored 2 and Last Guardian, if you haven’t already).

Anyway, if you’ll indulge me, I would still like to get the Eternal Hunt Awards gig done and dusted before properly starting into a new hobby year — and it’ not as though I already have a whole lot of new stuff to show, either, so it’s finally time to continue this year’s…erm or rather: last year’s Eternal Hunt Awards.

For today’s installment, let’s take a look at the stuff GW released in 2016: I am going to outline the best and worst parts of the 2016 catalogue of releases. What were the highest and lowest points? And what else was cool …or curiously missing from the releases? Read on to find out!

I. Best releases

After a pretty strong 2015, 2016 was yet another spectacular year when it comes to GW’s releases — and if there’s one thing that was extremely surprising to me, it’s how many of GW’s 2017 releases seemed to bring to life stuff many hobbyists, myself included, have been dreaming of for years (often to the amusement of others, who dubbed things like updated Genestealer Cults or models for Daemon-Primarchs completely unlikely). So there

This, along with a massive change in GW’s outward communication, might just be a hint at something bigger, a bit of a policy change, if you will. And whether or not you agree with all of the stuff GW has been doing over the last twelve months, I think we can all agree that it’s been a rather fascinating ride

But even in a spectacular year, there were some things that stood out, so allow me to share my favourite 2016 kits and models:

1. The Burning of Prospero

Betrayal at Calth (the game, not the unfortunate event) was one of the great unexpected surprises of 2015, and another HH era boxed set in 2016 serves as clear proof that plastic Horus Heresy is very much a thing now!

And what a boxed set it is: The Burning of Prospero contains a somewhat more eclectic collection of models than Betrayal at Calth, but it arguably refines some of the latter’s contents: Regarding the vanilla angle, we got pretty excellent plastic Mk. III Tactical Marines, making my favourite Heresy era armour mark available in a material I am much more comfortable with. Excellent!

The real surprise, however, was the inclusion of a squad of plastic Custodian Guard and plastic Sisters of Silence, respectively — for those models to have been revealed would certainly have made enough of a splash, but for them to be included in a boxed set, and in plastic, no less —  frankly, my mind was blown!

It helps that the models are mostly excellent, of course.

If you want to start a plastic Horus Heresy army, you’ll probably find Betrayal at Calth a bit more flexible and useful than The Burning of Prospero. But Prospero is like a slightly strange distant cousin: A bit less dependable, certainly, yet also rather eclectic and eccentric — and all the more fascinating for it!

See my detailed review of the boxed set here.

2. Warhammer Quest: Silver Tower

I have gone on record saying that, while I don’t actively dislike the Age of Sigmar setting, I still have a hard time getting a feeling for the new world and its idiosyncrasies. Much of this might have something to do with trying to see WFB in Age of Sigmar, which is probably the wrong approach altogether, as the new setting strieves to be very much its own thing.

So it was a good thing when yet another excellent boxed set tried to present a different, more intimate, look at the world of Age of Sigmar, and I have to say that Silver Tower pushed all of my HeroQuest nostalgia buttons:

The idea to create this as a self-contained boardgame in the vein of the classic HeroQuest was a brilliant approach, because it makes you care about little snippets of the world before trying to make you care about the entire (still rather vaguely defined) setting. We also get a look at the different “good” factions (The Golden Dudes (TM), Duardim, Aelf and what have you), and presenting them condensed into a single hero character each works great to give us an idea of the respective faction’s identity. To wit, the Stormcast Eternal hero included in the set is probably one of the best Sigmarine models so far:

He also defines the look and feel of the faction more concisely than the entire slew of golden dudes we have been getting.

And, once again, I am getting such a HeroQuest vibe from the Sigmarite Priest and Darkoath Chieftain:

The bad guys are no slouches either, with an excellent new version of the Gaunt Summoner and a warlock ogre — or should that be ogre warlock? Anyway, characters like the Ogroid Thaumaturge are the kind of thing that differentiates the new setting from the old, and it’s great to finally get to know them!

Possibly the biggest achievement of Silver Tower is how it makes me like the Tzeentchian aesthetic – something that’s usually not exactly my cup of tea – by simply applying it to fantastic models, such as the aforementioned sorcerers, the Kairic Acolytes or the simply stunning Tzaangors — and the latter are even a shout out to the golden Oldhammer days!

You know what? In a perfect world GW would have used a self-contained boardgame like Silver Tower to introduce us to the setting in the first place! A tighter, more focused experience might have made us care far more about the new setting. There are many reasons why such an approach would probably have been madness (they needed to replace a wargame, after all). But the fact still stands: I find myself caring more about Silver Tower than about almost the entire Age of Sigmar catalogue so far (Khornate models notwithstanding, for obvious reasons).

Plus you get a model of a fish on legs. That is all.

Anyway, the boxed set stands as a rather charming introduction to the setting, and like I said, it manages to pull at my HeroQuest heartstrings, plus the models are pretty amazing as well. Which makes Silver Tower one of my favourite releases of 2016. ‘Nuff said.

3. Genestealer Cults

Genestealer Cults are easily one of my favourite parts of the 40k setting — and arguably the one thing that not only makes Tyranids interesting, but also removes them a bit from their very obvious main inspiration. And over the years, I’ve gone back time and time again to that one page from the 2nd edition rulebook showing some genestealer hybrids, wondering why GW had left this fascinating little part of the lore fall by the wayside. At the same time, it seemed very unlikely that we would ever see a new version of the Genestealer Cults.

And yet here we are, with the Genestealer Cults now an official sub-faction of their own — and with some seriously brilliant models, no less! Everything started with yet another fantastic boxed set – Deathwatch: Overkill – and the absolutely brilliant new hybrid models contained within it.

So GW actually revisited one of the favourite retro-factions of my youth, but they also managed to bring it into the modern age with some cutting edge kits: The hybrids stand tall, with both the excellent snap fit models from the boxed set and with a dedicated multipart plastic kit of their own, providing us with a tool to not only build an excellent Genestealer Cult, but to also use the new parts in all kinds of INQ28 and Necromunda-related shenanigans:

There’s just so much about those models that hints at the more “civilian”, for lack of a better word, side of 40k, the side we keep seeing in Dan Abnett’s Inquisitor novels: These guys are creepy Xenos soldiers, yes, but they are wearing miner’s garb and wielding repurposed tools and rather pedestrian weapons, making for a wonderfully workmanlike, low-level look that provides something visually new and appealing (and, again, also makes for exquisite INQ28 kitbashing).

There are also some rather beautifully subtle touches about the whole design: Call me crazy, but the ribbed structure of the miner’s armour reminds me not only of the actual Xenomorph in Alien, but also of the industrial design defining the look and feel of Ridley Scott’s classic series.

And we even get a more civilian 40k vehicle in the Goliath Truck/Rock Grinder, a wonderfully utilitarian looking workhorse that should be right up your alley, whether you’re trying to provide a sweet ride for your cult or searching for a vehicle for your pitslave gang:

With the Genestealer Cults, GW has revisited one of the most interesting ideas from the vintage 40k lore and brought it into the 21st century with a bang — what a wonderful surprise!

My first observations about the cool hybrid models that were released as part of the Deathwatch:Overkill set can be found here.

4. Thousand Sons

The new Thousand Sons, arriving at the tail end of 2016, were great for a number of reasons: For me as a chaos player, seeing these guys being given a proper modern age plastic treatment was really a bit of a dream come true — and it’s all even better if you consider the new Thousand Sons as a possible precedent for what could be a full new set of cult legion models! I am definitely keeping my fingers crossed on this account.

But even beyond the forces dedicated to a single chaos god, the new Thousand Sons also serve as a bit of a template for a new, modernised CSM design, showing us some tweaked proportions and definitely a much improved level of detail — nowhere is that more obvious than when looking at the new Rubric Marines:

And frankly, that would already have been enough to turn the Thousand Sons into one of my favourite 2016 released, but there were two more bombshells buried within this particular release.

One, a redesigned Ahriman:

Out of all the four or so classic, archetypal characters GW decided to revisit in 2016, Ahriman is arguably the best by far: He keeps pretty much everything that was awesome about the original model and adds an amount of three-dimensionality and dynamism that are hallmarks of GW’s modern plastic design. He’s also actually closer to Jes Goodwin’s original design sketch than the vintage model, and that is certainly saying something! While the original Ahriman is still a classic, the new version is a worthy successor. Well played, GW!

And of course, there’s the pink elephant in the room: Magnus the Red, the first (discounting those rather embarrassing Epic 40k versions) Daemon-Primarch model released by GW:

And while the model itself is certainly nice enough, I cannot help actually feeling more excited by what Magnus actually represents: That GW is now willing to explore Daemon-Primarchs in model form. Now this might yet all go horribly wrong, with ulta-cheesy fluff and a WFB End Times-level brouhaha for the entire setting. But right here and now, having a plastic model of a Daemon-Primarch that so excellently draws from all the depictions of the character in the classic artwork certainly feels like a rather exciting moment!

I know that chaos players carry a – not entirely undeserved – reputation for constantly bitching about getting the short end of the stick. But at the same time, it’s also true that GW has fumbled the ball more than once when adding to the Chaos Space Marine faction. But the new Thousand Sons show that GW still knows how do to chaos right, and just imagining that we could be getting more of this at some point in the future gives me goosebumps — just imagine the possibilities…

You can find my thoughts on the entire release here.

5. Canoness Veryidian

This last item on the list is particularly close to my heart, as the Canoness Veryidian model was an even bigger surprise to me than Daemon-Primarch Magnus!

You see, if somebody asked me what 40k was all about, I would point them to two particular pieces of artwork by the venerable John Blance. And one of those two pieces of art would be this, invariably:

It’s really all there: 40k’s particular blend of religious iconography, grimdark dystopian sci-fi and medieval madness. The glitzy, 80s fantasy style warrior woman with the crazy hairdo. And the influences from classic painters like Bosch, Breughel, Rembrandt et. al. It’s 40k in a perfectly formed nutshell.

And to get an almost picture perfect model representing that character, courtesy of Martin Footit, was a very particular delight, and one I wouldn’t have expected in a million years.

A sizeable chunk of my Christmas holiday was spent trying to get my hands on one of the elusive Canoness Veryidian models, and when I finally succeeded, it felt like a true triumph indeed! What a wonderful surprise! I hope I’ll be able to do the model justice with my paintjob!

6. Honorary mention: Seeing Artemis again…

Featured in a boxed set that was somewhat more pedestrian than some of the more spectacular sets released this year, but even so: Seeing Artemis released in a 28mm version was definitely a nice surprise!

II. Worst releases/biggest disappointment

The quality of GW’s 2016 output was pretty astounding, overall, but there were some kits that somehow fell short of the mark. Don’t ge me wrong, none of the following models were completely terrible. But in the light of so many great releases, some designs were a bit of a letdown for me, and they arguably feel all the more disappointing for all the brilliant stuff released by GW last year — so here’s what I didn’t like:

1. Wulfen

Out of all the new kits released in 2016, there is really only one kit that came dangerously close to actually qualify as “bad” in my personal opinion — the new plastic Wulfen models.

Now to cut GW’s designers some slack, designing Space Marine werevolves that actually look cool and suitably believable cannot be a simple task. And to be fair, the kit definitely looks like they gave it their all, trying to incorporate as many cool touches as possible.

But in the end, it all just collapses in on itself, because the groundwork was never sound to begin with. Much of this has something to do with the Wulfen anatomy: Now the original Wulfen models certainly had their own share of problems, but one thing the classic models did really well was to convey a sense of chaotic devolution, their armour being cracked and broken away in different places by the terrible changes in their physiology:

At the same time, they certainly didn’t take any big chances with the overall anatomy, basically keeping a standard human setup.

By comparison, the new Wulfen look far animalistic, but also like a strangely stable – if hairy – genotype, with every model sharing the same general build. But shouldn’t the transformation into a Wulfen be somewhat more haphazard and unstable? In fact, the longer I think about it, the more this drives me up the wall: They are even wearing contoured armour that seems to have been carefully adapted to their new build. Who in the world is making that stuff for the heavily muated Wulfen, along with the backpack-mounted pistols and custom wargear? Another Wulfen? A Wulfen scientist, if you will? Or are they fortunate enough to have kept a few sane fellows around?

Instead of looking like feral, yet tragic, creatures tortured by the changes wrought upon their bodies by unstable genetics, the new Wulfen look more like a World of Warcraft character class. And there’s also the fact that the faces remind me of the Wolf Man, for the most part:

And let’s not even get in the squad leader’s awkward, overdesigned jumping pose…

What we end up with is a collection of pretty amazing conversion parts — but the completed models somehow become less than the sum of their parts. And what really amazes me that I have yet to see the new Wulfen assembled or painted in a way that makes them work. So even while the designers probably had their cards stacked against them from the beginning – SciFi werewolves seems like just about the most thankless imaginable archetype – I am sad to say that the Wulfen are my personal GW low point from last year.

2. GW basing sets

The idea itself was brilliant: GW putting out some bases and bitz-based basing sets on their own is long overdue. So I was really happy when the new bases for 40k were announced.

I picked up the Sector Imperialis Large Base Kit, because it seemed like the most immediately useful addition to my bitzbox, and I was really looking forward to having some dedicated basing bitz at my disposal.

The problem was that the quality of the cast was absolutely abysmal, with very soft detail and a general clunkiness to the cast that would have been slightly embarrassing in the mid-90s, but simply seems baffling from a modern standpoint. Here’s a company that can put out the most delicate plastic models imaginable to man, and the cast of their basing kits seems more appropriate for a cheap aftermarket knock-off?

I’ve heard rumours that the first batch of those basing kits was produced in China — but seriously, that excuse doesn’t cut it for me: They were still on sale at a GW store, for the same premium price as the rest of their kits.

To make a long story short, will I be able to still put those bitz to good use? You bet. But seeing a kit I had really been looking forward to deliver such a poor experience was still one of the low points of my hobby year.

3. Ulrik the Slayer…Unmasked!

In his original incarnation, Ulrik was a rather iconic model, sinister and somewhat mysterious with his wolf skull helmet. Now, more than two decades later, he has finally decided to show us his face, and wouldn’t you know it: He looks just like generic bearded Space Wolf guy no. 101′ — what a letdown!

Now I couldn’t even tell you what it was I expected — maybe the helmet should just have stayed on, is all I am saying. It’s even more of a shame when the rest of the model is really pretty awesome!

4. New Eldrad Ulthran

GW released new plastic versions of several of the most iconic 40k characters last year, and in my opinion, Eldrad was the one to get the short end of the stick. Now the new versions definitely isn’t a terrible model — far from it. But where, say, the aforementioned new Ahriman basically takes all that was great about the original model and tweaks the formula to perfection, the new Eldrad loses (or, at the very least, seriously waters down) the iconic composition that made the original such a classic. Face it guys: This isn’t Elrad. It’s just some warlock guy trying his darnedest to seem as cool as the big man

III. Still on the fence about…

• Losing Warhammer: Visions: Now don’t get me wrong: I really rather like the new monthly White Dwarf format. In fact, the weekly White Dwarf was a travesty: far too expensive and far too thin on content. And the new mag, at least judging by the first couple of issues, seems to be a return for form in som many ways. Can I be perfectly honest with you, though: I was one of the few people to actually like Warhammer: Visions. I loved looking at pages after pages of glorious armies and models, especially if those were the creations of fellow hobbyisty and featured many personal touches and conversions. Now the new White Dwarf might be a great overall hobby magazine yet again, but the army features, for instance, just cannot compare to the ones in Warhammer: Visions.
  I realise that most people saw visions as a redundant coffee table book, but I find myself kinda missing the format. Is that weird…?
• No plastic Sisters yet agai….WAIT! Whoa, does this mean we might be getting new Sisters of Battle? In plastic? Oh, pretty please…? Seriously, though: It’s. About. Damn. Time!

IV. Also pretty cool

• New plastic Blood Bowl: I really love how GW has given the classic game more than just a new coat of paint, and if this is any precedent for the new Specialist Games, I am really optimistic about the future!
• The new attitude: I also really love GW’s new approach to communicating with their cuctomers and with hobbyist: That they are back to actively using social media. That they are actually acting proactively in the whole rumours business instead of merely reacting to all those leaked materials online. That they are posting supremely helpful (looking at you again Duncan Rhodes) as well as genuinely funny video material. Now all of this seems like common sense, really, but let’s not forget that some of us hobbyists can be a fanbase that not even a mother could love. Anyway, good work, guys and girls! Do carry on!

All in all, it’s been a teriffic year for GW, and I am certainly looking forward to the next batch of releases? So much for 2016, then, at least where the industry is concerned. Next up is the third and final installment of the 2016 Eternal Hunt Awards, taking a look at my favourite models from fellow hobbyists all over the blogosphere — arriving soon, hopefully, here on the blog.

Until then, feel free to let me know your feedback: Do you agree (or disagree) with my assessment of last year’s releases? What were your favourite parts, and which models did you hate? Did I forget anything important? I am looking forward to your comments!

And, as always, thanks for looking and stay tuned for more!

Now would you believe it: Another anniversary snuck up on me while I wasn’t looking: As of this week, Eternal Hunt is actually five years old! That means five years of screaming into the void — quite an achievement, wouldn’t you say?

But seriously, I am actually really proud of having managed to keep this blog going for so long. Now I realise that some people may consider posts like this to be self-congratulatory. But in a hobby where maintaining focus and motivation is so very important, it feels like a little self-congratulation every once in a while doesn’t hurt, so if you’ll indulge me…?

Speaking of the raw numbers, five years of Eternal Hunt means 345 posts, all in all, and around 829,000 views. There have been 311,000 visitors to this blog and I have managed to attract 320 followers to date. Given the fact that the blog is a mere hobby project, those are some numbers to be reasonably proud of — I really do want to hit a million views, though!

Anyway, in previous years, I have always used the blog’s anniversary to showcase some of my earlies hobby efforts, but five years of constant blogging have managed to pretty much bleed me dry on that front: I have shared my somewhat embarrassing first Space Crusade models as well as an incredibly bad paintjob for the classic HeroQuest barbarian, the first model I have ever attempted to paint back in the day. I also showed you my first WFB and 40k armies, respectively, as well as my attempt at creating a Mordheim chaos warband back when Mordheim wasn’t even really officially a thing yet. And I even let you take a look at the highly deriative fantasy artwork I cobbled together during my late teens. So there’s really not much more of my past embarrassments for you to entertain yourselves with

So let’s do something different this year: Let’s not focus on my models, for a change, but rather on some of the fantastic pieces I have been given by fellow hobbyists.

You see, this blog has enabled me to not only talk about my personal hobby experiences, but also to get in touch with some extremely talented artists and creators, some of them venerable hobby legends. And while that’s already cool enough in and of itself, I was also lucky enough to have been sent some truly wonderful models over the years: Some of them completely painted, some to be painted by be. Some were already assembled, others came in parts. But they all added something unique and interesting to my collection of models, and some of them even made me approach a particular project or a part of my collection from a new angle.

Plus all of those models also make for a pretty eclectic group when collected. Take a look:

Now these are the finished models that were given to me by fellow hobbyists in one form or another.

Given the focus of my blog, it shouldn’s surprise you that the XII legion (and their daemonic allies) feature heavily:

The massive Obliterators were built thanks to some wonderful custom parts that I received from fellow hobbyist Thamier. BrotherJim sent me an excellent converted Khornate champion in his trademark style from Australia. Sagal and AMaximus provided me with some vintage Bloodletters. And the centre piece is definitely PDH’s wonderfully painted Lord Zhufor that he sent over as a surprise – and just in time for the blog’s 2016 birthday! And while I bought those Heresy era World Eaters from fellow German hobbyist AgnostosTheos when he sold off his collection, they came about as the result of a little joint hobby project — and ultimately served as a sort of blueprint for my own exploits into the world of 30k.

And there’s the wonderful world of INQ28, of course: This is the category where I have received some particularly grimdark and Blanchian pieces:

Neil101 let me have that wonderfully sinister Khornate Champion (and …erm his bucket), while the legendary Ron Saikowski and Drone21c from Australia, respectively, sent me some stunning models based on classic John Blanche artwork. The little powder monkey was originally part of a bitz drop from PDH — and after being turned into a small augmetic familiar, he was named “PeeDee the Monkey” in Peter’s honour Oh, and let’s not forget that cyber-mastiff, converted from a Malifaux model I won in a raffle over at MiniatureTim’s blog.

And then there are my friend Annie’s wonderful additions to my Blood Bowl team, of course:

And that’s not nearly all, because those are only the models I have managed to paint so far (or the ones that came pre-painted, as it were). As it happens, I still have some wonderful donations from fellow hobbyists to look forward to on my painting desk:

Among those are Malthus Dire, a Khornate Chaos Lord, courtesy of Commissar Molotov. A grimdark belle sculpted by Steifer. A really, really old Imperial Guard Trooper, once again kindly sent over by Drone21c. The Space Wolves model given to me by the owner of my (now sadly defunct) FLGS. And a freaking Forgeworld Primarch, sent my way by Adam Wier of Between The Bolter And Me — the latter in particular forms a stunning addition to my collection, and I’ll make sure to do him justice!

And that’s still not all either, because I haven’t even talked about the various bitz drops and the constant exchange of ideas between me and other hobbyists — the list goes on and on.

In short, both my collection of models as well as my entire hobby have been enriched by generous gifts and creative ideas from fellow hobbyists from all across the world. And getting in touch with them has only been possible via sharing my work as well as my ideas online, and by commenting on their work and learning from them in turn. And this entire process continues to be an extremely rewarding and, occasionally, humbling experience!

So whether you are one of the brilliant people who have sent me models or bitz over the years or you are a follower, reader or even frequent commenter on this blog, thank you! From the bottom of my heart! Because your contributions keep this blog running, and your influences have really broadened my hobby horizon!

In closing, allow me to share just one further example for the amazing way this whole blogging business leads to more and more surprises:

While browsing for inspirational artwork of Angron, the XII Legion Primarch, I recently came upon this illustration of Angron created by artist Dariiy:

Angron illustration by Dariiy

Now I did notice certain similarities to my own conversion of Daemon-Primarch Angron, so I sent Dariiy a message enquiring about whether or not that was a coincidence — and imagine how happy and surprised I was when she wrote back that the illustration, done by her as a birthday gift for a friend, mostly used design cues from Alex Boyd’s iconic artwork of Angron in his Daemonic form — and, indeed, from my model version of the character. Now that’s the awesome and crazy stuff this hobby of ours can lead to: An illustration resembling a model you’ve built on the wall of somebody in a totally different country and shared with the rest of the world via social media. Incredible stuff, wouldn’t you agree?

Make sure to check out Dariiy’s tumblr, by the way, as there’s some pretty cool work on diplay over there!

So anyway, thank you all, once again — here’s to the next five years, eh?

As always, thanks for looking and stay tuned for more!

Hey everyone,

it’s my birthday today, and what better way to celebrate than to share with you the tale of what may be my favourite birthday present his year, even though it wasn’t even planned as one. Let me give fair warning in advance, though: This is going to be one hell of a wordy, rambling post, even though there should be lots of shiny things to look at. So anyway, what is this about?

Ever since I got back into this hobby and started blogging about my little plastic men, crazy awesome things have started to happen: People started sending me stuff ranging from bitz to entire models. I’ve been a part of some seriously awesome joint hobby projects with fellow hobbyists. And I’ve had lots and lots of contact with people from many corners of Holy Terra. Even against this background, however, my recent trip to Amsterdam, to meet up with fellow hobbyist Augustus b’Raass, turned out to be an absolute high point!

Now Augustus and me originally “met” over at The Bolter & Chainsword where we both belong to the regulars. The first longer conversation we actually had occured when Augustus had put a dismembered female corpse on one of his  Night Lords Contemptors, and I was the person to argue that this was actually pretty poor taste. Doesn’t exactly sound like the most promising setup for an inter-personal relationship, right? And yet, it did kick off a fairly continuous stream of mutual comments, posts and PMs that ended with us both realising that we actually had a lot of things in common, even beyond the shared infatuation with little plastic people. Which is actually kind of a big deal, if you think about is: Hobby forums are excellent places, and I love them dearly for the communication opportunities they provide, but you only really get to see a very thin slice of every fellow hobbyist, as it were: There’s no telling whether the guy you keep sharing conversion advice with is actually someone you’d get along with in everyday life.

And it’s actually great that way, because it allows a shared space where people can just come together and talk about a topic they feel passionate about, without having to defend their cultural or political views or their dubious choices in clothing. Even so, to find somebody who seemed like they would be legitimately interesting beyond the hobby was an excellent turn of events, and so when Augustus was kind enough to purchase a copy of Index Apocrypha: Chaos for me when the book had gone OOP, I joked that I would pay him back by coming to Amsterdam and buying him a couple of beers. So yeah, I did go to Amsterdam, and I did indeed buy him a couple of beers, but that’s not nearly all that happened last weekend. So, allow me to share a recap of an amazing trip:

I. Talking Shop

Now as some of you may already know, Augustus is an incredibly talented painter and converter in his own right, so it was always clear we would be talking about lots of hobby related stuff. We actually spend about two hours alone in front of his shelves and shelves of gorgeous miniatures, with me picking up model after model and feeling like a kid at the candy store. What’s more, I even slept in the same room for the weekend, so whenever I woke up, my gaze would fall on those fantastic models — I actually tried to figure out a way to sneak at least some of those gorgeous World Eaters into my overnight bag…

Models built and painted by Augustus b’Raass

…but that would obviously have been extremely rude. In addition to those models looking absolutely lovely, however, they are also magnetised, pinned, drilled and what have you to the umpteenth degree — and those are all things I never really do with my models, as I am just happy to get them finished and be done with it But seeing the craftsmanship that had gone into assembling the models made me realise that Augustus was the perfect person to talk to about a couple of projects and concerns.

For instance, you probably remember this guy from the previous post, right?

Now Augustus and I talked about him and about how the pose was not yet quite there, and so I made some additional tweaks to the pose based on that conversation. This also provided the perfect opportunity for Augustus to teach me how to use a proper hobby saw instead of just wedging a cheap-o knife in there and wiggling it around. Anyway, here’s what the model looks like now:

I actually think the pose is quite a bit more natural now in how his legs and arms interact — as an added bonus, he even seems to be dragging his right leg, which is definitely fitting for a Plague Marine. The one small setback is that sawing through the torso to get the arms and shoulder pads off damaged some detail, so I might have to do a bit of cleanup there, but oh well.

Secondly, Augustus was kind enough to magnetise my World Eaters Contemptor’s right arm for me, as you can see in the picture below:

So now, in addition to looking like this,…

…he can also rock a sweet multimelta. Like this:

I am not a big fan of the 30k multimelta design, but having the whole thing as a magnetised alternative now really provided me with the incentive of making it look a bit more vicious and spiky, and I think I have suceeded with that.

And finally, while I basically managed to get most of the models I had brought over there without a hitch, my Forgeworld Angron was snapped off his base. Augustus suggested pinning him, and I asked him whether he could slightly tweak the angle of the model on the base, because I felt that Angron was facing downwards a bit too much. So here’s the tweaked angle, and I am much happier with the model now — and he’s far easier to take pictures of now as well:

I’ll have to build up some debris around the right foot, where the pin is visible right now, but that shouldn’t be too much of a problem.

And it goes without saying that we also sat down and traded a lot of bitz: I had brought a bunch of stuff I thought Augustus might like, and in return, I came home with this crazy pile of awesomness:

The star of the show is obviously the Forgeworld World Eaters Dreadnought, as that is one of those models I have always wanted to own, but I didn’t pick him up before he went OOP — and now I have one! Woohoo!

All it all, it was brilliant to talk shop with someone who not only has such a fantastic collection (in order to erm…borrow ideas by the boatload), but whose techniques and approaches also differ in certain areas: Augustus is super-structured and super-efficient, whereas I can be a huge fan of sloppy, messy Leeroy Jenkins-style tactics when it comes to painting and converting. Seeing someone else’s process was really quite eye-opening in many ways!

II. The Pretty Pictures

It wasn’t all theoretical, though, as I had also brought a pile of my miniatures for a joint photo opportunity, so we took my models, Augustus’ wonderful Imperial Fists and his equally lovely terrain and tried to achieve a look as close as possible to something you might see in an official GW publication, pitching the warriors of the World Eaters’ 4th assault company against the defenders of Terra during the siege of the Throneworld:

Hmm, with the Eighth Captain in the picture like that, I doubt that Librarian has too much of a career ahead of him…

One of the coolest setups we did was to pitch Augustus’ Imperial Fists commander, Franz Landa, against one of the 4th assault company’s Praetors: Secutor Hamund, the Mournful, very much a deathseeker, and seen here during what may have been his final battle:

Creating setups like that was really a ton of fun, and I love how the pictures have turned out! My World Eaters, on the other hand, had to take a bit of a rest after the demanding photo shoot (next to one of Augustus’ wonderful Contemptors):

While we still had that sweet setup out, however, I snatched the opportunity to take some pictures that showcased my models, selfish git that I am

Here are my 30k World Eaters, led by their Primarch:

Next up, my squad of Traitor Elites from my Traitor Guard force, “Urash’s Marauders”:

And, since I had also brought some models from the wonderful world of INQ28, Inquisitor Erasmus Gotthardt, of the Ordo Hereticus Velsen and his retinue…

…and the “Road Crew”, my current project of creating a merry band of Pitslaves, mutants and ne’er do-wells from the Hiveworld of St. Sabasto’s Reach:

And here’s one really sweet shot to top off this part of the post: My true scale Astartes, Praetor Janus Auriga of the Golden Legion, going toe to toe with Augustus’ absolutely lovely retro Bloodthirster — seriously, pictures don’t do that guy justice!

III. The All-important Rest

As fun as the whole hobby part of my trip was – and believe me, it was TONS of fun – what really turned the whole event into such a fantastic experience was being fed, pampered and taken around town by Augustus, who was just about the best host you could probably imagine: He had bought a wonderful collection of local and Belgian beers (And we drank. Them. All) and just made sure all around that I was as comfortable as I could be. We also ended up talking about a thousand different subjects – including, but certainly not limited to, the hobby – and I had a blast. Augustus also took me on a trip around town, and we invariably ended up the the local GW store. A huge shout out to the extremely friendly crowd over at GW Amsterdam South, by the way, from Dennis (the store manager who surprised my by being perfectly fluent in German and was an all around nice guy) to Rowdy (who actually came up to me to tell me he was following my work and was a bit of a fan — you made me feel like a freaking rock star, mate!): The hours just seemed to fly, and I loved every second of it.

While at the GW store, I was also able to take a couple of pictures of Augustus‘ spectacular rendition of Aaron Demsbki-Bowden’s First Claw:

First Claw by Augustus b’Raass (1)

Seriously, those guys are something else: It’s perfectly justified that they still draw lots of comments from the crowd at the store: You wouldn’t believe how amazing those guys are when seen firsthand. Let me just throw in additional pictures of my favourite three…

models built and converted by Augustus b’Raass

From left to right, Uzas (easily my favourite character from the Night Lords Trilogy), Talos and Mercutian (the model is just perfect in every way, wouldn’t you agree?).

And their three brethren that are just as awesome — I just happen to be in love with the three up top even more

models built and converted by Augustus b’Raass

From left to right, Xarl (I’ve never seen a more intimidating glare in my life!), Variel the Flayer and Cyrion.

While at the GW store, I also met a super-nice fellow named Tom who may just be the best painter I have ever spoken to. While he was all shy about it and kept insisting that he had basically tried to merely follow the work of David Soper, his Orruk Warlord was really a bit of a relevation to me:

Orruk Warlord by Tom

You see, high level painting has never done much for me, because it just seemed so abstract and far removed from where I was standing. Seeing a model painted at that standard from up close, however, made me realise that there were layers and layers of detail there that I couldn’t even take in all at once. Like, I’ve never even liked that Orruk warlord all that much, especially that idiotic skull on his shoulder pad, right? And then Tom goes and does something like this:

Orruk Warlord by Tom

I mean, just look at that bone! JUST LOOK AT IT!

Tom was also nice enough to send me some really good pictures of the model for you to enjoy, so here you go:

Orruk Warlord by Tom

Orruk Warlord by Tom

So yeah, lots and lots of super-friendly people — but then, that’s the Netherlands for you. It’s a fascinating country for me, as a German, because in so many ways, it’s like Germany, only not: There are tons of things that are so incredibly familiar, but are just slightly “off” — and I mean off in an entirely good way: You feel at home enough to be at ease, but it’s also different enough to be utterly refreshing. Which is basically the ideal mix for someone who is as much of a scaredy cat as me Almost being able to get what people are saying is also quite a thing, I can tell you

So Augustus also took me around town, including the famous Red Light District, so I could take a look at Amsterdam’s seedy underbelly, except it’s really not all that seedy, and it certainly has the added benefit of having a rather lovely canal running through the middle of it:

We ended up at a super cool retro-arcade bar where we kept drinking yet more local beer – Zatte, which actually translates to “drunk” I believe — there’s actually a lot to be said for a country that names its beers for the intended effect – and playing a bazillion games of Jenga, friendly banter with the folks from the adjoining table and crazy, made-up rules included. Let me tell you, it seems like people who know how to convert tiny plastic soldiers can be real Jenga fiends:

And then it was back home, with the crazy guy on the ferry playing songs like “Last Christmas” or “My Heart Will Go On” at full volume on his phone actually being a fellow countryman of mine — leave it to a German to set the mood, eh?

Anyway, if all of this may sound kind of over-enthused, that’s simply because I had such a blast! And I would like to imagine that Augustus felt the same way, in spite of having a compulsively talkative German to take care of. Just look at us eggheads:

I mean he does seem a bit…ambiguous about the whole situation

Disclaimer: Which reminds me: Let me just state in no unclear terms that, in contrast to what you may or may not hear from other sources, I was, like, super-handy with the lock on the rented bike, and Augustus didn’t need to help me with it at all. Not even once. And that, as far as I am concerned, is the end of the matter.

Erm, anyways, here’s the big man himself again, albeit in model form: Meet Augustus b’Raass, warlord of Augustus’ World Eaters army:

So, Auggs, buddy: Ja, wie sage ich das jetzt, I really cannot thank you enough! For being an awesome host and a brilliant tour guide! For going through the risk of just having some guy from the internet over for an entire weekend. For the conversations and the laughs and, of course, the beer! And for starting out as a cool hobby buddy that has now become an actual friend! Cheers, mate!

And to all of the beautiful readers of this blog, if you have managed to hang on until now, thanks for reading! And, as always, stay tuned for more!

In hindsight, we should have set them up as though they were shaking hands — that would have been such a sweet capstone for the post…

Hey everyone, it’s been quite a while since my last update, for which I apologise. There’s been a lot of RL related business keeping me occupied, plus I have also been in a bit of a hobby slump for quite a while now, unfortunately. Oh, and did I mention I’ve also managed to catch the mother of all colds yet? Because that happened as well, during my annual seaside vacation a fortnight ago:

As always, sitting by the seaside and relaxing was rather lovely, indeed. Unfortunately, though, it also happened to be pretty rainy and cold this year, so the minor cold I had already brought along to my vacation flared up again with a vengeance, turning my head into something that felt very much like a Nurglite blight grenade — very fitting, considering I had brought the recent copy of WD with me to take a closer look at the new Death Guard models (full review forthcoming). And I am still dealing with the fallout of that, as the Grandfather keeps lavishing his gifts on me…

Anyway, for these reasons, I haven’t been doing all that much hobby related stuff recently. However, I did want to post an update to demonstrate the blog is still going, and I also actually do have something new to show you, even if it’s nothing earth-shattering. So what is this about?

My friend Annie hasn’t given up on wanting to teach me how to play Blood Bowl quite yet, so she recently made another attempt at slowly walking me through the rules of the game — this time, with the help of the Blood Bowl II videogame on PS4, which actually helped on several levels: One, I am a huge videogame fiend, so wrapping something in a digital game will usually make it easier to get me interested. Two, it was good to be eased into the game via a slowly building tutorial campaign: It’s a format I am fairly familiar and comfortable with, and it happens to parse out the information slowly enough for my mangled World Eaters mind to hold on to

I’m not going to lie to you, though: It was still slow going. But I do feel like I actually have a far better grasp of the game’s interlocking mechanisms and systems now and can actually make some simple, albeit tactically sound, decisions. Go me, right?

Playing the game was also pretty great for yet another reason, though: It was really cool to see it all in motion and to get an actual idea of what a game of Blood Bowl would actually look like in-universe. There’s a great sense of physicality (and brutality) to the animations, and seeing it all play out like that really gave me an appetite to go and build some more Blood Bowl models…

Now of course the obvious way would have been to just go and get some of the new, shiny Blood Bowl models, but then I am really fond of my already existing team, the Orkheim Ultraz, mostly kitbashed from leftovers before a re-released Blood Bowl boxed set was even a thing:

I also think those guys are a nice enough match for the look of the Ork Teams in the Blood Bowl videogames, to be honest.

So I went back to them in an effort to add some more team members to the Ultraz and sticking to using what was already in my bitzbox instead of rushing out to buy yet more plastic crack. So here’s what I came up with:

First up, the appearance of the goblin referee kinda inspired me to come up with a goblin model of my own. I mean just look at this delightfully evil looking little guy:

So I dug through my bitzbox to find some spare goblin bitz I could use to build a gobbo to accompany my two Night Goblin players:

Here’s my WIP attempt:

The old multipart goblin plastic kits are among GW’s earliest multipart regiment kits from the late 90s, but they still work like a charm for building Blood Bowl models. Plus some of that armour really looks like old timey football and rugby gear, which is a great coincidence! I would love to build another goblin like this, but alas, I find myself lacking a single torso piece to make it happen. Oh well…

I also built another thrower for my team. Now my first thrower was already assembled in a suitably heroic (and archetypal) pose:

So I knew I needes something slightly different this time around. So the new guy is actually throwing a squig now…

…because, let’s face it, sometimes an orc jus’ gots to throw one o’ them squigs

The thrower itself was mainly made from leftover WFB and 40k orc boy parts, with most of the conversion work focused on splicing together a suitable arm and hand to hold the squig. The squig itself is a part of a goblin character from the old “Battle for Skull Pass” WFB starter set.

All in all, I am pretty happy with this WIP: The thrower is similar enough to his buddy to make both of the read as members of the same character class, while they are also different enough to read as characters.

And last but not least, I also wanted some additional heavy hitters: One of the only things I actually bought for my Blood Bowl team was a box of Black Orcs, so I wanted to make some more Black Orc blockers as well. The first two I built and painted are pretty cool, if I do say so myself, but they are also looking a bit cookie-cutter: They are basically standard Black Orcs with their weapons snipped off:

One thing that struck me when playing Blood Bowl II, however, was how massive and slab-like Black Orcs seem in the game: You really get the impression from watching them that there’s not much they couldn’t happily slap around all day:

So for my next two blockers, I wanted to add some variety (in order to suitably differentiate them from the already existing models) and also make them look dead ‘ard. So I went for a mix of suitably interesting bitz and spliced in some ogre fists and additional armour plates here and there. Take a look:

The first guy’s pose is basically identical to one of the finished model’s, but I think the added bulk and spiky fist make him look just different enough to be interesting. I also used an Ork Nob head (and steel jaw) for that extra bit of character.

The second Black Orc I built turned into an even more involved conversion, as I really wanted his pose to go beyond what the two basic body layouts for Black Orcs can do. It ended with some serious tweaking to his right arm — and with replacing his legs with those of an 40k Ork Nob:

I am really happy with this guy, to be honest: He’s rather massive and very close to that implacable look and feel I loved about the Black Orcs in the videogame.

So yeah, here are the new additions to the Orkheim Ultraz’ team roster:

Painting these guys should be enjoyable enough — I think I’ll be saving them for Annie’s and my next joint hobby session

So there, nothing too spectacular for now, but I’m still at work. And it goes without saying that I would love to hear any feedback you might have! And, as always, thanks for looking and stay tuned for more!

Hey everyone, something a bit different today — I hope you’ll appreciate the variety, even if it means a lack of new painted models. So what is this about?

It’s very common for hobbyists to talk about their inspiration: Whether it comes down to creating conversions or narratives, most of us will inevitably build on influences and concepts from many different sources, such as film, art, literature or personal experiences from RPG groups. To wit, the entire 40k universe itself is based on so many different influences, and has grown into a massive, unwieldy, eclectic and brilliant mixture of a thousand references, ranging from 80s pop culture to every SciFi and gothic cliché ever.

Today’s post, therefore, will deal with yet another possible source of inspiration when it comes to get a feeling for the kind of narrative that would work in the 40k universe, and the kind of characters that would populate such a narrative. And while I draw lots of my own hobby inspiration from the aforementioned media (with sources as diverse as David Lynch’s Dune adaptation, Mervyn Peake’s Titus Groan & Gormenghast and Charles Dickens as some of my favourite influences), today I would like to talk about another possible influence: the wonderful world of video games.

Now some of you may remember that I am a huge video game nerd. It’s a medium that I have been endlessly fascinated with for a very long time now, and it continues to interest aesthetically, narratively and professionally .

I could wax poetical on the many fascinating, obscure or downright grotesque features that turn digital games into such a riveting subject for me, but that’s not really the focus of this blog. So let us rather focus on a couple of games that have influenced my hobby life by inspiring characters, narratives or just a general style in my own hobby work.

Before we begin, however, a disclaimer of sorts: By no means is the following collection of titles and influences an exhaustive collection, nor is it intended to be. It’s also very possible that you know each and every one of those games, so the post could turn out to be old news to you. And finally, to be fair, this post has also been simmering away in the back of my head for quite a while now, so be warned that it may actually have moved away from actual 40k a bit, dealing – at least to some degree – more with games and game series that I find inspiring, period. That being said, if you enjoy 40k and Inquisitor and all that, and if you are interested in visually and/or narratively interesting videogames, the following titles might be worth a look. And who know: Just like me, you may even get an idea for an army, a conversion or an INQ28 retinue out of it. So let’s take a look:

I. Legacy of Kain series

It seems weird to me that the Legacy of Kain series seems to have become almost a bit obscure by today’s standards, when it used to be a rather common household name in video game circles – and even a veritable system seller – during the late 90s and early 2000s.

The series’ development history is rather complicated and convoluted, with different developers and teams adding their own perspective to the series, and acclaimed video game writer Amy Hennig (possibly best known for her role on Naughty Dog’s Uncharted series these days) ending up with the task of somehow binding it all together into a semi-coherent overarching narrative.

Fascinating as those tribulations are, however, I don’t even want to get into the details here. Suffice it to say that the series started with Blood Omen: Legacy of Kain (basically “The Legend of Zelda” with vampires), which was followed by Legacy of Kain: Soul Reaver (basically “Tomb Raider” with Vampires). The series deals with the vampire Kain and his rise (and fall) in the gothic world of Nosgoth, and it introduced both a pretty interesting cast of characters as well as a very distinct look and feel. Just check out Soul Reaver’s intro movie:

One of the series major narrative arcs deals with the conflict between the – seemingly completely amoral – vampire overlord Kain and his fallen former lieutenant Raziel, turned into a twisted wraith at Kain’s behest and now out for revenge — although things turn out to be much more complicated than that, as the series’ narrative is just about as convoluted as its development history. It can be a bit overdesigned and wordy in places, but it’s well worth checking out for yourself!

So why does the series appear on my list? There’s the very grimdark setting, for one: Nosgoth is a very dark and gothic place, where everything’s gone to hell in a handbasket because the man destined to be the world’s saviour refused the ultimate sacrifice – his own life – electing instead to become a depraved, immortal vampire emperor, ruling a failing empire. If that isn’t grimdark, I don’t know what is.

But there’s more: Kain’s dealings with his vampire lieutenants and their ultimate fates remind me a lot of of 40k’s Daemon Primarchs and Traitor Legions: There’s a gravitas and a sense of lost grace here that should seem very familiar to anyone who likes 30k and 40k. There’s also a fair share of purple prose (and some truly excellent voice acting) to be had, so if you want to get a feeling of what a Chaos Space Marine might feel like after millennia of corruption and simmering regret, the Legacy of Kain series provides some very good inspiration on that account!

After several unsuccessful attempts at reviving the series in recent years, it’s unlikely we’ll ever see another entry. The games available so far still tell a (fairly) complete tale of hybris, revenge and redemption, however, and are well worth your time, provided you are prepared to deal with a bit of technical clunkiness (in the earlier games in particular). The entire series, minus the first Blood Omen, is still available via GOG.com, among others. The games cost about 5,00 Euros a pop, and if the series’ premise interests you, I recommend you just snatch them all up: I played nearly all of them back to back, a couple of years ago, and it really helps to get a grip on the rather complicated storyline. You can also read up on the games on Nosgothic Realm, an incredibly expansive fansite.

II. Primal

Like Legacy of Kain, Primal used to be a fairly high profile release back when it first came out in 2003. A Playstation 2 exclusive developed by Sony’s own Cambridge studio, Primal was a fairly ambitious project with incredible production values for the time. Not all that many people seem to remember it these days, which is a shame, especially since it has some rather interesting connections to Games Workshop — but we’ll be getting there in a minute…

The game’s basic premise seems clichéd enough: Perky goth chic Jen is nearly killed by a daemon who just happened to infiltrate a gig of her boyfriend’s Nu-Metal band (I swear I am not making this up!). With Jen’s boyfriend abducted, she finds herself transported to the fantasy dimension of Oblivion, which consists of four realms. The forces of order and chaos, respectively, seek to establish control over these realms, and Abaddon, Lord of chaos, has come dangerously close to toppling the precarious balance of power.

So it falls to Jen, accompanied by adorable gargoyle helper Scree, to travel to the four realms, learn how to transform into different demon forms and re-establish the balance between chaos and order.

Mechnically speaking, Primal is one of those third person action adventure the early 2000s were so very fond of (think Tomb Raider with less climbing and more character interaction). If that doesn’t sound like much to write home about, it’s important to point out that Primal’s production values, its narrative and its pretty excellent cast take the whole affair into some rather interesting directions, so it’s far more interesting than its rather cookie-cutter premise would led you to believe.

There’s yet another reason why Primal would be interesting for every discerning fan of GW’s various IPs: Travelling the game’s world, you cannot shake a general feeling of …familiarity. Take the game’s four realms, serving as its massive levels, and their respective inhabitants: There’s Solum and the Ferai (totally not slightly more lawful-neutral Khorne-worshipping Beastmen), Aquis and the Undine (totally not victims to some kind of slightly Nurglite plague), Aetha and the Wraith (totally not Slaaneshi vampires) and, finally, Volca and the Djinn (totally not worshippers of Tzeentch). The latter, in particular, seem rather GW-ish in design — to the point where the Djinn would make for excellent Tzeentchian champions or daemon princes, as you can see in this video (starting at 11:40, in case YouTube’s timecode widget refuses to work):

Those similarities are far from coincidental, however, as Primal’s lead artist was none other than Mark Gibbons, one of GW’s most prolific artists and illustrators during the early to mid-90s. You know, the guy who did pieces like this:

Artwork by Mark Gibbons

His touch is very noticeable, and there is more than a little vintage GW in the character designs and artwork as well as the art design in the game proper:

What’s more, while the four realms and their inhabitants clearly recall GW’s chaotic factions, the whole idea of of four discreet realms in the game also somewhat recalls the realms that now appear in Age of Sigmar, even though AoS didn’t come around until fairly recently.

An emulated version of Primal is still available on the PlayStation Store (both for the Playstation 3 and 4), and it’s very much worth the price of admission: It may be trying a bit too hard to be edgy and grownup for today’s standards. and it may not be great literature, but the main characters’ banter makes them genuinely endearing, and the production values are still great, even from a modern perspective. And if nothing else, it’s a fascinating example of Mark Gibbons creating something that should feel more than a little familiar for longtime hobbyists, albeit in a different medium and for a different employer.

III. Dishonored series

This next entry is a far more recent series: If you are even slightly into video games right now, chances are you’ve heard of the Dishonored series. It is also one of my current favourites. And it feels a lot like an Inquisitor campaign every now and then, but maybe that’s just me

Dishonored is set in the Empire of the Isles, a setting that invokes Great Britain (in the first game) and its colonies (in the second game) during the early 19th/early 20th century, albeit with a twist: Much of the Empire’s culture seems oddly familiar, but Dishonored’s world also presents a strange and intriguing clash of fantasy, (steampunk) technology and magic. What’s more, there’s a very particular look and feel to the whole affair, ranging from the – almost painterly -realism of its character design (call me crazy, but there’s more than a bit of New Objectivity to be found in the games’ art design) to the general bleak atmosphere of the world, with decadent nobles scheming and vying for power, as disinfranchised smallfolk suffer under their cruelty. Dishonored’s world is very dark, but also quite fascinating. It poses some interesting moral questions and goes to some rather interesting places with them. The way in which the games explore the morality of nonlethal solutions to many of its problems is just one very poignant example.

From a gameplay perspective, the Dishonored games can be visceral, combat-focused revenge fantasies or elegant stealth games — or anything in between, really, purely based on your preferred way of playing. What’s so mechanically great about the games is how they accomodate your playstyle and choices and make the world adapt accordingly in many interesting ways. Like I said, it’s one of my favourite game series at the moment

As for the series’ position on this list, Dishonored can also feel very Inqusitor/INQ28 at times. It would be easy to imagine Dishonored’s Empire of the Isles as a civilised world within the Imperium of Man, and as the setting for an INQ28 campaign. For instance, whenever I read Apologist’s incredibly cool world building for his “Death of a Rubricist” setting, Dishonored is one of the things I feel acutely remembered of. Plans within schemes are very much at the heart of the series, and if you are into Inquisitor and its particular way of storytelling and world building, you’ll take lots of inspiration away from Dishonored — in fact, the world building alone is basically worth the price of admission!

Dishonored 2_20161120161254

The series consists of two main games (Dishonored and Dishonored 2) and one major spin-off campaign for each of the main games. Dishonored gets “The Knife of Dunwall” as a nearly game-sized DLC, whereas Dishonored 2’s spin-off campaign, “The Death of the Outsider” was recently released as a standalone title. All of the games are available on PC, Playstation 3/4 or Xbox 360/One, and I would very much recommend to check out the entire series, starting with the first title. If you’re even a bit like me, you’ll want to explore every nook and cranny of this truly breathtakingly realised world!

And while we are talking about Dishonored, let’s not forget about…

III.b …the Thief Series

Because I would be remiss not to mention the Thief series, which seems like Dishonored’s spiritual prequel (and a highly acclaimed stealth series in its own right). Thief only makes this particular list by association, it’s true, but the main reason for that is that its world is a fair bit more medieval (and thus less 40k) than Dishonored’s. Even so, fans of INQ28 and/or Mordheim in particular will doubtlessly find a lot to like about Thief’s dark, steampunk-ish world. Just to give you an idea, when I read the description of Queen Mab during the opening chapters of Dan Abnett’s novel Pariah (the first and, alas, to date only entry in the Eisenhorn vs. Ravenor series), I felt instantly reminded of The City from the Thief series.

IV. Resonance of Fate

A strange entry, this one, mostly because Resonance of Fate is a JRPG, with all the baggage and strangeness that entails: Now Japanese role playing games clearly aren’t for everybody, as they tend to have a particular tone and feel, one that is often informed by the peculiarities of Japanese pop culture. Personally speaking, I have a long personal history of playing JRPGs, however, going all the way back to the 8- and 16-bit days, so I can usually stomach, or even appreciate, the weirdness inherent to the genre.

Resonance of Fate is, on the face of it, very Japanese in many ways: It’s an eclectic combination of fantasy, cyberpunk, turn-based battles fought with guns (and almost ridiculous amounts of acrobatics) and classic JRPG tropes. What makes the game a definite candidate for this particular list, however, is its peculiar setting, Basel:

Basel is a multileveld city built around a massive central elevator. It was orginially constructed as a combined retreat for humanity and an atmospheric cleaning device, but it grew and became more complicated and essentially turned into a massive, sprawling city over the  centuries — a veritable Hive city by any other name.

And while Basel may look strange and far different from the hive cities of 40k, the game really does an excellent job of depicting a society that has developed around the basic challenge of living within a massive machine: Towns and villages are wedged into Basel’s open spaces, with giant cogs ticking away in the background. The strata of older cultures and settlements are clearly visible in many places, and most people have clearly forgotten the massive facility’s original use, content to eke out a living among its unknowable mechanisms. The rest of the setting confirms to this basic conceit: Instead of dragons and orcs, you get to fight modern bandits and runaway biological experiments.

Which is all a rather roundabout way of saying that, in spite of its copious amounts of JRPG tropes, Resonance of Fate can almost feel like a Japanese take on Necromunda. Which, in turn, can make it fascinating to check out for a fan of GW’s various 40k-related settings.

When all is said and done, however, Resonance of Fate is still a very Japanese game indeed, with all the tropes and quirkiness that entails. If you can stomach the occasional weirdness (the odd jokes, the dressup meta game, the weird gender stereotypes and the sometimes awkward pacing and dialogue), it’s a fascinating, quirky little game. The following video shows some of the gameplay, and I had an especially strong Necromunda moment starting at 6:26, with the heroes passing through the artifacts of prior civilisations while making their way from Basel’s highest level, the Chandelier, to the lower residential areas:

The fact remains that Resonance of Fate can be a bit of an acquired taste — even moreso, arguably, than mainstream JRPGs like Final Fantasy. You may want to take a look at the game’s prologue below to find out whether the general tone and style is for you:

V. Basically anything by Yasumi Matsuno

Yasumi Matsuno is a fascinating director and author because he stands for a very particular kind of RPG world and storytelling. Instead of fairy tale romps that end with the heroes defeating a mustache twirling demon lord to save the world, Matsuno’s games (and game worlds) are invariably steeped in realpolitik: They always deal with the politics going on in the background, the shady deals and painful sacrifices that keep kingdoms and empires going while creating tragedies for the protagonists. Unlike most roleplaying games, Matsuno’s titles usually don’t put you in the shoes of the idealistic hero saving the world due to sheer spunk and virtue: You just do your best while history – and politics – march on relentlessly in the background. And even if you should end up saving the world, don’t expect anyone’s thanks for it! Chances are, you’ll go down in history as a dangerous heretic…

There are also numerous shout outs to real world history: Tactics Ogre is basically a medieval fantasy version of the Yugoslav Wars. Final Fantasy Tactics (very much Tactics Ogre’s spiritual sequel) is basically the War of the Roses with dragons and Chocobos (it is also one of the finest strategy RPGs ever devised by man).

While all of Matsuno’s games are very much worth checking out, I want to point you towards some titles in particular, starting with Vagrant Story: a strange and darkly beautiful game that is one of my all-time favourites, and maybe Matsuno’s definitive piece of work:

Vagrant Story is a take on Western RPG and dungeon crawler conventions with a fascinating story about different factions trying to get their hands on the dark magics resting within the lost city of Leà Monde.

You’re cast in the role of one Ashley Riot, basically a medieval special ops soldier. Your goal is to infiltrate the lost city, rescue the hostages taken by a religious cult and prevent its members from claiming the city’s dark power for their own. You soon find out that things are far more complicated, however, and that there are more parties interested in Leà Monde and its legacy.

Vagrant Story is known for several things: Its incredible art design. Its dark and mature storytelling. Its punishing take on western roleplaying and dungeon crawling conventions. And, certainly not least of all, its acclaimed English translation by Alexander O. Smith, among others, adding an extra layer to an already incredibly elegant narrative.

I don’t even want to tell you too much about Vagrant Story, because it has to be experienced firsthand. It’s a punishing and darkly mysterious experience. If you enjoy deep, ambiguous tales and thought-provoking narratives, you should check it out. It’s quite a ride, indeed, and it can be had for a song on the PlaystationStore.

One of Yasumi Matsuno’s biggest mainstream games, set in the same world as Final Fantasy Tactics and Vagrant Story, is Final Fantasy XII, a mainline entry in the colossally successful Final Fantasy series.

Like Matsuno’s other games, FF XII is a triumphant exercise in world building, with a setting that seems like it could actually exist somewhere and wouldn’t wink out of existence the moment you switch off your console. Once again, there’s also a lot of background politics at play here, with history’s gears very much in motion while your band of heroes is gallivanting around the world of Ivalice.

It’s a rather interesting subversion of many of Final Fantasy’s classic tropes, as well as a fascinating look at what Matsuno can get up to with a bigger budget — at least partially so, as he had to drop out of the project late into its development. The game is still quite something, though! It’s still widely available on Playstation consoles, with a remastered version (“Final Fantay XII – The Zodiac Age”) released earlier this year.

FINAL FANTASY Ⅻ THE ZODIAC AGE_20170814193800

As for its influence on my 40k hobby, among many other things, let’s just say that I am still looking for a way of creating a 40k-compatible way of incorporating Final Fantasy XII’s Judges into my INQ28 setting…

Matsuno’s obvious love for the classic western pen & paper RPG finally came full circle with Crimson Shroud, released in 2012 as a fairly obscure download-only title for the Nintendo 3DS (at least in the west):

In many ways, Crimson Shroud mirrors many of Vagrant Story’s story beats (and much of its general look and feel): A small group of adventurers infiltrates the ruins of a palace in search of the eponymous artifact. There they encounter not only many vicious creatures, but also a dark and tragic story going back centuries. The narrative is both concise and nuanced, especially for a smaller digital release like this.

What makes Crimson Shroud truly captivating, however, are the lenghts to which the game actually emulates classic pen & paper roleplaying — to the point where you throw virtual dice to determine the outcome of most actions in the game and all the characters and monsters are displayed as actual miniatures mounted on their own small bases and placed within diorama-like backgrounds, making the whole thing seem like an actual tabletop roleplaying session.

If that sounds weird, it certainly is, and it’s not exactly easy to pick up and play. But everything that’s fascinating about a Matsuno game – such as the nuanced storytelling and excellent world building – also make an appearance here, creating a sublime narrative experience almost on par with Vagrant Story. Plus the game is a fascinating love letter to western tabletop gaming, as seen through a distinctly Japanese lense.

Honorary mention: Incubation

Okay, let’s treat this last game as a bit of an out of competition entry, but I still need to mention Incubation: Released in 1997 as part of the – then pretty successful (at least in Germany) – Battle Isle series, Incubation basically worked as the first really cool squad-based Space Marine game without even being a GW-licensed title.

Incubation probably seems incredibly primitive by modern standards, but back then, it felt like a revelation: I remember loving GW and 40k even back then and hoping they would end up making a game based on their IPs that didn’t suck — but it actually never came to that, at least not back then. But a German developer made a game about vanilla SciFi-troopers (totally not Space Marines) fighting against a slightly weird alien race (totally not the Tyranids), and after playing it, I kept asking myself why GW couldn’t have come up with that kind of game — or at least given the license to these guys…

Funnily enough, Incubation is actually still available as part of the Battle Isle Platinum Pack, but I couldn’t really tell you whether or not it has aged all that gracefully. I will affirm though that it felt like an excellent Space Marine game long before GW themselves got their act together on that front, and that’s enough to be included in this list!

So yeah, so much for my – entirely subjective and woefully incomplete – list of video games that have fed into my hobby over the years. I would love to hear your feedback, both on the nature of this post as well as on the actual choices I have made: Was this an interesting subject, in spite of only dealing with the actual hobby in a slightly roundabout way? And did I miss any games that should be included on this list? You are very welcome to contribute your own favourites!

In any case, thanks for looking and stay tuned for more!

Well would you believe it: Christmas has managed to sneak up on me again! With so much to do and so little time left this year, the one thing I definitely want to achieve is to publish another round of my annual Eternal Hunt Awards, and I am currently gathering material for that and preparing the posts — wish me luck

Until then, allow me to address some assorted news straight from my messy hobby lab:

I. More grimdark games…

I would like to start with an addendum to my recent post about grimdark video games, mostly because I forgot to include two particularly striking examples on my list

The first is an incredibly 40k-ish moment in a game that is otherwise just about the least grimdark game you could possibly imagine:

Final Fantasy IX is, for the uninitiated among you, a callback to the series’ earlier, more innocent days, with lots of cutesy characters, talking animals, super-deformed character design and an all around cuteness that has held up remarkably well over the years. However, the game also features the regency of Lindblum, an industrious and advanced city state that basically looks like a hive:

Lindblum is a multi level city scape that seems like the love child of Victorian era London and Fritz Lang’s Metropolis…appearing in a Disney film — but then that’s Japanese JRPG eclecticism for you

Seriously, though: Given Final Fantasy IX’s endearing overall design, it should be no surprise that we are dealing with a rather cutesy version of a hive here — no gang wars or underhive mutants to be found. There’s a pretty spiffy theatre district, though:

Back when the game was first released, Lindblum was one of the most stunning locales ever to be featured in a roleplaying game. And its design is still lovely many years later — with the added bonus of actually giving us a decent impression of what a bustling hive city might actually look like…minus the Moogles and talking animal people, that is:

The other addition to my list of grimdark games is a baffling oversight, in retrospect, because it has to be the most  incredibly 40k/INQ28 game ever to not bear the actual license:

A postapocalyptic adventure game, Dark Earth is set centuries after a big cataclysm has managed to wipe out modern civilisation. The dust and grime from the earth-shattering cataclysm have managed to permanently clog the atmosphere, casting the whole planet into darkness. The sole remains of civilisation cluster around so-called “Stallites”, city states construced around areas where light is still available by scientific or natural means. It probably won’t surprise you at this point that those stallites share more than a passing resemblance with 40k’s hive cities, even though they are slightly more medieval than your average 40k hive.

The society presented by the game is fascinating, though — and oh so INQ28 in style: With everything within the city geared towards maintaining the life-preserving light, society has adapted and stratified accordingly, with a solar priest class and a warrior caste – the Flame Guardians – at the top of society. Dark Earth puts you in the shoes of Arkhan, member of the Flame Guardians, who gets infected with a creeping corruption while fending off an attempt on the high pristess’ life. With his body slowly beginning to mutate and reshape into a creature of darkness, Arkhan embarks on a frantic quest to uncover a treacherous plot that might threaten the entire stallite before his time is up. Cast from his upper class surroundings, he must discover the seedier parts of the city — a veritable underhive full of malcontents, paupers and cultists.

Sounds like an Inquisitor campaign, doesn’t it? Indeed, the game’s scenario seems incredibly 40k in hindsight, if on a slightly more feudalistic level. There’s also a very distinctive look and feel to the game world: If you are into French graphic novels, you’ll find a lot to like here, as the game’s developer, Kalisto, is a French studio and certainly knows how to imbue their setting with the right style. The idea of Arkhan slowly transforming into a deformed monster also adds an intriguing, if slightly stressful, element to the game. All in all, I remember being quite taken with the game when I played it during the late 90s!

Dark Earth was originally planned as a series, and it’s readily obvious how much world building the folks at Kalisto did for the game and the planned sequels. Alas, it was not to be: A sequel for the Playstation 2 was cancelled without much fanfare. In an interesting twist of fate, however, it seems the world of Dark Earth did actually spawn a pretty successful (tabletop) roleplaying setting in its native France — and deservedly so, because the setting and general ideas behind Dark Earth were pretty fantastic!

Unfortunately, the game is not currently available on Steam or GoG (there’s a petition, though). You can – and should –  read up on the game in more detail over at Hardcoregaming101 (a highly recommended resource, by the way!), and there’s also a trailer giving you an impression of the overall style (and the badly aged CGI) here:

II. Digging in for Christmas

One of the best hobby moments of 2017 was when BubblesMcBub, whom I met during my visit to Amsterdam, sent me almost the entire Death Guard part of the Dark Imperium boxed set. In return, I promised him a couple of conversions, and I have been terribly neglectful about honouring that particular promise, due to a combination of laziness and RL reasons.

It goes without saying, however, that I remain committed to honouring our agreement, so the first model I have built for Bubbles shall make its way to the Netherlands, along with some odds and ends, later this week — and hopefully even in time for Christmas. But what kind of model are we talking about?

For starters, Bubbles wanted an officer for his Iron Warriors, and he told me he would like to see a Khornate Iron warrior to boot. No sweat, right? The one complication was that Bubbles’ Iron Warriors have a much cleaner, 30k-inspired look than the very baroque CSM I usually build, so I tried to dial back my usual style a bit.

So my task was to…

• come up with a suitably imposing officer/champion
• incorporating some classically Khornate attributes
• at the same time, I still wanted him to clearly read as an Iron Warrior, so he needed to look suitably no-nonsense and slightly techy as well.
• keeping the model clean enough to work with the rest of Bubbles’ army.

So without much further ado, here’s the model I built:

Personally speaking, I think I’ve hit a pretty good middle ground between “obviously Khornate” and “still fairly professionally Iron Warrior-sy”. And more importantly, BubblesMcBub seems to be happy with the model as well, which is what matters! So hang in there for a few days longer, mate! I’ll be swinging by the post office ASAP

III. What else is new?

In other news, I am also gearing up for some long-overdue hobby time over the holidays: I’ve picked up the wonderful new Necromunda boxed set and am currently salivating over those lovely gang sprues. Nothing has been built yet — although some Goliath bitz have already made their way into my 30k World Eaters collection. Anyway, expect to hear from my firsthand experiments with the new sprues soon-ish.

And even though my painting output hasn’t been all that incredible this year – at least where mere numbers are concerned – I think I might have one more model in me for 2017. This guy:

I am still rather happy with the conversion, and the model should also make for an excellent capstone for 2017 — seeing how the very first model I painted this year was another converted plastic Contemptor, Vaako the Immortal, a model I am still enormously proud of:

So yeah, let’s hope this all works out! If all goes according to plan, the first post of this year’s Eternal Hunt Awards should go live later this week — keep your fingers crossed for me And I’ll make sure to put in some painting, in between all the sleeping and the eating. What about you guys, though? Any last minute chores or hobby commitments? As always, I’d be happy to hear from you in the comments!

And, as always, thanks for looking and stay tuned for more!

Once again, welcome everyone to the 2017 Eternal Hunts Awards, my blog’s annual feature to analyse the past year’s great – and not so great – hobby moments, pick my favourite (and least favourite) models from GW’s slew of releases and single out some of the most spectacular hobby work I’ve seen online. So let’s snap to it, shall we?

For today’s installment, let’s start once again with a recap of my hobby year and my personal projects. While the numbers really aren’t all that spectacular this year, I still hope I have a few cool things to reminisce about — so let’s take a look:

I. My hobby projects

I think it’s no hyperbole to say that 2017 was yet another firestorm of a year, especially with regard to politics and RL events. It has also been a pretty busy and draining year for me personally — and my hobby output clearly reflects this: I started strong, back in January, but the stream of finished new models then diminished into a trickle over the year. So at year’s end, here I stand with but twelve painted models to my name (with another one currently on the painting desk):

Doesn’t really sound all that impressive now, does it? The bright side is that I am actually really happy with every single model that I have managed to paint this year, and that has to count for something, right? I would also argue that some of the models were really rather intricate challenges and, in one case, a definite step outside my comfort zone. So let’s take a closer look at some of the more remarkable completions.

1. Khorne’s Eternal Hunt

This probably won’t surprise you, but my longest running army project, the World Eaters’ 4th assault company, once again made for the lion’s share of my hobby output — albeit in a slightly different way from before. This year, I decided to focus on exploring the Horus Heresy era incarnation of Lorimar and his merry band of butchers, and tried to actually get some of the models I had build last year painted, while also adding a new conversion here and there. And this small collection of models is finally starting to look pretty appealing, if you ask me:

One project in particular stands out with regard to my 30k World Eaters: As some of you will probably still remember, two of my favourite achievements from last year were two versions of Angron I managed to build and paint: One representing the XII Primarch during his days as a gladiator, the other an interpretation of his latter years (and millennia) as a Daemon Primarch.

Even with those two versions of the Primarch finished, however, there was still the official Forgeworld model that Adam Wier (of Between the Bolter And Me ), sent to me, incredibly enough:

Now I do of course realise that painting Forgeworld Primarch models probably isn’t all that special any more — but it definitely was for me, seeing as I had never worked with an official Primarch model before. Plus this was pretty much my favourite Primarch as well as an incredible gift from Adam — so I really wanted to do Angron justice. And I do believe I’ve managed to pull it off:

What’s more, I created yet another version of Angron, based around an iconic illustration by Wayne England and built from the freebie Slaughterpriest that came with the first copy of the relaunched White Dwarf:

Trying to create a model to fit the classic piece of artwork was a really cool challenge and provided yet another chance to explore the Primarch’s troubled – and bloody – background. You can read up on what went into the model’s creation here, in case you are interested.

This leaves me with three different incarnations of Angron during his mortal life, and I do think there’s a nice sense of character progression throughout this mini-collection:

In addition to the Primarch, I also applied myself to the creation of a model representing his equerry, Eighth Captain Khârn. The official Forgeworld version of the character didn’t quite click with me, for a number of reasons, so I endeavoured to make my own version:

Beyond Primarchs and equerries, however, I didn’t forget the rank and file: One model I am still particularly happy with is Ancient Vaako, my very first Contemptor — and actually the first model I painted in 2017:

What pleases me most about Vaako is that the model is a conversion of the somewhat awkward plastic Contemptor from the Betrayal at Calth boxed set — a conversion that I would still consider a pretty big success. So much so, in fact, that my second Contemptor uses the exact same base model

Come to think of it, I actually did paint one model for the 40k version of Khorne’s Eternal Hunt: My very red version of Be’lakor:

The model was another excellent gift, this time courtesy of my good friend Annie. I really consider Be’lakor a model for the ages, so I am really happy to have him in my collection — painting him was a blast, too! Thanks again to Annie, for another brilliant contribution to my collection!

2. The world of INQ28

I have to admit that I once again gave short shrift to the INQ28 angle of the hobby this year — although not for lack of trying. I did manage to work on one of my more freeform projects, however, painting two more models for my downhive band of malcontents, the Road Crew — they are growing into a rather eclectic little group, if I do say so myself:

These guys really are such a fun diversion, so expect to see more of them in 2018 — especially since they seem to tie perfectly into many Necromunda-related shenanigans

 II. My favourite hobby moments

Of course it wasn’t all about painting models, and 2017, in particular, was marked by some particularly awesome moments:

Probably the absolute high point, bar none, was my visit to Amsterdam in the summer, where I got to spent a fantastic weekend with fellow hobbyist – and great guy – Augustus b’Raass:

We talked shop, tasted a broad selection of tasty local beers, put some of our respective models against each other for a pretty cool photoshoot and spent some time polishing each other’s bald heads to a mirror sheen — actually, just one of the above items was made up by me

Oh, and let’s not forget mentioning that I got so see Auggie’s brilliant version of ADB’s First Claw from up close:

First Claw by Augustus b’Raass (1)

Now going to the Netherlands isn’t exactly a monumental trip for a German, but it was still a big deal for me, mostly because I previously only really “knew” Augustus from our exchanges via The Bolter & Chainsword, plus I am also a bit of a scaredy cat, really. I really had a blast during the weekend, though, and Augustus was such a gracious host, as well as an excellent conversationalist — I actually couldn’t be any happier to have taken the plunge! Many thanks once again to Augustus for this excellent trip – definitely one of the best moments of 2017 for me – and I sincerely hope we’ll be hearing from each again sooner rather than later, buddy!

You can read up on the trip – and take a look at many more nifty photos – over here.

My second-favourite hobby moment of 2017 actually ties right back to my visit to Amsterdam: While visiting the GW store there, I met Rowdy/BubblesMcBub, who not only made my day by basically me treating like a rock star, but was also incredibly generous enough to let me have almost the entire Death Guard half of the Dark Imperium boxed set, which really blew me away! Now it actually took me until Christmas to actually start and repay Bubbles for his kindness, but a first supply drop is hopefully making its way to the Netherlands as I am writing this (also see my previous post on the matter). Anyway, thanks again for your generosity, mate!

There were even more cool moments, though: I loved it when I discovered that Dariiy had created an illustration based on my conversion of Daemon Primarch Angron for a friend of hers:

Angron illustration by Dariiy

I couldn’t even tell you what makes me happier: Looking at that illustration or knowing that somebody actually has that up on their wall somewhere, and that my model played a part in that

I would also be remiss not to mention my continued correspondence – and exchange of hobby ideas, with DexterKong, something that has become instrumental in building the world that informs practically all of my INQ28 models. The same also goes for all the other hobbyists I am in semi-regular contact with – PDH, Neil101, Inquisitor Mikhailovich,… — the only problem is that I regularly take forever to answer to each and every e-mail…

Oh, and one final high point for this year arrived just in time for Christmas, with Eternal Hunt finally achieving one million views! Yay!

III. Blogging

In fact, this neatly leads into talking about the state of this blog – and the state of my blogging – for a bit: In addition to finally ammassing the magical million views, Eternal Hunt also turned five this year, which was pretty awesome:

Looking back made me realise that this blog not only serves as a motivating factor to actually get things done, but it has also grown into a platform for getting in contact with other hobbyists from around the world and form a social network, if you will, that not only provides me with fantastic input and feedback, but has also led to my collection being enriched by fantastic pieces of work from fellow hobbyists, which is really a rather humbling experience, when you think about it:

And, according to a fun discovery while browsing my WordPress statistics, I also seem to have some readers in pretty high places…

Seriously, though: I would really love to know whether those hits were accidental or there’s really a 40k fan in the Vatican…

At the same time, and in spite of all the positive news, I am also painfully aware that 2017 has been my least active blogging year so far, with only 25 posts versus the previous year’s 44. The reasons for that are mostly personal, and RL-based, but the fact remains that the blog has been far less busy this year and, probably as a consequence, has been losing views and readers. Now I know that one really shouldn’t look at the numbers so much, but the numbers for this year actually going down for the first time in this blog’s life is still ever so slightly depressing — in fact, it feels as though it gets harder and harder to get people to actually engage with content, even in the case of more sizeable, rather well thought-out posts, which is probably also a consequence of so many hobbyists rather gravitating towards social media like Facebook or Instagram for their chance to look at pretty pictures.

Personally speaking, I find this prospect hardly encouraging, as those platforms don’t really seem to encourage actual conversations, more often than not. So if I can make one small wish for Christmas, it’s that people not only continue to frequent this blog and comment on its content – although that would be really awesome – but also to not forget the blogosphere and the classic forums. They may not be the modern, new-fangled way of doing things, but I have to admit that I find myself feeling critical of big social networks more and more, for reasons well beyond this shared hobby of ours.

IV. Plans

Whatever happens next year, I am pretty confident that cutting up and painting little plastic men – and writing about it – will be a part of it. So with the knowledge that I am easy to distract and horribly lazy, what’s in store for 2018?

The Horus Heresy era World Eaters will be one of the most important projects in 2018, without a doubt: There are already lots of pretty nifty conversions I want to see painted! If I had to pick out one thing from this project that I really want to paint next year,…it actually wouldn’t be a World Eater, but a Word Bearer:

Both DexterKong and InquisitorMikhailovich dared me to build a model for Argel Tal, leader of the Gal’Vorbak, and after some initial misgivings, I actually built two models — one for his “mortal” version, and one for when he puts on his game face. Painting both while trying to create a sense of continuity between them should be challenging but fun — the models will also make for a pretty cool companion piece for my Khârn conversion. So expect to see these guys finished some time next year!

Thanks to BubblesMcBub, I also have the beginnings of a small 40k Death Guard army project in my possession, and I am pretty happy with the test models I have painted so far:

So there’s going to be some Death Guard in my future as well. Incidentally, I only just finished a Death Guard conversion that I am rather happy with:

Remember Maxime Pastourel’s excellent Lord of Contagion model from the Dark Imperium boxed set? I truly love that model! I treated myself to two of those, via bitz swap: One to leave completely unaltered, the other one I wanted to convert. My initial idea was that making the model into a representation of Typhus would be a nifty idea.

But then the massive Death Guard release dropped and gave us not only a new model for Typhus, but two different sets of DG terminators — which pretty much seemed to defeat the exercise of converting the Lord of Contagion. Moreover, the conversion just didn’t come together, with the model seemingly fighting me every step of the day. So back into the box it went.

But I came across those bitz earlier this week, and gave it another go. And I think I may finally be on to something. Take a look:

Beyond standard 40k, I also really want to focus on the INQ28 and specialist angle next year. And alas, one thing I never really got around to in 2017 was to get some paint on Redactor Orlanth and his operatives:

Which is really a shame, because that retinue contains some of my best INQ28 conversions, if you ask me…oh well, I’ll just have to postpone this project to 2018

Alongside more work on the Road Crew, of course: I already told you that those guys would be getting some more attention next year, and the next applicants for the merry little group are already lined up:

Of course there’s also the fact that the Road Crew perfectly fits into the new Necromunda, and I am also rather looking forward to taking those new gang sprues for a spin, so yeah…

For the immediate future, however, I would mainly love to make some time for painting over the holidays, so wish me luck with that!

If all goes according to plan, the next installment of the 2017 Eternal Hunt Awards should arrive before the new year, with the third and final episode following some time in (hopefully early) January: After all, we still have to take a look at both GW’s 2017 releases and the best work from fellow hobbyists around the world, right?

But for now, let me wish you all a very Merry Christmas and say thank you from the bottom of my heart to everyone who sent me bitz, models, e-mails, ideas, read this blog or commented! You guys are what keeps the Eternal Hunt going! Please keep it up!

As for readers and commenters, it goes without saying that I would love to hear any comments or feedback you might have about my 2017 output, so feel free to sneak in a quick line before mass or after opening your Christmas presents

And finally, as always, thanks for looking and stay tuned for more!

Welcome back, everyone: It’s a new year, and here we are — later than I had originally planned, I must admit. Sorry for the delay, but I just had to spend the entire holiday season sleeping, eating and near-obsessively hunting robot dinosaurs. I actually also managed to paint my very first model of the new year, but that’s a story for another time. For today, we still have a part of my annual Eternal Hunt Awards to get out of the way, even if it’s no longer 2017. That being said, I am confident you beautiful readers will always appreciate the chance to discover a couple of amazing hobby projects, right?

Because that’s what we’ll be dealing with today: The best work from fellow hobbyists from the last twelve months, according to yours truly. Now the level of quality many hobbyists manage to achieve these days keeps going through the roof all the time, with more and more stunning creations appearing online every year, but here’s my little selection of particularly noteworthy projects and blogs from last year, so please enjoy!

One small disclaimer, however, before we begin:
It goes without saying that all the photos you’ll be seeing in this post show other people’s work, and I cannot claim credit for any of the stuff depicted — apart from the small but delightful task of collecting it all together here and giving those fantastic hobbyists a much deserved shout out

I. Projects of note:

Let’s start with the hobby projects that blew me away in 2017, be they single models or army projects. Having spent a sizeable chunk of my online hobby time with the vibrant and lively community at The Bolter & Chainsword, it occurs to me in hindsight that my selection may be leaning a bit heavily on the Space Marine side of things this year, but I hope you’ll still appreciate the following, wonderful projects. So, in no particular order and without further ado:

Nemac Vradon’s First Claw:

Back in 2016, Augustus b’Raass built what I would consider the definitive true scale representation of First Claw, that merry band of rascals (read: insane murderers) devised by Aaron Dembski-Bowden for his Night Lords Trilogy:

First Claw by Augustus b’Raass (1)

I was lucky enough to see these guys in person on my visit to Amsterdam last summer, and they are just breathtaking: Perfect little representations of the different characters from the book, with lots of little tweaks that bring the models to life and amazing paintjobs to boot. The bigger scale gives them a real presence and also adds some – much needed – space for all of those extra bitz and trinkets.

So imagine my surprise when Nemac Vradon actually came up with an equally brilliant rendition of the same group of characters, albeit in regular 28mm scale this time, without the benefit of all that extra space:

Now building models to represent actual characters from the lore can be a fun – but also an incredibly challenging – proposition. Even moreso when everyone who has read the Night Lords novels probably has an idea about what Talos and his brothers should look like. Nemac Vradon has done an absolutely fantastic job of capturing the essence of the different characters, though, making them instantly recognisable. Nowhere is that more evident than on Talos, First Claw’s absolute poster boy:

Nemac has come up with a truly excellent model here, with all the cues that sell the piece as a representation of the character: With the Mk. V armour, deathmask, relic Blood Angels blade and the rune on the forehead, this guy clearly reads as Talos!

Similar care has been taken with each of the members of First Claw, with a careful selection of bitz and effective poses that manage to embody the essence of each character, while none of the models end up looking cluttered or overly-busy.

Surprisingly enough, while Talos may be First Claw’s most prominent member, he is not, in my opinion, the best part of Nemac Vradon’s interpretation of First Claw: That particular honour has to go in equal parts to Uzas and Xarl.

Now Uzas may strike you as a bit of an obvious choice – after all, he’s basically my favourite character from the books in the first place: A follower of Khorne, Uzas is a typical ADB character in that he may seem one-note by definition, yet is shown to possess surprising – and fairly tragic – depths. So my love for the character is always on my mind when looking at the model. That being said, the conversion is simply a study in elegance and unity of effect: Once again, all the cues that sell the character are there, while the strong pose and effective paintjob make for a model where everything’s in ist right place.

Xarl, on the other hand, is a very different beast:

Highly dynamic and quite ostentatious (in his ceremonial Chyropteran helmet), he immediately draws the eye. And once again, the particular composition of parts just makes for a perfect model. To wit, Nemac Vradon even managed to get away with using one of the – normally terrible – winged helmets from the old NL conversion kit.

The whole squad really stands as a triumph of both creating excellent representations of the actual characters as well as a collection of models with a perfect unity of effect. So while Augustus b’Raass has managed to come up with the definitive version of First Claw at true scale, Nemac Vradon can now claim the same award for the “smaller 28mm scale”. Splendid work!

Check out Nemac Vradon’s version of First Claw, along with the rest of his excellent Night Lords here.

Dark Ven’s Night Lords

And while we are on the subject of Night Lords, let’s not forget DarkVen: A longtime collector of the 8th legion, he has returned to his army in 2017 with some rather stunning new additions. Now the most impressive thing about Dark Ven’s Night Lords has to be how he combines kitbashing with kick-ass sculpting to create models that are both highly intricate conversions and yet perfectly at home next to stock GW models. His Night Lords army is a fantastic and incredibly customised collection of models: Just take the warband’s current leader, the enigmatic Warpsmith Tarantula: You could spent ages poring over those photos, trying to figure out which parts are stock (very few) and which have been expertly (re-)sculpted (nearly all of them).

Because, if anything, DarkVen‘s extrapolations of GW’s designs create models that sometimes seem like the perfect missing link between various official models: Take his brilliantly converted and customised Night Lords Dreadnought, for instance, that would seem equally at home next to both the old 2nd edition metal CSM Dread and the more recent plastic models:

Extra kudos for the different weapon options – I love stuff like that!

The incredible amount of customisation is evident in each and every unit in DarkVen’s Night Lords army. Here are his Atramentar:

At first glance, they merely look like some really well done Chaos Terminators, but there’s so much more there: Underneath all the spikes and blades, there’s still a hint at something more honourable, at the elite Astartes formation they used to be, and DarkVen does an excellent job of communicating this idea through the models.

Also, once again, I dare you to take a closer look and actually find out precisely how customised those guys are, especially the amount of scultping and additional detailing that has gone into their armour!

Or his Raptors: Those models perfectly combine officially established visual cues with DarkVen’s own take on GW’s archetypes, channeling both the new plastic Raptors and the “bird of prey” style of the older metal/Finecast Raptors – while also throwing in a generous helping of Predator creepiness:

The fact that DarkVen further supplements most of his more recent conversions with fantastic and elaborate concept art is just the icing on the cake!

If there’s one negative point to be mentioned here, it’s that DarkVen’s Night Lords currently lie dormant once more. However, you still can (and definitely should) check out the current status of his project here:

BrotherCaptainArkhan’s Black One Hundred

Can you remember how hip it used to be to hate the Ultramarines? In all fairness, GW’s poster boy Space Marine legion/chapter has appeared in official material so often and has been so idolised by many official authors, that it’s rather easy to be fed up with them, especially when they are written like they can do no wrong. And with the introduction of the Primaris Marines and the return of Roboute Guiliman, the XIII Primarch, to the stage of the 41st millennium, there are probably yet more Ultramarines with their heroic feats waiting for us in the wings.

What then if I were to tell you that one of the most riveting Horus Heresy project in existence at the moment dealt with the XIII legion in a way that you haven’t seen before and that turns Ultramarines into something genuinely fascinating?

Enter BrotherCaptainArkhan’s Black One Hundred: A Censuria company of Ultramarines, that is to say: Those members of the legion whose failures, sins or merely oversights have damned them to the fate of serving in an entire company of rejects, expected merely to fight and die without making too much noise, lest their legion remember how embarrassing they are.

Sounds intriguing, doesn’t it? Well, BCA takes this already promising premise and runs with it, coming up with an ongoing project log where every new update is spectacular, be it a new model, a new piece of background lore, or merely his musings about the ideas and motifs that go into his army.

It helps that the actual models are killer, of course: The Black One Hundred are about the dustiest, grimiest and most downtrodden Ultramarines you are ever going to see, but BrotherCaptainArkhan shows us that there can be something forlornly beautiful about armour this dented and scratched. And that Ultramarines Blue goes very well with black, indeed!

If I had to pick a favourite from this particular collection, I would choose the Black One Hundred’s (former) commanding officer, Brother-Captain Ludvic Augustus:

Now as far as I am aware, Augustus’ personal story arc has already run its course, but he remains my favourite piece of BrotherCaptainArkhan’s work, and arguably the perfect embodiment of the Black One Hundred: a perfect blend of a powerful Ultramarine and a down-to-earth, workhorse soldier that would rather not be remembered by history.

The quality evident in the special characters really extends all the way down, though, as even the various objective markers are little works of art (as well as tributes to the Ultramarines’ unbending spirit, in spite of everything):

Hard as that may be to believe, however, the – truly stunning – models are just part of the charm here: The storytelling at play, the fluff and soundbites, are equally riveting. These guys are members of a Censuria company, and it’s clear that they will never be able to make up for their past wrongdoings. Even their own Primarch would prefer them to be forgotten in silence. And in spite of everything, they are still Ultramarines. They fight. They endure. Only in death does duty end. And BrotherCaptainArkhan does such a fantastic job of telling their story!

Probably the biggest compliment I can offer is that, were BrotherCaptainArkhan to write a BL novel focusing on his Censuria company, I’d buy and read it right away, without a moment’s hesitation.

There are many Horus Heresy projects these days, as everybody and their cousin (yours truly included) seems to want a piece of that sweet Heresy goodness. The Black One Hundred, however, stand tall above the rest as probably one of the best Horus Heresy projects in existence right now, and as a constant inspiration: When I work on my own 30k World Eaters, I constantly try to capture the merest fraction of depth and gravitas of the Black One Hundred. That is how awesome they are.

Check out BrotherCaptainArkhan’s landmark project here.

Malcharion’s Space Sharks

A couple of years ago, the Carcharodons used to be all the rage: Reintroduced to the 40k background by Forgeworld as part of their treatment of the Badab War, these mysterious and brutal Space Marines from the farthest reaches of the galaxy captured many a hobbyist’s imagination and launched dozens of army projects. It also made an entire generation of hobbyists learn about Tamiya Clear Red, back before Blood for the Blood God had been developed

Because most people were content to just paint their Space Sharks flat grey, slap lots and lots of glossy blood effect on there and call it a day. Even Forgeworld’s own painters only paid occasional service to the idea of the Carcharodon’s use of tribal markings and intricate designs.

Not so with Malcharion’s Carcharadons, however, who breathe new life into the chapter’s identity in the most spectacular way:

Malchy’s fantastic paintjobs are one reason for this, particularly his brilliant use of highly intricate, quasi-Polynesian tribal designs. They turn every model into a piece of art without overwhelming the pieces. This is particularly evident on the Dreadnoughts that look like walking totems or shrines, while also seeming every bit as deadly and combat-worthy as you would expect of a Space Marine Dreadnought:

What’s more, while his Carcharodons certainly use a copious amount of blood effect, the combination of blood spatter and the intricate armour markings makes for a fascinating juxtaposition that adds a layer of depth to a chapter that often merely gets characterised as “really violent and mysterious grey dudes that also have this shark thing going on”.

The conversion and kitbashing on display are also truly something to behold. Just take this kitbashed master of the forge, featuring what has to be the best use of a Lizardman/Seraphon claw bit I have ever seen:

Or Malcharion’s version of Company Master Tyberos, “The Red Wake”:

Now this version is actually very different from Forgeworld’s official model, but the character is still instantly recognisable. And he has all the menace of a great white shark, without feeling silly because of it.

Speaking of which, those glittering black eyes really give me the creeps every time I look at the model:

Malcharion also routinely makes excellent use of dedicated legion bitz (and models) from Forgeworld, particularly from the World Eaters catalogue, to make his Carcharodons look even more vicious. Case in point, his Terminators (based on the World Eaters Red Butchers):

And, arguably even more spectacular, this Carcharodon officer based on the Heresy era model for Kharn:

It’s a testament to Malchy’s skill, however, that those models not only work perfectly within the framework of his army, but you wouldn’t really recognise them as World Eaters any longer: They are perfect Space Sharks now, aren’t they?

And while this moves beyond the scope of his Carcharodons, allow me to point out that Malcharion also works on models for the chapter’s Primoginetor legion, the Raven Guard, and he manages to turn even this least interesting of Space Marine legions (at least in my opinion) into something truly breathtaking:

Malchy’s complete project log can be found here.

Daouide’s Kalista

Le blog dé Kouzes is another regular name in my list of perennial favourites, so it shouldn’t surprise you that those wonderful and crazy Frenchmen make another appearance in this year’s Eternal Hunt Awards. By the same token, Daouide’s Emperor’s Children are the epitome of „Slaanesh done right“, so there’s yet another reason for this particular choice.

The above model takes the cake, however: Kalista, a championess of Slaanesh, and easily one of the most stunning models to have come out of 2017. Now any idea of building female Space Marines (or something similar) has been a bit of a hot button issue for a long time, with everyone who tries to work with this basic promise in acute danger of being laughed out of town. At the same time, having a championess of Slaanesh actually seems like such a wonderfully „Realms-of-Chaos“-style thing to do, doesn’t it? And just look at Kalista – isn’t she drop dead gorgeous?

Daouide’s wonderful conversion work, brilliant sculpting and sublime painting work together to create something utterly stunning here. Even better, though, Kalista is actually based on the Stormcast Eternal model Naeve Blacktalon:

Incredible, wouldn’t you agree?

In addition to painting her to match the rest of his EC army, Daouide also built and painted a custom warband for Kalista, and her retinue is certainly no slouch either:

Even in such a fantastic collection of models, however, Kalista stands out – and in spite of being a follower of Slaanesh, she isn’t even all that overtly sexualised. Incredible work!

One last observation: In addition to being such a stunning model, Kalista also really reminds me of the official art for Telemachon Lyras, of The Talon of Horus fame, and makes me wonder whether a fantastic model for Telemachon might not be built from the exact same source model.

In any case, check out Kalista in more detail here.

II. Blogs of note:

In this day and age, thoughtful blogging seems to be turning into a dying art, especially given the prevalence of endless picture streams on places like Facebook, Instagram or Pinterest — god, I’m sounding like a cantankerous old man, am I not?

But the fact remains that, while social media are becoming ever more integral to the online component of our hobby, social networks don’t really lend themselves well to the “longform”content I appreciate. So to me at least, dedicated, well maintained blogs are more precious than ever, and discovering particularly fascinating specimens remains one of the biggest joys in our hobby. Here’s my pick of the litter for 2017:

Lead Plague:

Now Lead Plague is one of those blogs that I cannot believe I didn’t discover much, much earlier, as the very original style of Asslessman’s work is truly something to behold. Maybe the most interesting thing about the blog is how perfectly it mixes both vintage sensibilities and modern design techniques: Now the whole “Oldhammer” movement has been quite a thing for a couple of years now, and at its best, Oldhammer seems to be about celebrating the creative – and often crazy – vintage creations of early GW (and other companies from the same time), and I can totally subscribe to that! Unfortunately, though, at its worst, Oldhammer can occasionally devolve into basically disparaging everything GW did after 1995, and those parts of the movement are really rather tiresome.

And entirely unneccessary, as it turns out, as so much of the content on Lead Plague perfectly bridges the gap between Oldhammer and “modern” GW models. It helps that Asslessman really pulls it off in style, of course, creating highly original conversions with often surprising and original colour schemes:

And while those models are perfectly “modern” in so many ways, they also happen to recall the ‘Eavy Metal sections of vintage GW publications from around the 2nd edition of Warhammer 40k, which is really the best of both worlds, isn’t it?

The blog is also full of fantastic warbands and projects. One of my favourites  is the “Shadow Legion”, a band of traitors and heretics that makes excellent use of some of GW’s more recent plastic kits:

Seriously, aren’t those menacing masked soldiers just perfect for all kinds of chaos and INQ28-related shenanigans?

Again, all of this looks perfectly at home in “modern” 40k. At other times, things get downright Oldhammer-y, as with this vintage Brat Gang, inspired by Confrontation, the semi-official predecessor to Necromunda:

Funnily enough, given the shout out Brat Gangs get in the new Necromunda material, these guys may soon have a home in “modern” GW again

Or take a look at some of the rather excellent oldhammer-ish models appearing in this inquisitorial retinue:

Asslessman shows that this really doesn’t have to be an either/or choice, that it’s possible for a hobbyist to draw from decades of excellent content and turn it all into the kind of custom projects they want — and pull it all together with excellent painting, no less! And of course all of us, whether we are Oldhammerers or not, just love the grimdark:

Anyway, Lead Plague is a fantastic blog and, in spite of its many retro-trappings, a real breath of fresh air! Oh, and it also wins an extra award for best header image!

The blog can be found here.

Wilhelminiatures:

Helge Wilhelm Dahl, of Wilhelminiatures, has been on my radar for quite some time now, but his blog has really managed to kick into overdrive this last year: There’s such a breadth of projects and ideas on display there now, in addition to a particular style of painting and modeling that’s just a joy to behold: There’s more than a bit of Blanchian influence, yet Wilhelminiatures‘ models are also wholly original and immediately recognisable.

Just to give you an idea of the variety on display on the blog:

Already on my shortlist last year, here’s a wondefully creepy and creative Genestealer cult that really pushes the envelope when it comes to adding interesting and disturbing archetypes (and genotypes) to GW’s “official” treatment of Genestealer cults:

There would be so much to say about this particular warband, but I’ll restrain myself and just point out that incredibly creepy babyface walker:

Or there’s the project of making the Silver Tower characters and archetypes more interesting and, arguably, more vintage GW. This endeavour ranges from a number of small tweaks to particular models…

…to rather impressive conversions and rebuilds. And everything is tied together by a wonderful, limited palette.

Or let’s not forget Wilhelminiatures’ wonderfully crazy apocalyptic warband taking cues from 40k, Necromunda and the latest Mad Max film at the same time:

And did I mention the blog also happens to feature some of the best 30k World Eaters around as well? Stupendous!

Given a collection this eclectic and wonderfully weird, it’s hard to pick favourites. If pressed to do so, however, there’s two models I would choose. One, the seashell-based monstrosity that reminded me so much of some very early and weird creature concepts from the video game Bioshock:

Seriously, though: I have no words for how creepy that thing is!

Arguably the best model, however, is this guy here:

A wonderfully weird retro-futuristic Knight on his grimdark steed: Very characterful, very Rogue Trader, very grimdark — and very, very Wilhelminiatures!

Make sure to check out this fantastic blog here.

Prometian Painting:

Confession time, I would never have given a single thought to creating an army based on “Hakanor’s Reavers”, a throwaway warband mentioned in an earlier version of the Chaos Space Marines Codex as a possible inspiration for your own colour schemes and/or warbands:

This made me feel like a fool when discovering Alex Marsh’s work – first on Flickr and then on his blog, Prometian Painting, however, because Alex has managed to create a truly spectacular army using the colours of Hakanor’s Reavers:

One thing that quickly becomes evident is that Alex’ Chaos Space Marine army has that one quality that I love above all else: It is chock-full of brilliant kitbashes and conversions. Like this massive Chaos Lord converted using the freebie Slaughterpriest from the White Dwarf relaunch:

Or this Chaos Sorcerer who gives Forgeworld’s conceptually similar event-only model a run for its money:

Now looking at Alex’s fantastic models is also a bit of a bittersweet experience for me, because Alex freely admits to taking quite a bit of inspiration from some of my own models, which is indredibly flattering, of course. The bittersweet part comes from seeing that some of his takes on my models actually improve on my work

Seems like the best thing I can do, considering the circumstances, is to just steal back a whole bag of ideas from Alex in turn — his Chosen, in particular, would be a delightful idea to steal:

They are just so wonderfully massive and menacing:

And there’s much more inspiration to be had here, as Alex doesn’t limit himself to the Chaos Space Marine part of his army: His collection now features dedicated “sub-armies” in the form of Traitor Guard and Chaos Daemons. The Traitor Guard detachment makes excellent use of Forgeworld’s Vraksian Renegade Militia, while also featuring enough common features with Hakanor’s Reavers to tie both forces together visually:

Once again, though, there are some lovely visual flourishes showing off Alex’ talent for creating cool conversions. Such as this traitor commander who is equal parts haughty officer and monstrous servant of chaos:

And let’s not forget the Daemon side of the collection, either! Because Alex’s sprawling chaos collection actually features an entire third army composed of Khorne’s neverborn servants:

As you will already have noticed, one of the most striking features of Alex’ armies is how they use the leitmotif of heat to draw the eye and pull the different parts of the force together: His painting perfectly conveys the feeling of blistering heat, be it in the form of warp-based fire breaking through the Astartes’ armour or via lava on the bases casting a red haze on the models. His daemons really turn this up to eleven, though, looking like their very bodies consist of molten metal and living flame:

In short, this is one of the best chaos armies I have seen in 2017, and a project that’s always a joy to follow!

The blog can be found here.

III. Honorary mentions:

Augustus b’Raass’ retro Bloodthirsters:

For a time, back when I properly got into WFB and 40k, Trish Carden’s – then brand new – metal Bloodthirster was my favourite model of all time. And even though time has not been all that kind to the sculpt, Augustus b’Raass’ beautiful modern paintjob for the classic Bloodthirster has made me realise that I still love the model, in spite of the massive hands and the general clunkiness.

If anything, Augustus’ photo above actually sells the model short, since the vibrancy of his paintjob model is absolutely breathtaking, as I can attest to from firsthand experience. In fact, the stunning amount of pop present in the paintjob is arguably a bit easier to see in this picture I took of the model:

In addition to painting a stock Retro-Thirster, Augustus also used a second vintage model to splice in some bitz from the modern plastic Bloodthirster and create a model that combines modern and retro in the best possible way:

So these two guys definitely deserve a shout out here! Fantastic work, buddy!

You can find Augustus’ ongoing WIP thread featuring all of his various hobby projects, over here.

Jeff Vader’s Primaris Reivers

It somehow feels as though this wouldn’t be a proper best of the year post without at least namedropping the ever illustrious Johan Egerkrans aka Jeff Vader, and while Johan’s hobby output last year didn’t quite match his frantic pace in previous years, he still managed to knock it out of the park again and again. Case in point, and particularly noteworthy: The Primaris Reivers from his DIY Chapter, bearing all the hallmarks of his incredibly gorgeous painting style as well as selling me on a slightly dubious new unit type. Congratulations, mate! Nobody does it quite like you!

Jeff Vader keeps blogging over here.

IV. The absolute best hobby project of 2017:

Wait, you didn’t think we were finished yet, did you? As it happens, I’ve actually saved the best for last this time around, so allow me to share my absolutely favourite hobby project from last year:

Neil101’s Adepta Sororitas diorama

Some of you may remember my absolute elation when this lass was released late in 2016:

To quote myself for a moment here:

You see, if somebody asked me what 40k was all about, I would point them to two particular pieces of artwork by the venerable John Blance. And one of those two pieces of art would be [the cover of the old Adepta Sororitas Codex], invariably.

It’s really all there: 40k’s particular blend of religious iconography, grimdark dystopian sci-fi and medieval madness. The glitzy, 80s fantasy style warrior woman with the crazy hairdo. And the influences from classic painters like Bosch, Breughel, Rembrandt et. al. It’s 40k in a perfectly formed nutshell.

And to get an almost picture perfect model representing that character, courtesy of Martin Footit, was a very particular delight, and one I wouldn’t have expected in a million years.

So I spent ages trying to get hold of a Canoness Veryidian model (it’s still sitting in its box, unpainted. That’s irony of fate for you), and one of my half-formed plans for the model was that, maybe, just maybe, I could try and recreate some of the characters from the background of that artwork and have them, along with the Canoness, as some kind of mini-diorama, you know?

Yeah, so…then I saw that Neil101 had done this:

I cannot even begin to put words to the sheer awesomness of this diorama: Neil has really gone above and beyond to create the closest possible representation of the art in actual miniature form — and without any cheap tricks like messing around with the scale or stuff like that, either. It’s an incredible piece that you could possible spend hours examining more closely to get an idea of all the details and genius little touches. Canoness Veryidian remains at the heart of the piece, of course, but it’s truly stunning what an incredible amount of work Neil had dedicated to the attempt of featuring all the crazy and demented characters loitering around in the background of the original illustration:

It goes without saying that seeing Neil’s work has put my own aspirations of doing something similar to rest — I mean, what’s the point, right?

What’s more, since this is a fully fledged 360 degrees diorama, it basically looks great from every angle, lending itself perfectly to the creation of moody impressions of the grimdark future:

Speaking of which, I thought it would actually be fun to create some montages of Neil’s photos, trying to bring them even closer to the original art, so I played around with Photoshop and Pixlr a bit and send these over to Neil quite a while ago:

Looking at the pictures again now, I still cannot get over how awesome this project is: It epitomises the kind of no-holds-barred, crazy inventive hobby projects Neil101 has become known – and rightly revered – for.

So yeah, Neil, mate, you win “best absolute everything” this year — congrats!

After a prolonged hiatus, Neil101 has once again set up shop on the interwebz: Find his new blog, Distopus, over here.

So here we are, with another year of incredible hobby endeavours behind us. I hope you enjoyed this show of stunning talent and will take lots of inspiration (and new reading suggestions) away from this! If anything, and I am saying this to myself as much as to my readers, let’s not be discouraged by the breathtaking display of talent, but let’s rather try to be re-invigorated for our own hobby endeavours, eh? So here’s to the next twelve months of cutting up and painting little plastic men and women!

So there may just be one last instalment of the 2017 Eternal Hunt Awards, taking a look at last year’s best (and worst) releases and at their implications for the way forward. Keep your fingers crossed for me not to get sidetracked too much, and it may happen sooner rather than later

Until then, I’d love to hear your thoughts about my collection of inspiring content from fellow hobbyists! And, as always, thanks for looking and stay tuned for more!

As of last week, Eternal Hunt is actually six years old. Huzzah!

Six years of blogging — that’s actually a fairly long period of time, isn’t it? It’s longer, for instance, than I have ever managed to hold down a single job (Pro career tip: Remember kids, never go for the nonprofit sector). Anyway, it does feel like an achievement, and I am really happy to have kept at it for so long!

On the one hand, there are the numbers: The blog hit the mark of one million views back in December, and I’ve had 391,000 visitors and accumulated 371 followers (cheers, people! You rock!). But that’s only half of the story, really, as beyond the numbers, this blog has really been an instrumental part of my hobby for a long time now: Looking back on the last couple of years’ worth of content on this blog, as well as the models produced alongside it, I realise there are many hobby related things I would never have achieved, had I not started this blog. And it goes without saying that your feedback has been an invaluable part of that as well, so thank you very much, dear readers!

It is true, blogging has become harder over the years: It’s no longer quite as easy for me to churn out post after post, and I am sometimes forced to take breaks in my posting schedule, for one reason or another. There’s also the fact that social media and platforms like Facebook and Instagram seem to be far more en vogue at the moment than classic blogs or forums — as I may have mentioned before, I am not really a fan of this particular development, but that doesn’t change anything about the fact that social media are having a very obvious (and rarely positive) impact on the amount of interest single blogs can generate.

Even so, I’ll keep doing my best to keep this place in business! And you can all help me by reading my ramblings, looking at the (hopefully) pretty pictures and letting me know what you think every now and then, alright? Do we have a deal? I surely hope so, because it’s also very obvious to me your feedback is a very important fuel to keep my hobby motivation going.

Anyway, what kind of anniversary would this be without any new content to celebrate the occasion, right? When I realised this date was coming up, I knew I needed something to immortalise the moment. Now under normal circumstances, I would have shown you some of my oldest (and ugliest) models from all the way in the back of the cupboard of shame, and we would all have a laugh at my expense, but you already know all of my early failures, so what was I to do? I did want to share something to us all a warm and fuzzy retro feeling, though — and then I realised I had just the thing:

Back in 2014, fellow hobbyist Drone21c was awesome enough to send me an ancient plastic Imperial Guardsman from the Rogue Trader era.

Now those were wild and adventurous days, back when the Imperial Guard was far different from its modern incarnation. Illustrations and models from the time show an army precariously balanced halfway between Spanish Conquistadors IN SPACE! and a classic, clean SciFi-look:

And what better way to do that old chestnut above justice than to tap into that crazy Oldhammer era, right? So that’s what I set out to do.

Anyway, a retro project like this deserved the right approach as well as the right reference material, so I chose to work from vintage publications, taking this depiction of a soldier in the 5th Arcadian regiment as my main inspiration:

For the most part, I tried to faithfully reproduce the paintjob seen in the illustration — with two small caveats: One, I didn’t have access to any old skool decals, so I had to make to do with a mix of modern symbols and – very basic – freehanding, going for a reasonable approximation of the vintage look. Two, some of the elements from the illustration actually worked less well on an actual model — such as more symbols on the helmet actually throwing off the colour balance. So I made some adjustments based on what did and didn’t work. That being said, and with no further ado, I give you (in honour of Drone21c) and to celebrate Eternal Hunt’s sixth birthday:

Trooper Gibbson Rikkert of the 5th Arcadian Rifles

I truly had a blast painting this guy! Trying to reproduce the elements of the drawing was a fun challenge, and I tried the best I could to make something that could have appeared in an old issue of WD from back in the day. The biggest amount of time was given over to trying to reproduce the various unit markings and symbols.

For instance, I spent quite a bit of time getting the platoon marking on the left side of his chest just so — only to realise that it would be mostly covered up by the lasgun. It’s still visible from an angled view, though:

In hindsight, given the subject of today’s post, I realise it would have made far more sense to have him belong to the Sixth Arcadian Rifles. Oh well…

Of course the model also needed a base, and I did my best to make it resemble the designs we would see in old issues of WD (with a few modern touches here and there, though). Fun fact: It was completely clear to me that a suitably retro-looking base would definitely need some bright green static grass, and I actually still have most of the bag of GW static grass I bought at the Cologne GW store while on a trip about twenty years ago — so the grass is actually genuinely retro

When it came to painting base rim, I went back and forth over which colour to go with a couple of times, only to realise that there was really only one possible answer to that particular question…

Matching the hue of the old Goblin Green took some doing, though

In spite of the anniversary, its not merely fun and games over here at Eternal Hunt, however, and work on my recently begun Ordo Hereticus retinue continues apace. As I’ve already stated in my previous post, next in line to be painted was the OOP Van Saar turned Inquisitorial Operative:

While the Interrogator and Redemptionist are very obviously and loudly Ordo Hereticus, I chose a slightly more subdued approach this time around: My reasoning was that even a proud and righteous Witch Hunter might have a use for a slightly more covert operative every now and then, and by its very look and feel, the model struck me as a likely candidate for all kinds of black ops and sneaking missions — I am not going to lie, I was also thinking of a grimdark version of Venom Snake/Big Boss from Metal Gear Solid V a fair bit, so there’s that, too.

So, meet Inquisitorial operative Tybalt Renner, formerly of the Saarthen Draugr:

The key visual element here is the matte grey stillsuit juxtaposed with glossy black armour plates. I did add the suggestion of woodgrain to the casing of Renner’s longlas, both to hint at the fact that it’s a keepsake weapon and to recall the medieval look that is so common for the Ordo Hereticus.

I also wanted to feature the red that is so prominent elsewhere in the warband, so I added the red lenses, the red field on his left shoulder (with the “S” as a callback to Renner’s former regiment, the Saarthen Draugr) and half an Inquisitorial symbol in red on his facemask:

At first I wasn’t sure whether I liked the outcome, but I have grown rather fond of the model: I think the slightly more lowkey appearance really works for the model. He still needs a proper base, though.

Oh, and since the Saarthen Draugr are a regiment DexterKong came up with for our shared Velsen sector, here’s one of Dexter’s actual Draugr soldiers (still in PIP form) for comparison:

Saarthen Draugr WIP by DexterKong

I like how the models look different enough to show that Renner’s position is now different from his former life as a soldier in the Draugr, yet they also share enough similar visual cues to hint at a common origin.

While I was still suitably inspired, I decided to keep chipping away at the retinue. So I am already hard at work on the next model for the warband, an itinerant Missionary based on one of the old GW metal missionaries:

The model came into my possession years ago, as part of a job lot. I made some slight tweaks — the chainsword was missing, and I replaced it with a trusty autopistol. And the book standard was great, but didn’t tell the story I wanted, so I replaced it with a slightly more angular Inquisition symbol/reliquary.

Here’s the painted model so far:

It’s a fantastic sculpt, full of character and still very much at home next to current models. Does anyone have an idea who sculpted this guy? I am tempted to say Jes Goodwin — there’s an amount of detail and care in the sculpt that just screams Goodwin to me. The backpack, with all the stowed equipment, for one, is a tiny piece of art in itself:

Most of the paintjob is already in place, and the missionary just needs some finishing touches before he can join the ranks of Inquisitor Arslan’s retinue for good — speaking of which, here’s a look at the current state of the warband:

So, as you can see, Eternal Hunt is well on its way into a busy seventh year. Let’s make it a successful one — I cannot do it without your help, tough, so please let me know what you think! And as always, thanks for looking and stay tuned for more!

Another week of fire and brimstone Ordo Hereticus Madness — I sincerely hope you aren’t fed up yet! But I am really on a roll right now, blazing through model after model, which is more than a bit uncommon for me. I also know how fickle motivation can be, so I’ll just let myself be swept along by the tide for as long as it lasts

Anyway, last week I shared more models for Inquisitor Arslan’s warband with you, and those completions left me with only two models to go before the warband would actually be finished. This seemed like an excellent goal to work towards for my participation in Azazel’s Squad:March! challenge as well, so I got to work. And, indeed, I do have some new models for you again. So let’s take a peek:

I. A blade from the Shadows

One of the last two missing models was this death cult assassin I converted a while ago:

The character was very much inspired by Severina and Sevora Devout (as well as the accompanying miniatures) from back when the original 54mm Inquisitor was released:

Granted, the concept of female assassins clad in latex bodygloves may not feel quite as fresh and risqué in 2018 as it did back in 2001 (or rather, than its inclusion in an Inquisition-themed game seemed back then). Even so, I have been working my way through basically all of the old character types from the awesome Inquisitor rulebook, trying to put my own spin on things, so I couldn’t shy away from this archetype, could I? I also still think there’s something pretty entertaining about taking a concept that is so ridiculously pulp-SciFi in many ways and finding a grimdark angle for it.

The conversion itself was fairly straightforward, especially since the model is really mostly a repurposed Dark Eldar Wych, from back when I briefly considered getting back into Dark Eldar after the beautiful new plastic models had been released. I added some small tweaks, such as the purity seal, to make the model a bit more Imperial.

The most important part for turning the wych into an inquisitorial operative, however, was the gas mask from a Dark Vengeance cultist: Plus the slightly weird look of the mask as well as the creepy layout of the eye lenses was intended to hint at the fact that she may have been augmented underneath the mask or to just suggest a certain kind of eerie wrongness that seemed fitting for the character.

When it came to painting the assassin, I basically used the same palette I had set down for the rest of the warband. Fortunately enough, it was really similar to the colours of GW’s official death cult assassins, so I could take some inspiration from those:

And of course I also tried to make the paintjob call back to John Blanche’s illustrations from the Inquisitor Sketchbook as well:

Illustration by John Blanche

So here’s the finished model: A still unnamed assassin from the Order of the Blade Unsheathed:

The only thing about the paintjob that proved a bit difficult was the mask: I knew I didn’t simply want to keep it black, so I tried red first, but that just didn’t work. So after trying numerous highlighting and tweaking stages, I just went for an off-white/cream colour that still stays within the palette I had set for the warband, while also turning the face into enough of a focus point, I hope.

Incidentally, the assassin still needs a name, so if anyone can come up with something suitably medieval and slightly sinister, let me know!

II. The Lion of Velsen

Happy as I am with the finished assassin, she is really just a prelude to today’s main course: Inquisitor Nabreus Arslan himself.

Now it must be said – again – that Inquisitor Arslan is a model that I have been coming back to again and again for several years now. He started back in 2011 or so as an attempt at creating a no-nonsense puritan Ordo Hereticus or Ordo Malleus Inquisitor. My bitz box was still far smaller in those days, but I did the best with the tools I had. The model started out looking quite different from the modern incarnation, though:

Most of the elements were already there, but the model didn’t quite click yet. Then I came across this model over on DakkaDakka, and realised that the hooded Dark Angels veterans head would be much better for an Inquisitor:

Do you know who created this guy? Please let me know!

And from then on, the model took shape, growing far closer to its current incarnation:

After even more nipping and tucking the conversion was basically finished back in 2014 — which is already a ridiculously long time for a model of this size. But even then, I kept returning to the model, adding a tweak here and changing a detail there, keeping the poor guy unpainted, while his retinue (likewise unpainted) kept growing. Until I finally committed to painting this version of the model earlier this month:

As an aside, looking at the finished conversion also made me realise that Arslan resembles the Inquisitor from the last edition of Codex: Inquisition rather closely, wouldn’t you agree?

It’s a rather cool illustration — unfortunately, the model it was obviously based is really rather awkward and hasn’t aged all that gracefully:

So maybe I would be able to improve on this basic template with my model for Arslan…?

One thing that was clear to me from the start was that I wanted the entire warband to hinge on Arslan and his interrogator, the Lady Chastity. Now the latter was already finished, and my idea was to simply inverse one key colour for Arslan’s colour scheme. So where Chastity wears red armour with black cloth over it, I wanted to paint Arslan’s armour black, with red cloth.

So with those ideas in my head, I took Arslan along for one of the frequent painting sesssions hosted by my good friend Annie. Those sessions are awesome, and I usually walk away with some kind of breakthrough on one of my current painting projects.

So here’s Inquisitor Arslan after a short while, with just the base colours in place:

And this is what he looked like when we packed up for the night:

While I was already reasonable happy at this point, one thing about the model just confounded me: The red left shoulder pad just didn’t work. This felt especially weird as it looks quite lovely in the picture above, doesn’t it? Yet for some reason, in real life, it kept drawing the view away from more important parts of the model, and I kept glancing back at it, so in the end, I decided to repaint it black. Apart from that, it was mainly smooth sailing the rest of the way.

So let’s take a look at the finished model:

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Inquisitor Nabreus Arslan
Ordo Hereticus Velsen

I don’t want to sound too full of myself here, but I am incredibly happy with the finished model! Especially given Arslan’s rather troubled history

However, I did end up losing some sleep over some key visual decisions:

Probably the scariest thing was to paint Arslan’s sword: Its sheer size clearly turns it into an important part of the model, and I realised during the painting process that, by limiting the entire warband to a colour palette of mostly black, white, red and gold, I had actually deprieved myself of the option to just paint the sword a stunning blue — it simply wouldn’t have gelled with the rest of the warband, but more importantly, it wouldn’t have led to the sinister look I wanted. I also realised that a simple metal sword wouldn’t cut it this time around, so I did a bit of research, taking lots of inspiration from fellow hobbyists like Alex Marsh, Jeff Vader and Midnight Runner, among others. Then I took a deep breath and tried to create my own effect for the blade, adapted from their work:

In the end, I am pretty happy with the finished effect, seeing how I managed to make the sword look both blisteringly hot and quite sinister But painting it was so far out of my comfort zone that it wasn’t even funny

True to Arslan’s history as “that model that I was never really able to finish”, I did end up making one last unexpected tweak: I actually swapped in a new shield!

Now I originally had the shield with the stylised “Knight vs. Daemon” battle scene from the Nemesis Dreadknight kit on there, but my colour choices for the model meant that I had boxed myself in regarding the shield: The warrior on the shield would obviously have to represent Arslan himself, so I would have needed to paint him in black. That would have left only gold and red for the daemon, with red being the obvious choice. That, in turn, would have left me with a golden shield, which wouldn’t exactly have matched the rest of the model all that well. Anyway, to make a long story short, I decided to try a different shield and create the inconography on it from scratch (or rather, via decals):

The idea here was to go for a medieval-style seal that would fit Arslan’s very medieval overall look. I also thought that this design might be his actual Inquisitorial seal, the one he uses to sign Exterminatus orders, and other jolly missives like that
The “A” stands for “Arslan”, and the “V” for “Velsen”, the name of the sector. The whole thing was also ever so slightly influenced by designs like the Chi Rho.

Oh, and based on Inquisitor Mikhailovich’s comment, I also tweaked the position of the shield a bit, so it might actually be attached to Arslan’s arm in an at least slightly believable way

Here’s a picture of Arslan and Chastity, showing off the aforementioned fact that they use an identical palette, and their colour scheme is very similar, save for one key colour that has been reversed between the two models:

III. A project finally finished

And would you believe it: With that, the warband is actually finished. After several years of hemming and hawing. I actually cannot quite believe it. But here it is. Take a look:

In fact, I have used this occasion to go back and take pictures of all the warband members once again, so meet the crew:

Inquisitor Nabreus Arslan, a powerful Witch Hunter of the Ordo Hereticus, known among the devout as “The Lion of Velsen”.

The Lady Chastity, a former Sister of Battle from the Order of the Martyred Blade, now serving as Arslan’s Interrogator.

Inquisitorial Operative Tybalt Renner, a veteran of the Saarthen Draugr, and an operative specialising in infiltration and stealth missions.

Brother Goderich the Pure, a member of the Church of Redemption, serving Arslan as a vicious, albeit utterly loyal, attack dog.

Father Ravion Ishmael, a veteran of the Astra Militarum turned intinerant priest of the Imperial Cult, currently serving as personal confessor to Inquisitor Arslan.

A mysterious, mute assassin from the Order of the Blade Unsheathed.

The Angel of Penance, a cyber-familiar cast in the shape of an avenging angel in order to strike terror into the hearts of heretics and instill fearful respect in the devout.

Horatio, a servo-skull.

It’s slightly weird – but also very fulfilling – to realise that I’ve had most of this retinue for years now, and now I’ve finally manage to finish the models in very short order. Oh, and this also means I’ve managed to complete my first, proper committment for the Squad:March! challenge! Yay!

Speaking of which: Many thanks must go to fellow hobbyists Azazel and Alex: I couldn’t really have done it without you, guys, as your hobby challenges finally provided me with the incentive to actually get this project on the road, at long last!

As for my next plans, I want to ride this wave of inspiration out yet a bit longer, so I think I’ll be staying in the INQ28 world for a while yet: There’s one last model for Inquisitor Gotthardt’s retinue I need to get finished (another project that has been going on for ages). Then I think I’d like to paint a truescale Deathwatch Marine conversion. And then there’s an Ordo Scriptorum retinue I am really proud of that I hope to get started on while my motivation still lasts.

Until then, I would truly love to hear your thoughts on Inquisitor Arslan and his retainers! And, as always, thanks for looking and stay tuned for more!

Yet more INQ28 content this week, as I have finally managed to complete one of my longest running projects: The retinue of Inquisitor Erasmus Gotthardt.

Now Gotthardt himself is one of my oldest INQ28 models at this point, as are some of his retainers: The models were built back in 2011, and from a much smaller bitzbox, I might add. I have been working on the warband ever since, adding a character here and tweaking a paintjob there. But for the most part, the retinue has been finished since 2016 — except for one last elusive model.

And to be perfectly honest, I have been putting off this one paintjob for a long time, mostly because I didn’t know whether or not I could do the model justice. But thanks to the various community challenges from fellow hobbyists Azazel and Alex, I have been blazing through quite a few neglected models lately, so I thought I would use this surge of motivation to finally face my fears, so to speak.

But what is this dreaded missing model I keep referring to? Well, this lass here, Elisha Gorgo:

The model was actually built all the way back in 2013, if you can believe it, when I was lucky enough to get my hands on the female vampires from the Coven Throne kit and really wanted to use them to create some characters for INQ28. I still think those are some of the best female models GW has ever released, even if the “vampiresses in period dresses” shtick might not be for anyone

Anyway, I chose my favourite model from the trio to build a member for Inquisitor Gotthardt’s retinue. Unfortunately, the vampires had already been assembled by the previous owner, and due to the very delicate, slender sculpts, there was only so much I could do to convert them — which somewhat explains Elisha’s seemingly tranced-out pose

I thought this actually worked well for a psyker, though, so that was what she would become. I spent ages looking for the right pair of legs, finally coming across some High Elf archer legs that worked really well (although not everyone was a fan of the “harem pants” look when I originally posted her on the various forums). I also exchanged her clawlike hands for gloved hands from the Dreamforge Games Eisenkern Stormtroopers that looked much less cronelike. But really, it was a rather straightforward kitbash. The prospect of having to paint the model was the difficult part: I really didn’t want to mess up, mostly because I wouldn’t be able to get another shot at working with these bitz without having to purchase an entire Coven Throne.

And even with my fresh committment to finishing the model, I was still nervous enough about this paintjob to actually mock up the intended colour scheme beforehand in Photoshop, something I don’t think I have ever done before:

We usually don’t get to see much blue in Inquisitor warbands, and I wanted to change that. I also really like turquoise as a spot colour, so that informed my colour choices as well.

The actual painting process mainly consisted of trying to match the mockup as closely as possible while doing my best not to ruin the face

Which turned out to be a bit of a challenge: I found out that I really don’t have the brush control and technical finesse to sail through a delicate paintjob like this. But here’s what I came up with after a while:

I actually do wish I had managed to pull off a neater paintjob on her face. That being said, I did manage to bring it back from the brink after almost considering it ruined, so I think I should probably be reasonably happy.

Something that doesn’t really come across in the photos is how both the corsage as well as the pants have a slight metallic sheen, in order to hint at different materials and fabrics used for her dress: I simply mixed some Leadbelcher into the paint for those areas. Apart from that, her entire dress has been painted in different mixes of black, white and Vallejo’s Milenario Turquoise.

At this point, I was basically prepared to call the model finished — to tell you the truth, I was actually still terrified of ruining it

But at the same time, I couldn’t stop thinking about how a subtle blue OSL effect on the palms of her hands could be used to both hint at her channeling her powers and also explain her pose a bit better. But the hands were very small, and I didn’t really want it to end up looking tacky. In the end, I buckled up and just did it, though. I’ll let you be the judges of whether or not I succeeded:

Elisha Gorgo

born Countess Elisha Haxta di Colasante Mordina-Gorgo

Elisha Gorgo is the eldest daughter of the influential Imperial House Mordina-Gorgo. The girl started displaying psykana powers at a very young age. Under normal circumstances, this would have meant a dreary and possibly short life aboard one of the Blackships, but her influential father used every ounce of his authority to keep her “affliction” a secret. Due to her powers, she has been sequestered away from other people for most of her life and has grown up very shy and demure as a consequence.

Her secret was only uncovered when Inquisitor Gotthardt visited her homeworld as part of an investigation. And, for an undisclosed reason, he chose to make her a member of his retinue, arguably saving her from the far more dire fate that might have awaited her, had she encountered one of his more hardline colleagues.

When all is said and done, I am pretty happy with the way Elisha has turned out: Painting a model after such a long time always means you have to compromise — to settle on one definite way the model will look over all the possibilities you have been pondering in the back of your head. All technical gripes notwithstanding, I do think she makes for a rather stunnig addition to Inquisitor Gotthardt’s warband — because let’s not forget that the retinue is now actually finished. Take a look:

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Inquisitor Erasmus Gotthardt and retinue
Ordo Hereticus Velsen

Once again, let us take a look at all of the warband’s members in turn:

Inquisitor Erasmus Gotthardt, an Inquisitor of the Ordo Hereticus Velsen in uneasy pursuit of his former friend, Inquisitor Lazarus Antrecht.

Cpt. Esteban Revas, former Regimental Champion of the 126th Haaruthian Dragoons, publicly dishonoured for an honourable deed.

Trooper Salvador ‘Sal’ Koltz, also formerly of the 126th Haaruthian Dragoons. An unashamedly lowbrow, yet surprisingly resourceful, individual. Bound by a debt of gratitude, he serves as personal retainer to Esteban Revas.

Iskander Gagarin, flamboyant Rogue Trader and merchant-prince. Claims to be a scion of one of the very first families to have sailed out into the Great Void Sea, even predating the Age of Unification.

PeeDee the Monkey, a priceless cyber-familiar and exotic pet to Iskander Gagarin.

Elisha Gorgo, of House Mordina-Gorgo, an imperial debutante, possessing strange psykana powers.

Father Endric Harlan, a Schola Progenium Drill-Abbot and survivor of the Quelling of St. Berthold, a highly classified Inquisitorial operation.

Remus Ingram, a former member of the Riftyr Hiveguard turned inquisitorial investigator, and Balzepho, his cyber-mastiff.

Looking back at my three “big” finished retinues so far – Inquisitor Antrecht and his freakshow, Inquisitor Arslan and his sinister Ordo Hereticus operatives, and now Inquisitor Gotthardt and his retainers – it’s fun to see the different design approaches at play: Antrecht and retinue were a way to explore radicalism and the way rogue Inquisitors are driven towards more and more monstrous and inhuman allies. Inquisitor Arslan’s retinue was, in many ways, an exercise in cohesion, with all of the members sharing a very similar colour palette and overall visual aesthetic. Now Gotthardt and his crew take yet another approach:

Like Arslan, Gotthardt is a puritan, but he is also less extreme in his views: Think Eisenhorn in his earlier years, and you’re not far off the mark. And unlike Arslan’s warband, Gotthardt’s followers are a pretty colourful bunch. As I’ve said before, the warband makes use of many of the classic character archetypes from the Inquisitor rulebook, taking direct inspiration from actual 54mm models or artwork from the book in more than one case. I think of the retinue as just the colourful collection of individuals an enterprising Inquisitor would meet during his work and turn into a highly individual group of followers.

Again, each of this groups embodies a different aspect of the Inquisition: Antrecht and his crew embody radicalism that borders on the heretical. Arslan’s warband is full-on fire and brimstone and Inquisitorial ostentatiousness. Gotthardt’s team has a swashbuckling, picaresque feel by comparison — more Dan Abnett than John Blanche, for once.

Interestingly enough, this is probably also the retinue with the biggest amount of backstory so far, mostly because the whole project has basically taken on a life of its own over the years:  PeeDee the Monkey joined the group when PDH sent me that little powder monkey that just seemed ideal as a pet for a flamboyant trader like Iskander Gagarin. Trooper Koltz only came into being because Esteban Revas just looked like the kind of noble fop who would have a manservant lugging around his smoking utensils — but both characters actually grew into something way more interesting and fleshed out. Just take a look at Esteban’s backstory, in case you are interested.

Anyway, enough rambling — I am just happy to have finished this long running project!
Oh, and since the completion of Elisha’s paintjob actually finishes the retinue, I think I’ll be counting this as yet another completion for Azazel’s Squad:March! challenge

And with that, we have come to the end of the road, at least for today.

Once again, I would love to hear any feedback you might have! And, as always, thanks for looking and stay tuned for more!

Hey everyone, I hope you’re all having a relaxed Easter holiday, before it’s back into the grind of everyday life tomorrow

As for me, after the frantic activity of recent weeks – at least compared to my usual standard – my original plan was to take a small break before things get hectic in the coming weeks and months for RL related reasons. But almost before I knew what I was doing, I was already back at the painting table and had started to paint yet another model. So let’s take a look, shall we?

Now today’s project basically begun in two places: A couple of years ago, I discovered this piece of artwork by Wayne England online:

illustration by Wayne England

Now I’ve already mentioned before that Wayne England is (was ) one of my favoutite GW artists, and this piece in particular seemed like a great source of inspiration. It’s all there: the bold lines. The mysterious, shadowy character, the stylised lettering,…

Shortly afterwards, fellow hobbyist PDH’s shared his ruminations on the mysterious Ordo Scriptorum, an Ordo given to collecting and scrutinising the vast amounts of recordings and data collected (and often forgotten) by the Imperium of Man. Now it doesn’t take much imagination to realise that there are lots of cool Inquisitorial narrative hooks to be had here, from the creepy Orwellesque “Ministry of Truth” angle to the “The Name of the Rose IN SPACE!” style exploration of ancient data vaults that lie hidden deep in the core of the Throneworld (beautifully hinted at, for instance, by Chris Wraight in his highly recommended novel “The Carrion Throne”).

Anyway, when first posting his ideas about the Ordo Scriptorum, PDH mentioned that the aforementioned piece of art seemed like a perfect depiction of an Ordo Scriptorum Inquisitor to him. Which was when the little levers started to move in my head, and they didn’t stop until I had an early build for a model inspired by that very piece of artwork:

I was lucky enough to have some bitz lying around that really came in handy during this process: The robed legs from the WFB/AoS Chaos Sorcerer were a bit of a no-brainer. Then I discovered that the bitz best-suited to producing the pose and overall look I wanted came from the Dreamforge Games Eisenkern Stormtroopers. And the part that really made the conversion promising, even at this early stage, was a servitor head from the Space Marines Stormraven kit — easily one of the best overlooked bitz from GW’s entire catalogue, if you ask me, and kindly sent to me by fellow hobbyist Biohazard a couple of years back.

Going forward, the most important part was to match the character’s silhouette from the artwork — the way he grips his cane, the general lines of the composition, stuff like that. I also really like how the character in the illustration seems to be wearing a pair of books at his hip as though they were weapons — quite an apt metaphor, given the responsibilities of the Ordo Scriptorum…

Anyway, after much tweaking, I ended up with this conversion:

Now here’s the thing: As has become a bit of a recurring motif here on Eternal Hunt, I actually built this model years ago and hadn’t gotten around to painting it yet. In my defense, however, I spent at least some of the time doing some serious research into what I wanted the Ordo Scriptorum Inquisitor to look and feel like. This also included building some retainers for him:

The overarching motifs I wanted to explore became even more clearly defined by looking at the members of the retinue I had come up with: I wanted there to be a bookish, shadowy feel to the warband. After all, it stands to reason that much of the Inquisitor’s life would be spent exploring ancient archives. However, at the same time, there was also a hint of elegance in the artwork that inspired the model, and I felt that this would offer an interesting counterpoint, both for the retinue and for the Inquisitor.

Keeping this in mind while trying for figure out a suitable colour scheme for the Inquisitor, I also drew from several other sources: One huge influence came in the form of Wayne England’s illustrations from the same time (or at least in the same style) as the piece of art that inspired the model in the first place:

The picture above really captures one of the things I was after: You can just imagine this being an impression of an Ordo Scriptorum team going about its business in the world-city of the Holy Terra.

Of course I also looked to the work of fellow hobbyists for inspiration: Jeff Vader’s work provided heaps of material for reference once more, particularly his rogue Inquisitor Carax and his sinister Blackship Captain-Inquisitor Lazaros . Then there was PDH’s own Ordo Scriptorum warband that served as a perpetual undercurrent of inspiration for this project — in fact, his Inquisitor Klien Inson actually used to be my Inquisitor Orlant’s interrogator!

And I also happened to take some influences from the videogame world on board, especially from two series very close to my heart. Which is why Orlant was very much inspired both by Father Karras (from the Thief series)…

… and I also tried to give him the same drawn aspect you can see in this illustration of Lord-Regent Hiram Burrows (from the first game in the Dishonored series):

And finally – and funnily enough – I also kept looking at an old model of mine, one of the classic Haemonculi from 3rd edition 40k:

While the paintjob really isn’t anything to write home about by modern standards, it did feel like a useful proof of concept for the look I wanted — now if I could only refine this by about 400%…

To be perfectly honest, Orlant was another one of those models where I was actually nervous about the prospect of painting — and messing up. Yet with so many finished INQ28 characters from the last couple of weeks under my belt, and with the inspiration provided by some Inquisition-centric BL novels I recently read (Dan Abnett’s “The Magos”, obviously, and there’s also so much of Orlant in Chris Wraight’s Inquisitor Crowl that I almost couldn’t believe it), I knew it was finally time to get this show on the road.

So with all of the aforementioned influences on my mind, I began painting:

I knew from the start that I wanted the robes to be a pretty dark turquoise (in that sense, my recent paintjob for Elisha Gorgo actually did double duty as a proof of concept for this model as well). As for the skin, I went with a really pale, unhealthy look, as though the Inquisitor spends very little time aboveground, in natural light — which is probably the case. And just like when painting Inquisitor Arslan, I decided to go with glossy black armour again, since I felt it would support the model’s slightly sinister look.

All of those elements worked reasonably well right off the bat. The one thing that didn’t quite work out, however, were the books worn on Orlant’s belt: I didn’t go with red or any other strong colour because I wanted to keep the palette very limited and predominantly cold, but as a result, they ended up blending into their surroundings. Several people suggested going for purple as an alternative, and under normal circumstances, that would have been an ideal choice. Only I had set myself this pesky little limitation of mostly wanting to keep the palette focused on blue and turquoise tones…

I also realised that the books actually take up quite a bit of visual real estate, so I needed the colour to be different enough from the robes, but not so different as to overwhelm the paintjob. In the end, I repainted the books grey — not an exciting choice, certainly, but it kept the palette suitably narrow and still looked different enough from the teal robes:

Another part that I had to redo several times was the script on the parchment: It actually spells “Redactor Orlant”, although you may have to take my word for it. I even tried to make it resemble Wayne England’s lettering style a bit, but there was very little space, and it was all so small. After redoing this part several times,  I think this is as good as it’s going to get…

During the painting process, I realised that there was this odd little gap at Orlant’s belt that was slightly distracting, so I carefully added some additional keys to his belt: It’s fun to think that Orlant has keys to all kinds of forbidden bibliocathedra and data vaults…

With the paintjob mostly sorted out, the model was only missing a base really, so I try to create something that would support the warband’s look and feel. For starters, I used a piece from one of the 40k basing kits, mostly for the pretty cool relief on it:

The piece was cut down to fit a round base, the gaps were filled with GS. I also liberally stippled on Liquid GS for added texture and to counteract the very soft and artificial looking quality of the stock piece. Ironically enough, most of the relief actually ended up being covered by the model:

If nothing else, however, it still provides some texture and structure, making the base look more like a part of some long-deserted Imperial archive.

So here’s the finished model:

=][=

Redactor Tiberias Orlant
Ordo Scriptorum

A long serving member of the Ordo Scriptorum Terra, Inquisitor Orlant has discovered many ancient documents and hidden truths during his long years of trawling the bibliocathedra and sunken data vaults of Holy Terra. Moreover, his rank as a Redactor of the Ordo means that not only does he endeavour to find records from the Imperium’s past, but he also gets to decide which truths are revealed to the masses and which are suppressed with every tool at the Holy Ordos’ disposal.

Orlant has recently embarked upon a mission only known to himself, making his way to the Velsen Sector, situated far away from the Throneworld in the Ultima Segmentum. His colleagues consider this most recent endeavour a fool’s errand at best, yet Orlant is not known as a soul given to flights of fancy — what could he have discovered in the vaults of Terra to inspire his latest investigation?

I did end up making one last colour adjustment after all, repainting the wax of the purity seal in a slightly colder tone than before. It’s really a small detail, but it ties back to Orlant’s skin tone (see above) and it’s not big enough to throw the entire colour scheme out of balance, so I think it’s an improvement.

As you can see, I also decided to add two books to Orlant’s base:

Once again, I wanted to hint at the fact that he probably spends most of his work scouring ancient vaults and sunken archives for lost data and hidden secrets. It’s an idea I want to explore with the rest of the warband, albeit in slightly different ways. We’ll see…

I also found out, by sheer coincidence, that Orlant has a nice kind of “Red Oni, Blue Oni” thing going with Inquisitor Arslan. Take a look:

Fellow hobbyist youwashock suggested on Dakka that the next Inquisitor in line would need to be yellow — Sentai Inquisitors FTW!

In closing, here’s a comparison shot putting Wayne England’s illustration that inspired the model and Orlant himself next to each other:

Maybe not a perfect match, but I am reasonably happy with the resemblance, to tell you the truth. In the end, trying to match the art is always a compromise between what can reasonably be achieved and what would just be impractical in model form. For instance, I only realised how scarily tall the character in the artwork is when putting both images next to one another

When all is said and done, it feels good to finally have finished this model! And it’ll be interesting to see how the stylistic choices I have made for Orlant and his retinue will (or won’t translate) to the rest of the models:

Thinking of this retinue again has also kicked off all kinds of thoughts about the nature of the Ordo Scriptorum — and has already provoked two more members for the retinue that shall be revealed in time.

But all of that is a story for another time. Until then, I would truly love to hear your thoughts on Inquisitor Orlant! And, as always, thanks for looking and stay tuned for more!